It started as a bedtime story. The bunny story Mary’s mom used to tell was pretty weird (and more about death and mortgage rates than you’d expect), but now it’s a way for Mary to remember times shared with her late mom. So she writes it down…and it takes on a life of its own. From a fireman-centric children’s book, to a cutesy animated musical, to a terrifying energy drink commercial – every absurd adaptation creates a new form of the bunny. But does the story even belong to Mary anymore? A heartfelt comedy about what makes stories personal, and why we share them, in a world where everything gets adapted into oblivion. Comedy One-act. 25-30 minutes 10-28 actors, gender flexible

Deep into the 21st century, the line between man and machine has been inexorably blurred. In this rapidly converging landscape, cyborg super-agent Major Motoko Kusanagi is charged to track down the most dangerous terrorists and cybercriminals, including "ghost hackers," capable of exploiting the human/machine interface by reprogramming human minds to become puppets to carry out their criminal ends.

The sequel to thebestselling The Wild Robot, by award-winning author Peter Brown Shipwrecked on a remote, wild island, Robot Roz learned from the unwelcoming animal inhabitants and adapted to her surroundings--but can she survive the challenges of the civilized world and find her way home to Brightbill and the island? From bestselling and award-winning author and illustrator Peter Brown comes a heartwarming and action-packed sequel to his New York Times bestselling The Wild Robot,about what happens when nature and technology collide.

This collection of essays asks the question "What is history?" and considers how history is shaped in different socioeconomic contexts. The writers take a transdisciplinary approach, in the belief that everyone who deals with history--including professional historians, novelists, and poets--constructs narratives of the past to make sense of the present as well as to determine their future courses of action. With contributions from a variety of specialists in media studies, literature, history and anthropology, this book breaks new ground in adaptation studies.

A Broken Flute is a book of reviews that critically evaluate children's books about Native Americans written between the early 1900s and 2003, accompanied by stories, essays and poems from its contributors. The authors critique some 600 books by more than 500 authors, arranging titles A to Z and covering pre-school, K-12 levels, and evaluations of some adult and teacher materials. This book is a valuable resource for community and educational organizations, and a key reference for public and school libraries, and Native American collections.

Stephen King's fiction has formed the basis of more motion picture adaptations than any other living author. His earliest short stories, collected in the Night Shift anthology, have been adapted into hit features including Creepshow, Children of the Corn, Cat's Eye, Maximum Overdrive, Graveyard Shift, Sometimes They Come Back, and The Mangler. Through his "Dollar Baby" program, King licensed several Night Shift stories to aspiring filmmakers for just one dollar each, resulting in numerous student film adaptations. This book critically examines and contextualizes adaptations of the Night Shift short stories, from big box office features to relatively unknown student films. It illuminates how each film is a uniquely and intricately collaborative endeavor, and charts the development of each adaptation from first option to final cut. Through old and new interviews with the creators, the work explores how filmmakers continue to reinvent, reimagine, remake and reboot King's stories.

"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-