The first cultural history of the iconic brand M·A·C Cosmetics, VIVA M·A·C charts the evolution of M·A·C's revolutionary corporate philanthropy around HIV/AIDS awareness. Drawing upon exclusive interviews with M·A·C co-founder Frank Toskan, key journalists, and fashion insiders, Andrea Benoit tells the fascinating story of how M·A·C's unique style of corporate social responsibility emerged from specific cultural practices, rather than being part of a strategic marketing plan. Benoit delves into the history of the M·A·C AIDS Fund and its signature VIVA GLAM fundraising lipstick, which featured drag performer RuPaul and singer k.d. lang in its first advertising campaigns. This lively chronicle reveals how M·A·C managed to not only defy the stigma associated with AIDS that alarmed many other corporations, but to engage in highly successful AIDS advocacy while maintaining its creative and fashionable authority.

The producer of the movie 'Priscilla, Queen of the Desert,' tells the story of making the movie. Describes problems such as the difficulties of casting, and bizarre events that occurred during the launch, shoot and test screenings. The author has been involved in the production of a number of movies including 'The Crossing'. His other publications include 'Raymond Chandler in Hollywood'.

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

This account of the changing organisation and output of the Australian cinema since 1990 balances accounts of government policy and industrial response with analyses of box-office successes and lesser-known movies.

Paris Is Burning (Jennie Livingston, 1991) captures the energy, ambition, wit, and struggle of African-American and Latino participants in the 1980s New York drag ball scene. This book contextualizes the film within the longer history of drag balls, the practices of documentary, the fervor of the culture wars, and the development of queer theory and critical race studies.