Cliff Osmond, Hollywood actor, teacher, director and award-winning writer, with more than forty-five years of experience at the highest levels of his craft, offers his unique and perceptive thoughts on acting. "There is no such thing as 'acting, ' there is only life. What the actor must do is make sure that his life pccurs excitingly, on demand, within the narrow confines of a script, and in front of an audience." The rest is clarification. To aid actors in the their quest for excellence, Mr. Osmond discusses his "Ten Elements in Any Successful Performance," a clearly defined set of principles that enable the performer to transcend any sense of false 'acting' and move to an exciting performance reality. Part memoir, part theoretical analysis, part practical handbook, "Acting is Living" is a comprehensive, step-by-step guide for the actor, one that both beginning and experienced performers will refer to over-and-over in their lifetime of acting efforts

Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential reading for beginning and professional actors alike. Throughout these pages Meisner is a delight—always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges. With an introduction by Sydney Pollack, director of Out of Africa and Tootsie, who worked with Meisner for five years. "This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods."—Arthur Miller "If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book."—Gregory Peck

Stop Acting Start Living is the culmination of 35 years of performing and teaching experience around the globe. Hollywood Acting teacher and Success coach Bernard Hiller has worked with Jeff Goldblum, LL Cool J, Lindsay Lohan, Billy Crystal, Chace Crawford, Michelle Pfeiffer, and Emilio Rivera among many others. Bernard coached Cameron Diaz for her first big audition "The Mask" with Jim Carrey, which launched her career. His revolutionary techniques have changed the course of lives and careers. There has never been a book available that takes the acting techniques of a Hollywood star-maker and teaches business people how to become stars in their lives and careers. Bernard is the only coach who combines acting technique, life coaching, and success training in an entirely new and transformative way. Leonardo DiCaprio, CAA, Samuel L Jackson and other stars recommend him as the premier acting teacher in town. April Webster-Star Wars... "I have seen first hand how his techniques instantly improves your talent." Bruce Dern.. "There is no class like it in America."

Acting and Living in Discovery, A Workbook for the Actor lays out essential fundamentals of the actor’s process. Based on the author’s experiences at the legendary HB Studio in New York City, Acting and Living in Discovery provides practical guidance for developing, honing, or revitalizing the actor’s craft for the actor. A teacher can use the workbook to support a studio class, a special workshop, part of a university acting course, or private coaching. The chapters delve into basic facets of the acting process that lead the actor into discovering the corporal world of a script. Exercises at the end of each chapter invite the actor to discover the treasure trove of his unique self, and spell out the work an actor can do to wear the shoes of any character. The actor is at once the instrument and the player. The workbook can be read straight through or used as a reference for addressing a particular problem or topic.

“I call this book The Intent to Live because great actors don’t seem to be acting, they seem to be actually living.” –Larry Moss, from the Introduction When Oscar-winning actors Helen Hunt and Hilary Swank accepted their Academy Awards, each credited Larry Moss’s guidance as key to their career-making performances. There is a two-year waiting list for his advanced acting classes. But now everyone–professionals and amateurs alike–can discover Moss’s passionate, in-depth teaching. Inviting you to join him in the classroom and onstage, Moss shares the techniques he has developed over thirty years to help actors set their emotions, imagination, and behavior on fire, showing how the hard work of preparation pays off in performances that are spontaneous, fresh, and authentic. From the foundations of script analysis to the nuances of physicalization and sensory work, here are the case studies, exercises, and insights that enable you to connect personally with a script, develop your character from the inside out, overcome fear and inhibition, and master the technical skills required for success in the theater, television, and movies. Far more than a handbook, The Intent to Live is the personal credo of a master teacher. Moss’s respect for actors and love of the actor’s craft enliven every page, together with examples from a wealth of plays and films, both current and classic, and vivid appreciations of great performances. Whether you act for a living or simply want a deeper understanding of acting greatness, The Intent to Live will move, instruct, and inspire you.

"Jack Garfein's book is a touching reminder of our early attempts at creating theater without artifice. It is good to know that he is still working hard at it."---Ben Gazzara --

A collection of 125 acting exercises that are based on journal excerpts and dialogues from Mr. Morris' classes. These exercises teach the actor to systematically eliminate his or her instrumental obstacles -- tensions, fears, inhibitions -- and explore the "being" state, where the actor does no more and no less than what he or she feels. As the title indicates, many of the techniques herein address the actor's need to avoid falling into the traps of concept and presentational acting. There is also a complete chapter on sense memory -- what it is, and how to practice it and apply it as an acting tool. Co-authored by Joan Hotchkis, and with a Foreword by Jack Nicholson.