At once a celebration of a region's nature and a call to preserve the little bit of it still left today, Adios to the Brushlands is to South Texas what Rachel Carson's Silent Spring was to the nation's wetlands or John Graves's Goodbye to a River was to the Brazos River. A unique descriptive documentary of a disappearing natural treasure, it is a slice of the new natural history that weds the details of the physical world with their significance to the human heart.

ADIOS is the second book in this action packed political thriller trilogy. The first in the series was ALOHA. If you liked ALOHA, then youre going to love ADIOS. President Bruce Gavin has his hands full with problems on all fronts. At the top of his list are illegal immigration and the influx of drugs from the Mexican Drug Cartels. Now he learns that al-Qaeda has been in meetings with the largest cartel in Mexico. Nothing good can come from this. Can a determined woman with two small children stop the most powerful Cartel in Mexico? Follow her intense journey as the drug cartel desperately seeks to destroy her and her family. Will her actions impact US policy on immigration? President Gavin is out of the closet and in a relationship with a defrocked Catholic Priest. Will the US and the World accept an openly gay President or will his sexuality be the cause of his ultimate demise? ADIOS sets you up for the finale in the last book of the trilogy, GOODBYE.

A National Bestseller! Ann Coulter is back, more fearless than ever. In Adios, America she touches the third rail in American politics, attacking the immigration issue head-on and flying in the face of La Raza, the Democrats, a media determined to cover up immigrants' crimes, churches that get paid by the government for their "charity," and greedy Republican businessmen and campaign consultants—all of whom are profiting handsomely from mass immigration that’s tearing the country apart. Applying her trademark biting humor to the disaster that is U.S. immigration policy, Coulter proves that immigration is the most important issue facing America today.

A blend of This Is Spinal Tap and Fear and Loathing in Las Vegas, the cult classic confessions of a debauched rock ’n’ roller and his adventures in excess on the ’80s hair-metal nostalgia tour through Middle America, now in a revised and updated edition. Once upon a time at the start of the new century, the unheard-of Unband got a chance to drink, fight, and play loud music with ’80s metal bands like Dio and Def Leppard. To the mix they brought illegal pyrotechnics, a giant red inflatable hand with movable digits, a roadie dubiously named Safety Bear, a high tolerance for liver damage, and an infectious love of rock & roll and everything it represents. Unband bassist Michael Ruffino takes us on an epic joyride across a surrealistic American landscape where we meet mute Christian groupies, crack-smoking Girl Scouts, beer-drinking chimps, and thousands of head-bangers who cannot accept that hair metal is dead. Here, too, are uncensored portraits of Ronnie James Dio, Anthrax, Sebastian Bach, Lemmy of Motorhead, and others. Adios, Motherfucker is gonzo rock storytelling at its finest—excessive, incendiary, intelligent, hilarious, and utterly original.

This Edgar Award–winning crime novel offers “pulp fiction in Castro’s Cuba” (Martin Cruz Smith, author The Girl from Venice). Alicia is a smart, confident, and gorgeous prostitute in Havana. She is not a streetwalker. Rather, she displays her wares on bicycle, seducing men through the irresistible pull of her fine derrière. John King, her new client, is a Canadian businessman with a striking resemblance to movie star Alain Delon. This is no ordinary john, and as Alicia’s feelings for him grow, she sees in their relationship the possibility of escape from her dead-end life in a city plagued with scarcity. So when King’s wealthy and sexually deviant boss is suddenly killed, Alicia and John hatch a get-rich-quick scheme. A web of deception is woven—but it will be quickly and disastrously unraveled, and only one person will be able to say adiós to the dilapidated island of Cuba . . . “Fun, fast, and intelligent . . . A madcap caper full of twisted sex, devious schemes and high-rolling hijinks . . . Will leave readers clamoring for more.” —Publishers Weekly “The book’s cynical take on ambition and greed is tempered by humor and humanity.” —The New York Times “Impossible to put down. This is a great read.” —Library Journal

"Alexis Daria's A Lot Like Adiós is a charming, sexy spitfire of a novel! Romance readers, this is your new favorite book!" --Emily Henry, #1 New York Times bestselling author of People We Meet on Vacation The national bestselling author of You Had Me at Hola returns with a seductive second-chance romance about a commitment-phobic Latina and her childhood best friend who has finally returned home. Hi Mich. It’s Gabe. After burning out in her corporate marketing career, Michelle Amato has built a thriving freelance business as a graphic designer. So what if her love life is nonexistent? She’s perfectly fine being the black sheep of her marriage-obsessed Puerto Rican-Italian family. Besides, the only guy who ever made her want happily-ever-after disappeared thirteen years ago. It’s been a long time. Gabriel Aguilar left the Bronx at eighteen to escape his parents’ demanding expectations, but it also meant saying goodbye to Michelle, his best friend and longtime crush. Now, he’s the successful co-owner of LA’s hottest celebrity gym, with an investor who insists on opening a New York City location. It’s the last place Gabe wants to go, but when Michelle is unexpectedly brought on board to spearhead the new marketing campaign, everything Gabe’s been running from catches up with him. I’ve missed you. Michelle is torn between holding Gabe at arm’s length or picking up right where they left off—in her bed. As they work on the campaign, old feelings resurface, and their reunion takes a sexy turn. Facing mounting pressure from their families—who think they’re dating—and growing uncertainty about their futures, can they resolve their past mistakes, or is it only a matter of time before Gabe says adiós again?