How to craft a dynamic personal essay that will get your college application noticed. College admissions—that is, admission to the school of your choice—has become incredibly competitive. Students and their families prepare from grade school onward to shape school "careers" that will give them a leg up in applying to selective colleges. But sterling academic performance, AP classes, high test scores, and sports and other extracurricular activities are no longer enough to guarantee a slot at Stanford, Johns Hopkins, or the Ivies. In Admit One, Thomas Richards focuses on a key aspect of the college admissions decision, one that makes all the difference in applications: good writing. This involves mastering the dreaded personal essay—but more than that, it means "writing" a college application with a consistent overarching narrative, one that tells a student's intimate story. Writing has the ability to render the grain of a student's own voice, fully integrated and fully under their own control. More than any other element of the application, strong writing is capable of revealing applicants as individuals from the inside out, allowing admissions committees to make fine distinctions between otherwise identical candidates. In plain language, Richards draws together this sense of writing as central to college admissions while showing candidates the secrets of creating an effective, beautifully crafted personal essay. From selecting words to shaping sentences, building paragraphs, and even clarifying a voice, Richards's approach is the key to getting a student's application noticed and read. The resulting essay that readers craft will come as close as possible to being a trustworthy representation of a whole person. Treating the college application as a rigorous intellectual exercise, Admit One contains everything students need to know in order to present themselves with clear-edged precision to an application committee.

Treating the college application as a rigorous intellectual exercise, Admit One contains everything students need to know in order to present themselves with clear-edged precision to an application committee.

In Admit One: An American Scrapbook,Martha Collins relentlessly traces the history of scientific racism from the 1904 St. Louis World's Fairthrough the eugenics movement of the 1920s. Using a wide variety of documentary sources, including her Illinois grandfather's newspaper, Collins constructs a "scrapbook" of fragments, quotations, narrative passages, and lyrical riffs that reveal startling connections between the Fair, the Bronx Zoo, and ideas that culminated in anti-immigration, anti-miscegenation, and eugenic sterilization laws in 1924. Among the book's recurring elements are evolving portraits of the "exhibited" African Ota Benga, the sterilization victim Carrie Buck, and the eugenicist Madison Grant, whose reach extended to Nazi Germany. Following the practice begun in her book-length poem Blue Front and continued in her exploration of race in White Papers, Collins combines careful research with innovative poetic techniques to create an arresting account of a segment of American history that haunts us even today. Admit One is a brilliant, troubling, necessary read.

In a career that spans over seven decades, Roger Moore has been at the very heart of Hollywood. Of course, he’s an actor and has starred in films that have made him famous the world over; but he’s also a tremendous prankster, joker and raconteur. Despite the fact that he is well known as one of the nicest guys in the business, on and off the screen he has always been up for some fun. In this fabulous collection of true stories from his stellar career, Moore lifts the lid on the movie business, from Hollywood to Pinewood. One Lucky Bastard features outrageous tales from his own life and career as well as those told to him by a host of stars and filmmakers including, Tony Curtis, Sean Connery, Michael Caine, David Niven, Frank Sinatra, Gregory Peck, John Mills, Peter Sellers, Michael Winner, Cubby Broccoli, and many more. Wonderfully entertaining and laugh-out-loud funny, these extraordinary tales from the world of the movies is vintage Moore at his very best.

First set in Croydon, South London, in the 1980s, Admit One details how Emmett James escaped the pains of adolescence by going to the cinema. With wry, self-deprecating humor and observation, the author reflects on, obsesses over, and rages about film and its correlation to our pasts. The author finds that his true calling is in transiting one side of the screen to the other. He decides to leave England for the only place where he can realize his dream of becoming an actor - America.We then follow the author on his numerous Hollywood adventures, watching as he glides smoothly from forgery to pornography to crashing the Academy Awards under the alias of a nominated screenwriter, and eventually stumbles into acting in the highest-grossing movie of all time, Titanic. At every turn, the films that inspired Emmett James as a child resurface, and they serve to contextualize his humorous collection of stories in which he provides unique insights into the fascinating world of film.

The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.