THE YEAR IS 2019 - WHEN NEW WEST MEETS OLD WEST IN THIS FAST-PACED, ACTION-FILLED SAGA. After Cooper and Judy Stuart's epic battle to save the big YbarC ranch near Telluride Colorado, their son, Trey, is sent to operate the families sprawling Ute Peak Ranch near Taos, New Mexico. The deadly action unspools when Trey is summoned by his father to the YbarC to run the families New Mexico ranch. Headed to the ranch in his father's Maserati, he meets Maria Duran or M, as her friends call her. Maria drives a restored Shelby Mustang, drag races and rides fast horses. While Trey, M and the cowhands' work the ranch bullets fly from the new Aztec cartel drug gangs and tension flares in New Mexico's Anglo, Spanish and Pueblo Indian cultures over land and water.

This is the illustrated story of New York artist Chris Daze Ellis's successful transition from the subways to international studios and galleries. Follow his 30+ year career from his days as a teenage graffiti writer to his current life as a professional painter, mentor, and family man. This book, with more than 250 photographs, is a journey tracking the seminal moments in Daze's life that shaped his art. View his aesthetic evolution, from "Graffiti High" (New York's High School of Art and Design) and an "unsanctioned" street art phase to exhibitions with Keith Haring and Jean-Michel Basquiat. Train photos from the 1970s and '80s, a broad representation of Daze's studio and mural works, and personal photos guide the reader through an artistic portfolio spanning five decades. Contributions by graffiti writer Jay "J.SON" Edlin and essayist Claire Schwartz, and a foreword by graffiti historian and chronicler Sacha Jenkins, complete this volume.

TELLURIDE TOP OF THE WORLD is the sequel to Tom Tatum's first novel FIJI 1970. In the late 1970s, Cooper Stuart has returned to his sprawling historic mountain family ranch near Telluride. His widowed mother is managing the ranch with ever increasing bank loans. In Telluride, the Ajax Ski Company is determined to rule its future. After a hundred years, the gold and silver mines are playing out. The Ajax Ski Company owner made a fortune in the postwar uranium boom near Telluride. Cooper's foray into Telluride takes him into the cocaine fueled ski and hot tub scene. Joe Bear Spirit, a Ute Indian Vietnam helicopter pilot and Indian Water Right's activist throws in with Cooper on the YBarC. Judy rides the range with Cooper on her champion barrel racing horse and Adrianna, descended from centuries of Spanish gold mining witches, also joins to help save the YBarC 's rangeland and water rights from the forces that would destroy one of the Americas' most remote and beautiful places. Pull on boot cut jeans, strap on spurs and lever a bullet into a saddle rifle for a Four Corners adventure centered in the smoldering stewpot of Telluride.

Anthropology has neglected the study of music and this needs to be redressed. This book sets out to show how and why. It does so by bringing music to the subfield of digital anthropology, arguing that digital anthropology has much to gain by expanding its horizons to music – becoming more interdisciplinary by reference to digital/media studies, music and sound studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the ‘digital’ assume clamouring audibility – while acting as a testing ground for innovations in the digital-cultural industries. The book contains ten chapters, eight of which present comprehensive original ethnographies. The chapters between them addresses popular, folk and art musics in the global South and North, including Kenya, Argentina, India, Canada and the UK/Europe, with each chapter providing a different regional or digital focus. The book is unique in bringing ethnographic research on popular, folk and art musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology. Praise for Music and Digital Media ‘This exciting volume forges new ground in the study of local conditions, institutions, and sounds of digital music in the Global South and North. The book’s planetary scope and its commitment to the “messiness” of ethnographic sites and concepts amplifies emergent configurations and meanings of music, the digital, and the aesthetic.’ Marina Peterson, University of Texas, Austin 'The global drama of music's digitisation elicits extreme responses – from catastrophe to piratical opportunism – but between them lie more nuanced perspectives. This timely, absolutely necessary collection applies anthropological understanding to a deliriously immersive field, bringing welcome clarity to complex processes whose impact is felt far beyond what we call music.' David Toop, London College of Communication ‘Spanning continents and academic disciplines, the rich ethnographies contained in Music and Digital Media makes it obligatory reading for anyone wishing to understand the complex, contradictory, and momentous effects that digitization is having on musical cultures.’ Eric Drott, University of Texas, Austin ‘This superb collection, with an authoritative overview as its introduction, represents the state of the art in studies of the digitalisation of music. It is also a testament to what anthropology at its reflexive best can offer the rest of the social sciences and humanities.’ David Hesmondhalgh, University of Leeds ‘Music and Digital Media is a groundbreaking update to our understandings of sound, media, digitization, and music. Truly transdisciplinary and transnational in scope, it innovates methodologically through new models for collaboration, multi-sited ethnography, and comparative work. It also offers an important defense of—and advancement of—theories of mediation.’ Jonathan Sterne, McGill University 'Music and Digital Media is a nuanced exploration of the burgeoning digital music scene across both the global North and the global South. Ethnographically rich and theoretically sophisticated, this collection will become the new standard for this field.' Anna Tsing, co-editor of Feral Atlas: The More-than-Human Anthropocene

The New York Times bestselling author of Silver City brings history to life as Cash McLendon takes refuge in Dodge City and falls in with some of the most famous men in the American West... After barely escaping nemesis Killer Boots in the tiny Arizona Territory town of Glorious, Cash McLendon is in desperate need of a safe haven somewhere on the frontier. Fleeing to Dodge City, he meets an intrepid band of buffalo hunters determined to head south to forbidden Indian Territory in the Texas panhandle. In the company of such colorful Western legends as Bat Masterson and Billy Dixon, Cash helps establish a hunting camp known as Adobe Walls. When a massive migration of buffalo arrives, and newly hopeful that he may yet patch things up with Gabrielle Tirrito back in Arizona, Cash thinks his luck has finally changed. But no good can come of entering the prohibited lands they’ve crossed into. Little do Cash and his fellows know that their camp is targeted by a new coalition of the finest warriors among the Comanche, Cheyenne, and Kiowa. Led by fierce Comanche war chief Quanah and eerie tribal mystic Isatai, an enormous force of 2,000 is about to descend on the camp and will mark one of the fiercest, bloodiest battles in frontier history. Cash McLendon is in another fight for his life, and this time, running is not an option...

A Scotsman and his crew search the ice for a ghost ship off the frozen coast of Antarctica in this chilling adventure novel. Isvik has been swallowed by the ice. It sits on the lip of Antarctica, its masts severed, its helmsman frozen to the wheel. Two hundred years old—at least—it’s an impossible vessel, a ghost ship, and before its secrets are revealed, it will cause more men to die . . . The description of Isvik is found in the pocket of a scientist whose plane crashed on the Antarctic ice shelf. No one can be sure of the ship’s location—or if it even exists—but wealthy Scotsman Iain Ward is determined to find it. So desperate for adventure he’s willing to die for it, Ward funds an expedition to search for the craft. When Peter Kettil joins the trek to test his mettle against the terrors of Antarctica, the sailor and expert in the preservation of wood will see firsthand just how deadly obsession can be. A high-seas adventure story in the tradition of Ice Station Zebra, Isvik explores the horrible mysteries that lie beneath Antarctica’s eternal ice.