This book provides substantial background on what Adam Smith did during his stay in Toulouse and the Languedoc region of France during the 18th century. This is a crucial period in Smith’s life for at least two reasons: i) it is during this time that Smith began to work on The Wealth of Nations; and ii) it is generally understood that although some of his ideas about political economy were already formed before his trip, his encounters with many French political economists during his time in France helped him to further develop them. As such, this book provides a rich resource to further understanding Smith's world, his travel experiences and the people he met during this time and situates these within the broader context of Smith's life as a whole, and within the British aristocracy. This work will be of value to students and researchers in the history of economic thought, travel studies and Scottish studies.

Inspired by his lectures on rhetoric and by game theory, this book provides a new interpretation of Adam Smith’s system of thought. It highlights its coherence through the identification of three reasoning routines and a meta-reasoning routine throughout his work on languages, rhetoric, moral sentiments, self-command, and the nature and causes of the wealth of nations. The identification of these reasoning routines allows the authors to uncover a hitherto poorly understood deep structure of Smith’s work and to explain its main characteristics. How these routines emerged in Smith’s early research on the principles of the human mind is also traced. This book sheds new light on Adam Smith and his work, highlighting his sophisticated understanding of strategic interaction in all things rhetorical, moral, and economic. It will be relevant to students and researchers interested in the history of ideas, the history of economic thought, game theory, Enlightenment studies, and rhetoric.

This seminal Handbook provides a comprehensive overview of contemporary research on economic freedom, using multidisciplinary methods to assess studies of the determinants and consequences of market-oriented institutions and policies. Niclas Berggren brings together world-leading experts in their respective fields to explore the notion of economic freedom in the history of economic thought, to present measures of economic freedom and to provide overviews of the latest empirical research.

A novel economic interpretation of how religions have become so powerful in the modern world Religion in the twenty-first century is alive and well across the world, despite its apparent decline in North America and parts of Europe. Vigorous competition between and within religious movements has led to their accumulating great power and wealth. Religions in many traditions have honed their competitive strategies over thousands of years. Today, they are big business; like businesses, they must recruit, raise funds, disburse budgets, manage facilities, organize transportation, motivate employees, and get their message out. In The Divine Economy, economist Paul Seabright argues that religious movements are a special kind of business: they are platforms, bringing together communities of members who seek many different things from one another—spiritual fulfilment, friendship and marriage networks, even business opportunities. Their function as platforms, he contends, is what has allowed religions to consolidate and wield power. This power can be used for good, especially when religious movements provide their members with insurance against the shocks of modern life, and a sense of worth in their communities. It can also be used for harm: political leaders often instrumentalize religious movements for authoritarian ends, and religious leaders can exploit the trust of members to inflict sexual, emotional, financial or physical abuse, or to provoke violence against outsiders. Writing in a nonpartisan spirit, Seabright uses insights from economics to show how religion and secular society can work together in a world where some people feel no need for religion, but many continue to respond with enthusiasm to its call.

This new edition of The Life of Adam Smith remains the only book to give a full account of Smith's life whilst also placing his work into the context of his life and times. Updated to include new scholarship which has recently come to light, this full-scale biography of Adam Smith examines the personality, career, and social and intellectual circumstances of the Scottish moral philosopher regarded as the founder of scientific economics, whose legacy of thought - most notably about the free market and the role of the state - concerns us all. Ian Simpson Ross draws on correspondence, archival documents, the reports of contemporaries, and the record of Smith's publications to fashion a lively account of Adam Smith as a man of letters, moralist, historian, and critic, as well as an economist. Supported with full scholarly apparatus for students and academics, the book also offers 20 halftone illustrations representing Smith and the world in which he lived.

What is the origin of the Romance languages and how did they evolve? When and how did they become different from Latin, and from each other? Volume 2 of The Cambridge History of the Romance Languages offers fresh and original reflections on the principal questions and issues in the comparative external histories of the Romance languages. It is organised around the two key themes of influences and institutions, exploring the fundamental influence, of contact with and borrowing from, other languages (including Latin), and the cultural and institutional forces at work in the establishment of standard languages and norms of correctness. A perfect complement to the first volume, it offers an external history of the Romance languages combining data and theory to produce new and revealing perspectives on the shaping of the Romance languages.

"In his song, Lanqan li jorn, the early-twelfth-century troubadour Jaufre Rudel expresses a sense of wonder and uncertainty about the future, one that he maps onto his perception of geography as complex, interwoven, and often unknowable. The song proclaims Jaufre's intention to travel eastward to the Crusade front as a Christian pilgrim, and to unite there with his beloved Lady (generally understood as the Countess of Tripoli), the object of his amor de loing [love from afar]. Jaufre expresses both ambivalence and a sense of possibility as he prepares to depart outremar. In Jaufre's ideology, distance suggests the multivalent difficulties inherent in this effort--the challenges of geographical travels and unknown roads; the emotional separation between lovers and uncertain pathways; and the subjective distances between the ideals of French courtliness, Christian values, and his imagining of the land of Saracens. Because the pathways that lie before him--the ports and roads--are so many and so unfathomable, Jaufre cannot prophesy the outcome of this journey. As Jaufre contemplated the unknown East, he could not have predicted the impact of the Crusade efforts or the song-making traditions in which he participated. According to his vida, or biographical sketch (although these were often fictionalized), Jaufre would die in the East while on the Crusade venture; having often imagined the Countess of Tripoli, he would become ill on the journey, arriving in the Syrian county only just in time to be embraced his beloved and die in her arms. Jaufre was one of many creators of the Crusade period to contemplate a new world, one marked by Crusading, through song. In doing so, he employed geographical rhetoric in ways that engaged his belief systems about love, politics, religion, and space. In this book, I locate ideologies of early Crusade culture as expressed in the Occitanian song (in the south of modern-day France), particularly in Latin devotional song and troubadour lyric. Such songs engage their Crusading context through text and melody, through metaphors of travel, distance, and geography. I argue that these songs reflect Crusade perspectives, articulate regional beliefs and local identities, and demonstrate the rhetorical and expressive possibilities of music and poetry in combination. Today, in keeping with the concepts of mouvance and re-invention, as articulated by Paul Zumthor and Amelia Van Vleck among others, we understand troubadour song as a site of re-creation rather than fixity. Troubadour songs circulated abundantly in oral transmission, long before they were committed to writing; each performance of a given song was subject to change and reinvention, with performance acting not as repetition, but as an act of re-composition, improvisation, or variation, aided, but not dictated, by memory. Troubadour songs may exist in multiple variant copies across multiple manuscripts, or they may survive today without any written record of their melodies at all, perhaps once so well known that their notation was not needed. Zumthor thus explained, "the 'work' floats, offering not a fixed shape of firm boundaries but a constantly shifting nimbus . . . Although the production of an individual, it [a song] is characterized by the sense of potential incompleteness is caries within itself." As he looked forward uncertainly into his own travels and his future, Jaufre understood his songs as fluid, as templates for further composition, and as sites of communal, rather than individual, creation. Indeed, among the troubadours, Jaufre can be considered an "extremist" (in the words of Amelia Van Vleck) with regard to transmission and re-composition, as he was particularly explicit about inviting others to change and improve upon his song, placing the singer on par with the composer as a creative agent, and rejecting the idea of single or original author with respect to his work. For Jaufre, the audience too played a role in defining the song; the experience of reception essentially contributed to the process of re-creation. Thus Rupert Pickens wrote, regarding his edition of Jaufre's poems: "It soon became apparent . . . that not only can 'authentic' texts not be discovered, much less 'established' . . . but that, given the condition of the manuscripts and the esthetic principles involving textual integrity affirmed by Jaufre himself . . . the question of 'authenticity' . . . was largely irrelevant.""--