Studying the careers of popular actors Amedeo Nazzari and Alberto Sordi, Acting Across Borders explores the question of how Italian cinema from the 1930s to 1980s has considered human mobility. Through close readings of a selection of films, Alberto Zambenedetti examines the concept of italianità (Italian-ness) as manifested in contexts related to migration, diaspora, exile, tourism, travel and their supporting infrastructures. In this wide-ranging study, the methodologies of Film Studies and the Mobilities Framework are combined to illuminate an undertheorised yet vital tradition in the history of the national cinema. Alberto Zambenedetti is Assistant Professor in the Department of Italian Studies and the Cinema Studies Institute, University of Toronto.

Is there a fundamental connection between New York's Elevator Repair Service's 9-hour production of The Great Gatsby and a Kathakali performance? How can we come to appreciate the slowness of Kabuki theatre as much as the pace of the Whatsapp theatre of post-Arab Spring Turkey? Can we go beyond our own culture's contemporary definition of a 'good play' and think about the theatre in a deep and pluralistic manner? Drawing on his extensive experience working with theatre artists, students and thinkers across the globe - up to and including an hour-long audience with the Dalai Lama - playwright Abhishek Majumdar considers why we make theatre and how we see it in different parts of the world. His own work has taken him from theatre in Japan to dance companies in the Phillippines, writers in Lebanon and Palestine, theatre groups in Burkina Faso, war-torn areas like Kashmir and North Eastern India, and to China and Tibet, Argentina and Mexico. Via a far-reaching and provocative collection of essays that is informed by this wealth of experience, Majumdar explores: - how different cultures conceive theatre and how the norm of one place is the experiment of another; - the ways in which theatre across the world mirrors its socio political and philosophical climate; - how, for thousands of years, theatre has been a tool to both disrupt and to heal; - and how, even within the many differences, there are universals from which we can all learn and how theatre does cross borders Of interest to theatre makers everywhere - be they writers, actors, directors or designers - this book offers an oversight, as well as interrogation, into the place of theatre in the world today.

This book redirects the intercultural debate by privileging the actor’s creative process. Original interviews illuminate how the intersection of technique, memory, and imagination manifests in actor training and intercultural performance. Ultimately, this study reassesses the meanings of intercultural embodiment onstage.

Michael Peter Smith and Matt Bakker spent five years carrying out ethnographic field research in multiple communities in the Mexican states of Zacatecas and Guanajuato and various cities in California, particularly metropolitan Los Angeles. Combining the information they gathered there with political-economic and institutional analysis, the five extended case studies in Citizenship across Borders offer a new way of looking at the emergent dynamics of transnational community development and electoral politics on both sides of the border. Smith and Bakker highlight the continuing significance of territorial identifications and state policies—particularly those of the sending state—in cultivating and sustaining transnational connections and practices. In so doing, they contextualize and make sense of the complex interplay of identity and loyalty in the lives of transnational migrant activists. In contrast to high-profile warnings of the dangers to national cultures and political institutions brought about by long-distance nationalism and dual citizenship, Citizenship across Borders demonstrates that, far from undermining loyalty and diminishing engagement in U.S. political life, the practice of dual citizenship by Mexican migrants actually provides a sense of empowerment that fosters migrants' active civic engagement in American as well as Mexican politics.

This collection offer a series of new essays authored by leading scholars of Latin American and U.S. Latino theater as well as the performance script Mexterminator vs. The Global Predator, written by Guillermo Gomez-Pena. The fourteen essays focus on contemporary Latin American and U.S. Latino plays and performances and challenge the meanings of genre, gender, race, cultural identity, and performance itself in the context of globalization and shifting borders. The concept of trans/acting, a term that connotes negotiation and/or exchange, provides the framework for essays that include such topics as tansculturation, transnationalism, transgender, transgenre, translation, and adaptation. These individual studies of contemporary theater and performance arts are complimented by trans/actor Gomez-Pena's Mexterminator vs. The Global Predator, a striking transgressive script that underscores the performance nature of territorial and symbolic border crossings. Jacqueline Bixler is Alumni Distinguished Professor of Spanish at Virginia Tech. Laurietz Seda is Associate Professor of Spanish at the University of Connecticut-Storrs.

This absorbing book is ballet's 'biography' -- a revealing examination of a closed world, its competition and camaraderie, sexual politics, intimacies, pressures and, not least of all, its magic. Ballet companies have endeavoured to hide what is going on backstage lest the reality of highly strung nerves, constant fatigue and pain from injuries tarnish the illusion of ethereal figures and seemingly weightless steps in polished performances. But the audience's perceptions of fairy-tale worlds onstage are far removed from the experiences of the dancers themselves. The author, who trained to be a dancer, has been given an entrée to this private world that few outsiders ever see.Books on ballet tend to focus on performance. In contrast, this book, which draws on extensive fieldwork with major companies such as London's Royal Ballet, the American Ballet Theatre in New York, the Royal Swedish Ballet and the Ballett Frankfurt, is about dancers - how their careers are made and unmade and what happens in dance companies offstage. Anyone interested in the culture of ballet or the theatre, as well as students of anthropology, dance, performance and cultural studies, will want to read what really goes on when the curtain comes down.

This book brings into conversation geographically diverse theorists to question the meaning, purpose, and place of conceptual borders in philosophy. It shows how contemporary theory is constituted by a dynamic practice in which the boundaries created to define it are simultaneously overcome in their establishment. Philosophy has often taken itself to be distinguished from and superior to alternative ways of thinking. To do so, philosophical thinking has found itself rigidly affirming the need to think within borders to obtain conceptual clarity and certainty and/or secure its own independent existence. The chapters in this volume call into question the need to retreat behind demarcated boundaries that mark the domain of philosophy proper, to instead offer a performative account of how philosophy can creatively work across (geographical, cultural, linguistic) borders, without foreclosing that analysis conceptually. In so doing, the contributors tackle issues including the historical establishment of philosophical borders, the metaphysics of philosophical borders, the relationship between Western and non-Western thinking, the ethics of transgressing borders, and the political implications of Western rationality on and for non-Western societies. Philosophy Across Borders will therefore be of interest to scholars and advanced students working in philosophy, aesthetics, critical theory, comparative philosophy, cultural studies, feminist theory, history of ideas, political theory, and postcolonial studies.