Sixteenth-century Hindu theologian Rupa Gosvamin established a technique by which, in imitating one of the significant figures in Krsna`s dramatic world, a devotee might actually come to inhabit the world of the character whose part he or she was playing.

Sanctification | noun | sa(k)-t-f-k-shn : a big word for the little-by-little progress of the everyday Christian life Fighting sin is not easy. No one ever coasted into greater godliness. Christian growth takes effort. But we are not left alone. God loves to work the miracle of sanctification within us as we struggle for daily progress in holiness. With contributions from Kevin DeYoung, John Piper, Ed Welch, Russell Moore, David Mathis, and Jarvis Williams, this invigorating book will help you say no to the deception of sin and yes to true joy in Jesus.

This book explores the contribution of Gauḍīya Vaiṣṇava theology to polity and public engagement during the reign of Jaisingh II in the early eighteenth century in North India. The book analyses specialised treatises produced by the Gauḍīya Vaiṣṇavas which provide theological foundations to endorse and encourage responsible public conduct. Using a two-fold approach, the book offers a close reading and examination of Sanskrit primary sources combined with an exploration of the key themes in these works in light of the wider political context. These works were born in a precise historical context; thus, to fully appreciate these works, this book adopts an approach that smudges the boundaries between history, religion and politics. It provides a historical account of the rise of the Kachvāhā clan to become the chief partners of the Mughal regime, exploring the effects, reign and governance of the celebrated Kachvāhā King Jaisingh II and examines the Gauḍīya Vaiṣṇava community’s trials and tribulations as they entered an intensely political world. A detailed analysis of a fascinating period within Gauḍīa Vaiṣṇva history, this book will be of interest to scholars in the fields of South Asian Studies, Indology, Religious Studies, South Asian History and Hindu Studies.

The intensity and meaningfulness of aesthetic experience have often been described in theological terms. By designating basic human emotions as rasa, a word that connotes taste, flavor, or essence, Indian aesthetic theory conceptualizes emotional states as something to be savored. At their core, emotions can be tastes of the divine. In this book, the methods of the emerging discipline of comparative theology enable the author’s appreciation of Hindu texts and practices to illuminate her Christian reflections on aesthetics and emotion. Three emotions vie for prominence in the religious sphere: peace, love, and fury. Whereas Indian theorists following Abhinavagupta claim that the aesthetic emotion of peace best approximates the goal of religious experience, devotees of Krishna and medieval Christian readings of the Song of Songs argue that love communicates most powerfully with divinity. In response to the transcendence emphasized in both approaches, the book turns to fury at injustice to attend to emotion’s foundations in the material realm. The implications of this constructive theology of emotion for Christian liturgy, pastoral care, and social engagement are manifold.

Throughout Indian history, many authors and performers have produced, and many patrons have supported, diverse tellings of the story of the exiled prince Rama, who rescues his abducted wife by battling the demon king who has imprisoned her. The contributors to this volume focus on these "many" Ramayanas. While most scholars continue to rely on Valmiki's Sanskrit Ramayana as the authoritative version of the tale, the contributors to this volume do not. Their essays demonstrate the multivocal nature of the Ramayana by highlighting its variations according to historical period, political context, regional literary tradition, religious affiliation, intended audience, and genre. Socially marginal groups in Indian society—Telugu women, for example, or Untouchables from Madhya Pradesh—have recast the Rama story to reflect their own views of the world, while in other hands the epic has become the basis for teachings about spiritual liberation or the demand for political separatism. Historians of religion, scholars of South Asia, folklorists, cultural anthropologists—all will find here refreshing perspectives on this tale.

Most of us long to be in control—of our schedule, our relationships, and our future. Newlywed Laura Story thought she had control over the great life ahead of her. After all, she followed Jesus and had a promising new job as a worship leader. Why would God not want to fulfill her dreams? But when Laura and her husband, Martin, faced a brain tumor, infertility, and a son’s birth defect, she realized she’d been looking for a happiness that comes from circumstances, rather than a deeper joy that comes from God. Again and again, Laura had to surrender her vision for her life so she could embrace God’s vision. And again and again she learned that even in the midst of shattered dreams, God’s plan brought greater joy than she could have imagined. Now the Grammy Award–winning singer-songwriter known for such hits as “Blessings,” “Indescribable,” and “Mighty to Save” shares her powerful story of finding blessing in her deepest pain. In, I Give Up, Laura explores: How to delight in God’s gifts no matter your circumstances. Why waiting on God is a daily decision, not a step-by-step process. The strength we find from meditating on God’s Word. Why surrendering to God leads to reconciliation with others. How the things we consider to be losses are ways for God to display his glory. As Laura writes, she no longer wants to be in control of her life. She wants to be rooted in the God who is in control. I Give Up will help you Discover a deeper life of worship, a fuller life of joy, and a freer life of true surrender as you open your hands to God. And give up.

The Transfiguration, one of the most mysterious miracles of Christ, has been mostly misunderstood for two millennia.“Andreas Andreopoulos approaches the Transfiguration explaining its significance in the continuing experience of the church and in the personal journey of each Christian. He sees the Transfiguration as ‘a timeless story,’ as ‘an event that keeps on happening.’ He writes in a way that is vivid yet profound and often unexpected. Reading his text, I have come to look at Christ’s Transfiguration, and our own, with new eyes and a fresh understanding.” —From the Foreword by Metropolitan Kallistos of Diokleia