"This book is a must have . . . it really inspires you to greater things and encourages you to believe that anything is possible if you follow the book step-by-step!" —www.horsecity.co.uk

Calm, Forward and Straight must always serve as guiding principles during dressage training and the order of these concepts should not be changed. "In these volumes, I capture and explain the training foundations passed down to us from the great Masters. I provide appropriate exercises to restore, develop, and enhance the horse's natural gaits. This goal is shared in all riding styles and training disciplines, including dressage, jumpers, hunters, western, pleasure, and many others. Book One includes the fundamental training progression from the beginning to the elementary level. The training mastered in Book One is necessary to advance to the collected and extended gaits, pirouette at the canter, tempi flying changes of lead, piaffe and passage that are presented in Book Two." - Francois Lemaire de Ruffieu This work-study program explains how to Divide and Conquer the horse's body parts. To be able to properly perform the exercises the horse should be able to find the appropriate head position independent of the rider. The exercises are beautifully illustrated by hundreds of the author's drawings and diagrams. Using Ruffieu's experiential teaching method, horses and riders are transformed by a wealth of exercises, patterns and aids revealed in a logical, progressive sequence.

This popular handbook provides a complete course for horse and rider using the German training systems, which are applauded the world over as being clear, logical and thorough and which have consistently produced international champions for decades. Based on the principles of classical horsemanship, the contents include basic exercises and tips for riding in competitions.

Just as small streams make big rivers, Divide and Conquer Book 1 explains a myriad of details on how to divide the horses body parts. Divide and Conquer Book 2 regroups these details to show how to accomplish all of the upper level movements and provides several techniques designed to educate riders to achieve their short and long term goals. In a clear and simple method, François Lemaire de Ruffieu describes all the longitudinal and lateral movements, flying changes of lead at close intervals, canter pirouette, piaffe and passage, to mention only a few.All techniques for the upper level movements are natural to the horse and are simultaneously, a sound foundation of training for any level and any discipline.Dressage is an Art and, as in any art, it can be viewed in many different ways. History shows that some extraordinary riding masters were radically different in their theories: Riders physical appearance and differences in horse breeding have influenced riding masters leaving us a rich history of techniques to educate our horses properly. Dressage tends to follow fashion. Nevertheless, the goals of dressage have always remained the same: render the horse agreeable, easy to ride, well-balanced, straight and responding instantaneously to the slightest rider's demands. Dressage is a school of obedience as well as a school of thoughts.

Over the course of her riding and horse training career, Kathrin Roida has progressively gained a deep appreciation for the benefits of gymnastic exercises, particularly those that can be taught to the horse from the ground. "In-hand" training has long been used to help develop the dressage horse, conditioning and suppling his body while at the same time preparing his mind to grasp the movements that may eventually be expected. Roida relies on these techniques when working with young horses, which she prepares for under-saddle training with exercises first learned on the ground, improving balance and enhancing confidence by refining the horse's sense of his body and where it is in space. Roida also uses in-hand techniques to vary the training of the fully schooled riding horse and to solve problems that may be more safely dealt with from the ground. In this book she details her methods, sharing the stories of a number of horses of different ages, breeds, and training backgrounds, and demonstrating the steps to teaching them: shoulder-in, travers, renvers, pirouettes, half-pass, piaffe, passage, canter work, the Spanish walk, and much more. Throughout her conscientious attention to what is best for the horse ensures that not only do the lessons result in a horse that is healthy in body but also one that is healthy in mind and happy in his work.

Miguel Tavora emphasizes that through correct, gradual, progressive, logical and systematic gymnastic work, we develop the physical and mental abilities of the horse, so he will find all the activities he is asked easy to perform, and will do it looking as if it was by his own will.