A theoretically grounded interdisciplinary study of "cultural memory" in sites ranging from Chile, Bolivia, and South Africa to Germany and the US.

As a visual medium, the photograph has many culturally resonant properties that it shares with no other medium. These essays develop innovative cultural strategies for reading, re-reading and re-using photographs, as well as for (re)creating photographs and other artworks and evoke varied sites of memory in contemporary landscapes: from sites of war and other violence through the lost places of indigenous peoples to the once-familiar everyday places of home, family, neighborhood and community. Paying close attention to the settings in which such photographs are made and used--family collections, public archives, museums, newspapers, art galleries--the contributors consider how meanings in photographs may be shifted, challenged and renewed over time and for different purposes--from historical inquiry to quests for personal, familial, ethnic and national identity.

A new edition with a new introduction and an additional chapter.

An exploration of life at the margins of history from one of Russia’s most exciting contemporary writers Shortlisted for the 2021 International Booker Prize Winner of the MLA Lois Roth Translation Award With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms—essay, fiction, memoir, travelogue, and historical documents—Stepanova assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory.

"Ritual Memory" brings together two areas of study which have hitherto rarely been studied in comparison: liturgy and the apocryphal Acts of the Apostles. The book gives an analysis of the liturgical celebration of the apostles in the medieval West and examines the incorporation of the apocrypha in practices of ritual commemoration. It reveals the role that liturgy played in the transmission of the apocryphal Acts and visualises the way these narrative traditions developed and changed through their incorporation into a ritual context. The result is a dynamic picture of the ritual reception of the extra-canonical Acts in the Latin Middle Ages, where the apocryphal legends about the apostolic past were approached as memorable traditions on the origins of Christianity.

Introduction. The memorial's vernacular arc between Berlin's Denkmal and New York City's 9/11 Memorial -- The stages of memory at Ground Zero: the National 9/11 Memorial process -- Daniel Libeskind and the houses of Jewish memory: what is Jewish architecture? -- Regarding the pain of women: gender and the arts of holocaust memory -- The terrible beauty of Nazi aesthetics -- Looking into the mirrors of evil: Nazi imagery in contemporary art at the Jewish Museum in New York -- The contemporary arts of memory in the works of Esther Shalev-Gerz, Miroslaw Balka, Tobi Kahn, and Komar and Melamid -- Utøya and Norway's July 22 memorial: the memory of political terror.

With this book a foremost New Testament scholar makes a signal contribution to the literature about the times of the first apostles.This period, when the memory of Jesus was fresh yet no written literature about him existed, lends itself well to the descriptive treatment Dr. Cadbury employs. The purpose of these pages, he writes, is to establish not so much the accuracy of the book of Acts as the reality of the scenes and customs and mentality which it reflects.... We can walk where the Apostle Paul walked, see what he saw, and become increasingly at home in his world.Five chapters deal with each of the five cultural strands then existing: Roman, Greek, Jewish, Christian, and cosmopolitan. The sixth attempts to reconstruct the earliest history of the book of Acts.