This absurdly clever and funny graphic novel, told entirely in palindromes, is created by World Palindrome Champion Jon Agee, author of Go Hang a Salami! I'm a Lasagna Hog! Otto is having a very palindramatic day. His pet, Pip, has gone missing, and his search for the dog leads him deeper and deeper into a strange and perplexing world--full of talking owls, stacks of cats, storms and mazes, boats and trains and automobiles . . . oh my! Everything seems to be the same backward and forward, and Pip isn't sure he'll ever find his way home to Mom and Pop. But you, reader, will enjoy his Oz-like journey thoroughly.

"Stephen King has inspired millions of readers with his writing for more than four decades now, and this special volume of essays gathers together some of his high-profile fans to discuss why they love reading Stephen King. Many of these fans are acclaimed authors of fiction in their own right. Some of them have written insightful books about Stephen King's work, exploring how King's natural storytelling gift has allowed him to create stories that reach people in every language around the world. A few of them have even written, produced, and directed movie adaptations of King's most acclaimed works. Inside this book you will join Clive Barker, Stewart O'Nan, Richard Chizmar, Frank Darabont, Stephen Spignesi, Justin Brooks, Tony Magistrale, Michael R. Collings, Rocky Wood, Robin Furth, Kevin Quigley, Hans-Åke Lilja, Billy Chizmar, Jack Ketchum, Bev Vincent, Mick Garris, and Jay Franco as they discuss their love of reading Stephen King."--Page 4 of cover.

Tony Magistrale explores many of the movie versions of Stephen King's works and provides important insights into both the films and the fiction on which they are based.

A monumentally devastating plague leaves only a few survivors who, while experiencing dreams of a battle between good and evil, move toward an actual confrontation as they migrate to Boulder, Colorado.

These nuggets of wisdom are offered by an Academy Award–nominated actor (James Woods), a popular comedian (Aasif Mandvi), and a world-famous novelist (Jodi Picoult) to their sixteen-year-old selves. No matter how accomplished and confident they seem today, at sixteen, they were like the rest of us—often unsure, frequently confused, and usually in need of a little reassurance. In Dear Me, 75 celebrities, writers, musicians, athletes, and actors have written letters to their younger selves that give words of comfort, warning, humor, and advice. These letters present intimate, moving, and witty insights into some of the world’s most intriguing and admired individuals. By turns funny, surprising, raw, and uplifting, this singular collection captures the universal conditions that are youth, life, and growing up.

Stephen King's fiction has formed the basis of more motion picture adaptations than any other living author. His earliest short stories, collected in the Night Shift anthology, have been adapted into hit features including Creepshow, Children of the Corn, Cat's Eye, Maximum Overdrive, Graveyard Shift, Sometimes They Come Back, and The Mangler. Through his "Dollar Baby" program, King licensed several Night Shift stories to aspiring filmmakers for just one dollar each, resulting in numerous student film adaptations. This book critically examines and contextualizes adaptations of the Night Shift short stories, from big box office features to relatively unknown student films. It illuminates how each film is a uniquely and intricately collaborative endeavor, and charts the development of each adaptation from first option to final cut. Through old and new interviews with the creators, the work explores how filmmakers continue to reinvent, reimagine, remake and reboot King's stories.

A radical presentation of the most rigorous form of contemporary yoga as meditation in motion In The Art of Vinyasa, two of the most well-respected teachers of the Ashtanga style of yoga, Richard Freeman and Mary Taylor, explore this rigorous practice not as a gymnastic feat, but as a meditative form. They reveal that doing the practice—and particularly the vinyasa, or the breath-synchronized movements—in such a deep and focused way allows practitioners to experience a profound awakening of the body and mind. It also develops an adaptable, flexible practice that can last a lifetime. Freeman and Taylor give an in-depth explanation of form, alignment, and anatomy, and how they work together in the practice. They also present a holistic approach to asana practice that includes an awareness of the subtle breath and seamlessly merges yoga philosophy with practical technique. Unlike other books on Ashtanga, The Art of Vinyasa does not follow the linear pattern of the sequences of postures that are the hallmark of Ashtanga yoga. Instead, it interlinks the eight limbs: yama and niyama (ethical practices), asana (postures), pranayama (breathing), pratyahara (nongrasping of the senses), dharana (concentration), dhyana (meditation), samadhi (harmony, insight)—and shows how to establish an internally rooted yoga practice.