Adrian Willaert
Title | Adrian Willaert PDF eBook |
Author | David Kidger |
Publisher | Psychology Press |
Pages | 463 |
Release | 2005 |
Genre | Biography & Autobiography |
ISBN | 0815339623 |
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Adrian Willaert and the Theory of Interval Affect
Title | Adrian Willaert and the Theory of Interval Affect PDF eBook |
Author | Timothy R. McKinney |
Publisher | Routledge |
Pages | 365 |
Release | 2016-03-23 |
Genre | Music |
ISBN | 1317185315 |
In the writings of Nicola Vicentino (1555) and Gioseffo Zarlino (1558) is found, for the first time, a systematic means of explaining music's expressive power based upon the specific melodic and harmonic intervals from which it is constructed. This "theory of interval affect" originates not with these theorists, however, but with their teacher, influential Venetian composer Adrian Willaert (1490-1562). Because Willaert left no theoretical writings of his own, Timothy McKinney uses Willaert's music to reconstruct his innovative theories concerning how music might communicate extramusical ideas. For Willaert, the appellations "major" and "minor" no longer signified merely the larger and smaller of a pair of like-numbered intervals; rather, they became categories of sonic character, the members of which are related by a shared sounding property of "majorness" or "minorness" that could be manipulated for expressive purposes. This book engages with the madrigals of Willaert's landmark Musica nova collection and demonstrates that they articulate a theory of musical affect more complex and forward-looking than recognized currently. The book also traces the origins of one of the most widespread musical associations in Western culture: the notion that major intervals, chords and scales are suitable for the expression of happy affections, and minor for sad ones. McKinney concludes by discussing the influence of Willaert's theory on the madrigals of composers such as Vicentino, Zarlino, Cipriano de Rore, Girolamo Parabosco, Perissone Cambio, Francesco dalla Viola, and Baldassare Donato, and describes the eventual transformation of the theory of interval affect from the Renaissance view based upon individual intervals measured from the bass, to the Baroque view based upon invertible triadic entities.
Adrian Willaert's Famous Duo Quidnam Ebrietas
Title | Adrian Willaert's Famous Duo Quidnam Ebrietas PDF eBook |
Author | Joseph Sigmund Levitan |
Publisher | |
Pages | 86 |
Release | 1939 |
Genre | |
ISBN |
Adrian Willaert's Chromatic "duo" Re-examined
Title | Adrian Willaert's Chromatic "duo" Re-examined PDF eBook |
Author | Edward Elias Lowinsky |
Publisher | |
Pages | 44 |
Release | 1957 |
Genre | |
ISBN |
The Chapel of St. Mark's at the Time of Adrian Willaert (1527-1562)
Title | The Chapel of St. Mark's at the Time of Adrian Willaert (1527-1562) PDF eBook |
Author | Giulio Maria Ongaro |
Publisher | |
Pages | 544 |
Release | 1986 |
Genre | Music |
ISBN |
European Music, 1520-1640
Title | European Music, 1520-1640 PDF eBook |
Author | James Haar |
Publisher | Boydell Press |
Pages | 606 |
Release | 2006 |
Genre | Music |
ISBN | 9781843832003 |
The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of 'Renaissance' and 'Baroque'). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK
Early Music History: Volume 23
Title | Early Music History: Volume 23 PDF eBook |
Author | Iain Fenlon |
Publisher | Cambridge University Press |
Pages | 336 |
Release | 2004-12-27 |
Genre | Literary Criticism |
ISBN | 9780521842501 |
Musical history from the early Middle Ages to the end of the seventeenth century.