'The Muslim Mother Teresa' Huffington Post Imprisonment. Mutilation. Persecution. Edna Adan Ismail endured it all - for the women of Africa.

A sweeping, kaleidoscopic, and passionate novel that presents a stunning series of flashes — scenes, moods, dreams, and weather— as the narrator wanders through Lima. Published in 1928 to great acclaim when its author was just twenty years old, The Cardboard House is sweeping, kaleidoscopic, and passionate. The novel presents a stunning series of flashes — scenes, moods, dreams, and weather— as the narrator wanders through Barranco (then an exclusive seaside resort outside Lima). In one beautiful, radical passage after another, he skips from reveries of first loves, South Pole explorations, and ocean tides, to precise and unashamed notations of class and of race: an Indian woman “with her hard,shiny, damp head of hair—a mud carving,” to a gringo gobbling “synthetic milk,canned meat, hard liquor.” Adán’s own aristocratic family was in financial freefall at the time, and, as the translator notes, The Cardboard House is as “subversive now as when it was written: Adán’s uncompromising poetic vision and the trueness and poetry of his voice constitute a heroic act against cultural colonialism.”

The New York Testament: A Story of God in Todays World is an attempt to project a childlike faith onto the backdrop of a faithless world. Times may change but faith is eternal. We have learned to push back at the foundations of our being but we seem to find that we leave some of the best of ourselves behind in the wake. Giovanni Ferro attempts to capture the agony of a faithless world and juxtapose it with the beauty of grace and spirit that could sustain us. His methods are the fictional use of characters mixed with religious mainstays. His lifelong love of faith is mixed with the reality of a world that believes it has moved on from faith. It is time for a different messiah, never before has the time been ripe for new thoughts on old religion; a break from and a cleaving to the faiths of old. Would Jesus be welcomed today; would he even be recognized as a transformational and authoritative figure for our era, or would he be rejected and relegated to bygone times? Race, religion, and intelligent dissent are the opposing forces in this book. Take a ride through the streets of New York and watch the story unfold.

A fresh look at the Argentine novelist Marechal emphasises his subversive approach in his novels to the Peronist politics of his time. Leopoldo Marechal has become a chosen precursor of many contemporary Argentine writers, cineastes, and intellectuals, and so his novels - universally recognized but rarely studied - demand treatment from a contemporary critical sensibility. This study departs from the line of criticism that reads Marechal as a Christian apologist, arguing instead that Marechal's `metaphysical' novels are really metafictional, ludic exercises informed by ironic scepticism.Adán Buenosayres (1948) inverts the Christian-Platonist narrative of redemption through the Logos; in El Banquete de Severo Arcángelo (1965) Marechal, tongue firmly in cheek, leads his readers on a metaphysical wild-goose chase; and in Megafón, o la guerra (1970) he finally lays apocalypticism to rest. The close readings of his novels presented in this book help to lay the theoretical groundwork underpinning Marechal's reinscription incontemporary Argentine culture.