Caught in the crossfire of inter-tribal wars, witnesses to cannibalism and to scenes of both ethereal beauty and chilling terror - the early European explorers of New Zealand were a diverse group of individuals who undertook voyages of sometimes epic proportions through the country. In The Voyagers, Paul Moon tells dramatic stories of Europeans discovering and exploring New Zealand during the first half of the 1800s. Ocean adventures, cross-country trekking, imperial and spiritual conquests, first contacts with Maori, artists seeking the 'sublime', scientific discovery and commercial pursuits all intertwine to form a fascinating portrait of a land undergoing immense change. Jules Dumont d'Urville, Samuel Marsden, Ferdinand von Hochstetter and Charles Heaphy complement an array of lesser known but no less intrepid explorers - soldiers and sailors, travellers and settlers, missionaries, artists and officials - all of whom ventured from their homelands in search of new horizons. The Voyagers is a perceptive and absorbing account of nineteenth-century exploration, and of the very human characters who helped put New Zealand on the map. Also available as an eBook 'Fascinating and revealing . . . this well written and illustrated book is in keeping with the best of [Moon's] many works on New Zealand history.' --Waikato Times 'Offers particular insights into a largely unmapped land and its people . . . very accessible . . . a fascinating, cohesive story.' --Dominion Post

What would a history of New Zealand look like that rejected Thomas Carlyle’s definition of history as ‘the biography of great men’, and focused instead on the experiences of women? One that shifted the angle of vision and examined the stages of this country’s development from the points of view of wives, daughters, mothers, grandmothers, sisters, and aunts? That considered their lives as distinct from (though often unwillingly influenced by) those of history’s ‘great men’? In her ground-breaking History of New Zealand Women, Barbara Brookes provides just such a history. This is more than an account of women in New Zealand, from those who arrived on the first waka to the Grammy and Man Booker Prize-winning young women of the current decade. It is a comprehensive history of New Zealand seen through a female lens. Brookes argues that while European men erected the political scaffolding to create a small nation, women created the infrastructure necessary for colonial society to succeed. Concepts of home, marriage and family brought by settler women, and integral to the developing state, transformed the lives of Māori women. The small scale of New Zealand society facilitated rapid change so that, by the twenty-first century, women are no longer defined by family contexts. In her long-awaited book, Barbara Brookes traces the factors that drove that change. Her lively narrative draws on a wide variety of sources to map the importance in women’s lives not just of legal and economic changes, but of smaller joys, such as the arrival of a piano from England, or the freedom of riding a bicycle.

‘Us Maoris used to practice slavery just like them poor Negroes had to endure in America . . .' says Beth Heke in Once Were Warriors. ‘Oh those evil colonials who destroyed Maori culture by ending slavery and cannibalism while increasing the life expectancy,' wrote one sarcastic blogger. So was Maori slavery ‘just like' the experience of Africans in the Americas and were British missionaries or colonial administrators responsible for ending the practice? What was the nature of freedom and unfreedom in Maori society and how did that intersect with the perceptions of British colonists and the anti-slavery movement? A meticulously researched book, Outcasts of the Gods? looks closely at a huge variety of evidence to answer these questions, analyzing bondage and freedom in traditional Maori society; the role of economics and mana in shaping captivity; and how the arrival of colonists and new trade opportunities transformed Maori society and the place of captives within it.