This 50th edition of Publication Design Annual celebrates the winners of The Society for Publication Design's competition.

This book showcases small hotels, all located in the United States, designed by architects who use light and materials in interesting and intentional ways. The designs also deliberately connect to their local history, context, or land – in many cases all three. Both the architecture and the operations harmonize with the place, whether that is a bustling city, small town, or natural area. Many are new buildings but some are adaptive reuse projects or renovations of historic properties, extending the connectivity of the place into the future. A condensed history of lodging helps to place the many typologies and histories of hospitality in relationship to world events and includes the many factors that influence hotel development such as business practices, technology, and even politics. Hotels are influenced by larger trends and innovations in hospitality such as the emergence of a variety of creative possibilities for future travel. A final chapter includes speculation on travel trends and encourages us all to wander more intentionally.

Food & Wine's annual cookbook is filled with the year's best recipes from chefs around the world. This expertly curated collection features fabulous dishes, fresh flavors, and new ways to prepare familiar ingredients. Discover creative ideas for every occasion, from weeknight dinners and weekend brunches to cocktail parties and holiday meals. Gorgeous color photographs throughout provide endless inspiration, while clear instructions and step-by-step photographs guarantee delicious success.

Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.

Wilshire Boulevard is one of Los Angeles's transportation lifelines, and as close as one gets in the sprawling metropolis to a Main Street. Running east-to-west from downtown to the ocean, Wilshire is a link from late-nineteenth-century L.A. to the explosive growth of this city in the 1950s, 60s and 70s. Fascinated by its history, New York-based photographer Adrian Gaut pays tribute to L.A.'s most famous strip in his unique framing of architectural details. Gaut's photographs evoke the 100-year-plus history of L.A.'s growth through rigorous documentation of the boulevard starting with One Wilshire in downtown L.A. and ending with traffic cones that divide the Pacific Coast Highway. In between--the Art Deco details of Miracle Mile, the 1980s reflective glass facades of Century City and the midcentury modern architecture omnipresent throughout the entire strip--is captured in more than 100 color and black-and-white semi-abstract compositions. A brilliant way to mark a time and place in Southern California in the early 21st century.

Artwork and popular cultures are crucial sites of contesting and transforming power relationships in world politics. The contributors to this edited collection draw on their experiences across arts, activist, and academic communities to analyze how the global politics of colonialism, capitalism, and patriarchy are expressed and may be transformed through popular cultures and artistic labour. Through their methodological treatment of artwork and popular cultures as material sites of generating aesthetic knowledge and embodying global power, the authors foreground an analysis of global hierarchies and transformative empowerment through critically engaged political imagination and cultural projects. By centralizing an intersectional analysis of the racialized, gendered, economic dimensions of the praxis of culture, The Art of Global Power demonstrates how artwork and popular culture projects, events, and institutions are vital sites of transgressing the material conditions that produce and sustain unjust global power hierarchies. This book intervenes in the international relations popular culture literature by problematizing the idea of a single homogenizing global popular culture and engaging with multiple popular cultures articulated from diverse global locations and worldviews. To the international relations aesthetics literature this book contributes an intersectional analysis of aesthetics as an embodied process of knowledge production and action that takes place within global conditions of colonialism, capitalism, and patriarchy. This book will be of interest to students, researchers and practitioners of international relations, and gender, cultural and media studies.

Known for their classic contemporary look, the AD100 interior design/architectural firm Ashe Leandro’s debut publication is an inspiring look book of interiors they have created in syncopation with materials that they are drawn to. For Ashe and Leandro, creativity is a way of life that is reflected in everything they design. They have built a star-studded portfolio (clients include Liev Schreiber, Seth Meyers, Naomi Watts, and Rashid Johnson) with their fresh approach to unfussy, high-design spaces. Their interiors favor a quiet beauty, based on simple shapes, asymmetrical details, and a fine patina. This luxurious book, with its cloth-covered case, features the firm’s exciting new design projects, exhibiting their fusion of America’s Southwest, Latin American, and European heritages. There are also profiles of homes in urban and country settings, from New York City, Connecticut, and East Hampton to Martha’s Vineyard, illustrating this appealing cosmopolitan/bohemian aesthetic. Through an insightful interview, the designers share their process using interiors and their furnishings to demonstrate the personal ethos of their extraordinary firm and its important contributions to the design world.