David Mitchell's Cloud Atlas meets Octavia Butler's Earthseed series, as acclaimed author Monica Byrne (The Girl in the Road) spins a brilliant multigenerational saga spanning two thousand years, from the collapse of the ancient Maya to a far-future utopia on the brink of civil war. The Actual Star takes readers on a journey over two millennia and six continents --telling three powerful tales a thousand years apart, all of them converging in the same cave in the Belizean jungle. Braided together are the stories of a pair of teenage twins who ascend the throne ofa Maya kingdom; a young American woman on a trip of self-discovery in Belize; and two dangerous charismatics vying for the leadership of a new religion and racing toward a confrontation that will determine the fate of the few humans left on Earth after massive climate change. In each era, a reincarnated trinity of souls navigates the entanglements of tradition and progress, sister and stranger, and love and hate--until all of their age-old questions about the nature of existence converge deep underground, where only in complete darkness can they truly see. The Actual Star is a feast of ideas about where humanity came from, where we are now, and where we're going--and how, in every age, the same forces that drive us apart also bind us together.

Ten true tales of people falsely accused detail the flaws in the criminal justice system that landed these people in prison

Explores actual causality, and such related notions as degree of responsibility, degree of blame, and causal explanation. The goal is to arrive at a definition of causality that matches our natural language usage and is helpful, for example, to a jury deciding a legal case, a programmer looking for the line of code that cause some software to fail, or an economist trying to determine whether austerity caused a subsequent depression.

What is it for you to be conscious? There is no agreement whatever in philosophy or science: it has remained a hard problem, a mystery. Is this partly or mainly owed to the existing theories not even having the same subject, not answering the same question? In Actual Consciousness, Ted Honderich sets out to supersede dualisms, objective physicalisms, abstract functionalism, externalisms, and other positions in the debate. He argues that the theory of Actualism, right or wrong, is unprecedented, in nine ways. (1) It begins from gathered data and proceeds to an adequate initial clarification of consciousness in the primary ordinary sense. This consciousness is summed up as something's being actual. (2) Like basic science, Actualism proceeds from this metaphorical or figurative beginning to what is wholly literal and explicit--constructed answers to the questions of what is actual and what it is for it to be actual. (3) In so doing, the theory respects the differences of consciousness within perception, consciousness that is thinking in a generic sense, and consciousness that is generic wanting. (4) What is actual with your perceptual consciousness is a subjective physical world out there, very likely a room, differently real from the objective physical world, that other division of the physical world. (5) What it is for the myriad subjective physical worlds to be actual is for them to be subjectively physical, which is exhaustively characterized. (6) What is actual with cognitive and affective consciousness is affirmed or valued representations. The representations being actual, which is essential to their nature, is their being differently subjectively physical from the subjective physical worlds. (7) Actualism, naturally enough when you think of it, but unlike any other existing general theory of consciousness, is thus externalist with perceptual consciousness but internalist with respect to cognitive and affective consciousness. (8) It satisfies rigorous criteria got from examination of the failures of the existing theories. In particular, it explains the role of subjectivity in thinking about consciousness, including a special subjectivity that is individuality. (9) Philosophers and scientists have regularly said that thinking about consciousness requires just giving up the old stuff and starting again. Actualism does this. Science is served by this main line philosophy, which is concentration on the logic of ordinary intelligence--clarity, consistency and validity, completeness, generality.

Most film buffs know that Citizen Kane was based on the life of publisher William Randolph Hearst. But few are aware that key characters in films like Double Indemnity, Cool Hand Luke, Jaws, Rain Man, A Few Good Men and Zero Dark Thirty were inspired by actual persons. This survey of a clef characters covers a selection of fictionalized personalities, beginning with the Silent Era. The landmark lawsuit surrounding Rasputin and the Empress (1932) introduced disclaimers in film credits, assuring audiences that characters were not based on real people--even when they were. Entries cover screen incarnations of Wyatt Earp, Al Capone, Bing Crosby, Amelia Earhart, Buster Keaton, Howard Hughes, Janis Joplin and Richard Nixon, along with the inspirations behind perennial favorites like Charlie Chan and Indiana Jones.

The relationship between the literary imagination, literary possibilities, and actual reality poses a major philosophical problem in the field of the metaphysics of literature. This detailed analysis of some literary masterpieces, by Proust, Kafka, Tolstoy, Dostoyevsky, Thomas Mann, Virginia Woolf, and William Faulkner, demonstrates that actual reality actualizes or “imitates” literary pure possibilities. As such, these masterpieces should be treated not as romans a clef, but, instead, as paradigm-cases on whose basis we grasp and understand actual reality.