One of the most critically acclaimed directors after Satyajit Ray, Adoor Gopalakrishnan occupies a unique space in the world of cinema. His life intertwining with his art, and his art drawing upon real people and real lives, Gopalakrishnan’s cinema turns the mundane into the magical, the commonplace into the startling. In Adoor Gopalakrishnan: A Life in Cinema, the first authorized biography of the Dadasaheb Phalke Award winner, Gautaman Bhaskaran traces the ebbs and flows of the life of this enigmatic director. From his birth during the Quit India movement to his lonely childhood; from his belief in Gandhian values and life at Gandhigram to his days and nights at the Pune Film Institute; and from his first film, Swayamvaram, to his latest and long-awaited, Pinneyum, Bhaskaran’s lucid narrative tracks the twists and turns of Gopalakrishnan’s life, revealing an uncommon man and a rare auteur.

This first study of Adoor Gopalakrishnan’s feature films offers a compelling analysis of the socio-historical contexts of his work. Suranjan Ganguly examines how Kerala’s abrupt displacement from a princely feudal state into twentieth-century modernity has shaped Gopalakrishnan’s complex narratives about identity, selfhood and otherness, in which innocence is often at stake, and characters struggle with their consciences. Ganguly places the films within their larger frameworks of guilt and redemption in which the hope of emancipation – moral, spiritual and creative – is real and tangible.

This first comprehensive study of Gopalakrishnan’s feature films offers a compelling analysis of the issues of guilt, redemption and hope within their socio-historical contexts. The abrupt displacement of Kerala in southern India from a princely feudal state into twentieth-century modernity forms the backdrop to most of his complex narratives about identity, selfhood and otherness, in which innocence is often at stake and characters grapple with their consciences.

Over four decades and more, Adoor Gopalakrishnan has turned out eleven films of great artistic merit and integrity - all of which use the universal language of human emotions and human psychology to tell the tales of ordinary people tackling life's tribulations.Face-to-Face is a critical introduction to the aesthetics of Adoor's cinema, his development as a film-maker, and his engagement with the culture, customs and history of Kerala. It is also a primer to his films, interpreting each thematically and stylistically, throwing light upon his unique way of representing his thematic concerns. Parthajit Baruah's well-researched narrative is a welcome addition to the literature on one of India's greatest film-makers.

Interviews with Indian personalities from all walks of life covered in Idea exchange column of Indian Express.

CUET-UG Mass Media And Communication Question Bank 2000+ Chapter wise question With Explanations As per Updated Syllabus [ cover all 7 Units] The Units are – Unit-1 : Communication Unit-2: Journalism Unit-3: TV Unit-4: Radio Unit-5: Cinema Unit -6: Social Media Unit-7: New Media