“Utterly sublime . . . Aduatells a gripping story of war, migration and family, exposing us to the pain and hope that reside in each encounter” (Maaza Mengiste, author of The Shadow King). Adua, an immigrant from Somalia, has lived in Italy nearly forty years. She came seeking freedom from a strict father and an oppressive regime, but her dreams of becoming a film star ended in shame. A searing novel about a young immigrant woman’s dream of finding freedom in Rome and the bittersweet legacies of her African past. “Lovely prose and memorable characters make this novel a thought-provoking and moving consideration of the wreckage of European oppression.” —Publishers Weekly (starred review) “Igiaba Scego is an original voice who connects Italy’s present with its colonial past. Adua is an important novel that obliges the country to confront both memory and truth.” —Amara Lakhous, author of Dispute over a Very Italian Piglet “This book depicts the soul and the body of a daughter and a father, illuminating words that are used every day and swiftly emptied of meaning: migrants, diaspora, refugees, separation, hope, humiliation, death.” —Panorama “A memorable, affecting tale . . . Brings the decolonialization of Africa to life . . . All the more affecting for being told without sentimentality or self-pity.” —ForeWord Reviews “Deeply and thoroughly researched . . . Also a captivating read: the novel is sweeping in its geographical and temporal scope, yet Scego nonetheless renders her complex protagonists richly and lovingly.” —Africa Is a Country

The first novel in the First Law Trilogy and debut fantasy novel from New York Times bestseller, Joe Abercrombie. Logen Ninefingers, infamous barbarian, has finally run out of luck. Caught in one feud too many, he's on the verge of becoming a dead barbarian -- leaving nothing behind him but bad songs, dead friends, and a lot of happy enemies. Nobleman, dashing officer, and paragon of selfishness, Captain Jezal dan Luthar has nothing more dangerous in mind than fleecing his friends at cards and dreaming of glory in the fencing circle. But war is brewing, and on the battlefields of the frozen North they fight by altogether bloodier rules. Inquisitor Glokta, cripple turned torturer, would like nothing better than to see Jezal come home in a box. But then Glokta hates everyone: cutting treason out of the Union one confession at a time leaves little room for friendship. His latest trail of corpses may lead him right to the rotten heart of government, if he can stay alive long enough to follow it. Enter the wizard, Bayaz. A bald old man with a terrible temper and a pathetic assistant, he could be the First of the Magi, he could be a spectacular fraud, but whatever he is, he's about to make the lives of Logen, Jezal, and Glokta a whole lot more difficult. Murderous conspiracies rise to the surface, old scores are ready to be settled, and the line between hero and villain is sharp enough to draw blood. Unpredictable, compelling, wickedly funny, and packed with unforgettable characters, The Blade Itself is noir fantasy with a real cutting edge.

- So begins the apocalypse, with death and a story of love - An old soul (several centuries old), the lover, fighter, and telekinetic Drake receives an order to safeguard Ana, a mortal with Elder Talent. Ana, an artist beset by haunting visions, falls for the perfect stranger while venturing home to mediate emergent family chaos. Past-warlord and present commander Sasuke wields his telepathic might to outwit Council traitors in an effort to save the human realm and its Guardian from a new Dark War. Criminal and light bender Lou, now sought by the Council to answer for his sins, seeks shelter with the Reverend-an Elder fit to bypass rules of magic meant to be unbreakable. As time's last grains of sand deplete, an ancient battle may renew, with pieces of the fractured realm imperiling man's modern world. Though few on Earth are cognizant, dark days now lie ahead. . . One fate, two paths, six singular perspectives, and plethoric danger. Contemporary fantasy at its polychromic finest-pure delight.

A mini-history of a nation's life told in the stories of three protagonists

From My Heart is a chronological assessment of the contributing events between 2004 and 2009 that have helped define Nigeria and Africa. What leashes have kept Nigeria from fulfilling the expectations of her people? Can a country which spends more on public officials than it does on public education make rewarding economic progress? Was Dr. James D. Watson accurate in his assessment, which attracted the umbrage of Africans and non-Africans in 2007? Those questions and more have been addressed in an interactive and daring manner. From My Heart is a useful resource material for scholars who seek information not only about developments in Nigeria, which are responsible for its current social shape, but also about Africa and the entire black race. This book contains testimony by Nuhu Ribadu, former Nigerian anti-corruption Czar, given before the U.S. House Financial Services Committee. About the Author: Leonard Shilgba grew up in Nigeria, but lived, studied, and worked in Japan. He currently lives with his family in the university town of Yola, just outside Abuja, Nigeria's capital. He is a university professor at the American University of Nigeria, Yola. In addition, he is continuously working on strengthening the Nigeria Rally Movement, which he co-founded. Publisher's website: http: //www.strategicpublishinggroup.com/title/FromMyHeart.html

This book argues for the importance of adopting a postcolonial perspective in analysing contemporary Italian culture and literature. Originally published in Italian in 2018 as Riscrivere la nazione: La letteratura italiana postcoloniale, this new English translation brings to light the connections between the present, the colonial past and the great historical waves of international and intranational migration. By doing so, the book shows how a sense of Italian national identity emerged, at least in part, as the result of different migrations and why there is such a strong resistance in Italy to extending the privilege of italianità, or Italianness, to those who have arrived on Italian soil in recent years. Exploring over 100 texts written by migrant and second-generation writers, the book takes an intersectional approach to understanding gender and race in Italian identity. It connects these literary and cultural contexts to the Italian colonial past, while also looking outwards to a more diffuse postcolonial condition in Europe.