Acts of Desire is a study of theatrical depictions of illicit female sexuality, from seduction and prostitution to bigamy and adultery, from the beginning of the nineteenth century through to the 1930s.

This "blistering anti-romance" (Catherine Lacey) paints a riveting, cathartic story about love addiction and what it does to us. Wouldn’t I do anything to reverse my loss, the absence of him? In the first scene of this provocative gut-punch of a novel, our unnamed narrator meets a magnetic writer named Ciaran and falls, against her better judgment, completely in his power. After a brief, all-consuming romance he abruptly rejects her, sending her into a tailspin of jealous obsession and longing. If he ever comes back to her, she resolves to hang onto him and his love at all costs, even if it destroys her… Part breathless confession, part lucid critique, Acts of Desperation renders a consciousness split between rebellion and submission, between escaping degradation and eroticizing it, between loving and being lovable. With unsettling, electric precision, Nolan dissects one of life’s most elusive mysteries: Why do we want what we want, and how do we want it? Heralding the arrival of a stunning new literary talent, Acts of Desperation interrogates the nature of fantasy, desire, and power, challenging us to reckon honestly with our own insatiability. "Hot as viscera." —The New Republic

A wonderfully romantic and searingly sexy love story to make your heart soar, perfect for fans of Curtis Sittenfeld's Eligible. 'A refreshing love story' - Marie Claire 'A truly unique heroine' - Heat Bernadette knows what she wants. Tim is perfect, and she's always had a feeling that something is about to happen between them. He might have just announced his engagement to the sickeningly wonderful Elizabeth, but the ring's not on his finger yet. And when Elizabeth starts meddling in Bernie's own love life, she knows it's time to act. Yes, Elizabeth's best friend Radley might be charming, charismatic and intelligent. But he's not Tim. And Bernadette's not a woman who takes no for an answer. 'Talulah Riley is an absolute force of nature. Read and revel' - Eva Rice

In this new commentary for the Belief series, award-winning author and theologian Willie James Jennings explores the relevance of the book of Acts for the struggles of today. While some see Acts as the story of the founding of the Christian church, Jennings argues that it is so much more, depicting revolutionlife in the disrupting presence of the Spirit of God. According to Jennings, Acts is like Genesis, revealing a God who is moving over the land, "putting into place a holy repetition that speaks of the willingness of God to invade our every day and our every moment." He reminds us that Acts took place in a time of Empire, when the people were caught between diaspora Israel and the Empire of Rome. The spirit of God intervened, offering new life to both. Jennings shows that Acts teaches how people of faith can yield to the Spirit to overcome the divisions of our present world.

The first volume to focus exclusively on lesbian performance work, Acts of Passion: Sexuality, Gender, and Performance draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance. It examines essays, dialogues, and performance texts from theater directors, performers, theorists, playwrights, and performance writers against social and cultural constructs and performance theories to produce a diverse and challenging portrait of lesbian live performance art. The book’s penetrating scope covers drag queens, lesbian vampires, representations of lesbian sex, solo artists, the art of collaboration, lesbian aesthetics, and lesbian playwrights writing straight and illustrates why live performance is one of the most dynamic forums in which women can create, control, and produce their work without artistic constraint. Acts of Passion explodes binary definitions of gender and sexuality by destabilizing familiar notions of the ‘real’and creating new production values and aesthetics in the process. The relationships between experience and expression, sexuality and cultural placing, context and artistic control, representation and self-representation become clearer as the book discusses: the manner in which women are represented as absent in the signifying system of patriarchal society how questions of purity, ‘authenticity,’and self-definition complicate the field of representation the power of lesbian dance performance to make the lesbian body culturally visible several ‘new wave’performers--creating work, getting seen, showing flesh, doing politics, and making money the projections, preconceptions, expectations, and general baggage attached to the performing lesbian body what the term ‘lesbian playwright’means within contemporary culture ‘It’s Queer Up North’--a British National Arts Organization the arguments for and against mainstreaming lesbian performance Anyone interested in theater and performance, cultural studies, gender issues, and the politics of ‘positive representation’--whether playwright, performer, director, writer, academic, student, or theatre goer--will find Acts of Passion a powerful step in wrenching the power of representation away from the dominant culture. Defiant, saucy, sexy, and smart, the contributors appropriate their own spaces, identities, crafts, and languages, both within this book and without.