The Newbery Award-winning author of Up a Road Slowly presents the unforgettable story of Jethro Creighton—a brave boy who comes of age during the turbulent years of the Civil War. In 1861, America is on the cusp of war, and young Jethro Creighton is just nine-years-old. His brother, Tom, and his cousin, Eb, are both of fighting age. As Jethro's family is pulled into the conflict between the North and the South, loyalties are divided, dreams are threatened, and their bonds are put to the test in this heart-wrenching, coming of age story. “Drawing from family records and from stories told by her grandfather, the author has, in an uncommonly fine narrative, created living characters and vividly reconstructed a crucial period of history.”—Booklist

When Kendem, a varsity instructor, returns to his native Lewoh countryside where he spent his childhood, he is seeking relief from the complexity of human civilization after attending the Fulbright Institute in the United States. Instead, he is confronted with two seething issues: how to reveal to his sick and troubled mother the situation in which he finds his elder brother, the successor of Mbe Tanju-Ngong's household, who travelled to the United States many years before and had never returned and the dispute over Fuo Beyano's funeral which is tearing the land apart, whether the deceased village chief, should be given a Christian burial or he should, according to the age-old tradition of Lewoh people, go through a ritual to enable him return and continue ruling his people.

In this rich and compelling collection of poems the author explores the recesses of the imagination to reveal the different facets of contemporary experience. In doing this he highlights the social, the spiritual, and the metaphysical functions of poetry. The reader will find in the collection sincere expressions of feelings and penetrating thoughts, the genuine tone, spirit and taste of poetry and its ability to provide contemplative clues to prevailing circumstances. The preponderance of stimulating imagery and the overall display of ingenious poeticality reveal the poet as one imbued with a fertile imagination and prove as well that poetry remains the most noble of art through which one understands and comes to terms with the hidden secrets of the universe.

This is an important work in literary theory and philosophy of literature. I consider the work a properly constructed path that will lead readers to the literary world of Nkengasong, and Nkengasong to a global world of literary relevance. If you have read Nkengasong before now you will be more comfortable with his works by reading Riot in the Mind: A Critical Study of J. N. Nkengasong. If you have not start with it.Dr. Lawrence Ogbo Ugwuanyi

Efenze, the President of the Board of Directors of government companies and a member of the Central Committee of the Ruling Party, eliminates his erstwhile business contractor, Sancheu, with the complicity of the latter's wife. His aim is to inherit Sancheu's widow and wealth and to forge his way into the Political Bureau of the Party. The Call of Blood is a dramatization of evil in its multifaceted dimensions including treachery, infidelity, greed, hypocrisy, double-crossing and vaulting ambition in a postcolonial society where those who wield political and financial power thrive or perish by their involvement in obscure schemes. The play is enriched by a great sense of dramatic economy and poetic style evident in the preponderant use of local imagery.

In this eclectic and compelling book, Ambanasom sets out to achieve three primary objectives: to introduce the reader to the extensive body of Cameroonian novels in English, to re-examine the distorting and limiting criteria upon which the critical assessment of the Cameroonian novel in English has so far been based, and to bridge the widening chasm between literary theory and actual critical practice. To achieve these objectives, Ambanasom begins by elaborating an alternative and flexible theoretical framework which he christens the 'Socio-Artistic Approach' and which, according to him, is 'concerned with both a text's thematic, moral, cultural or ideological issues, on the one hand, and its central literary analysis, on the other.' He then proceeds to use this new critical framework to examine twenty-seven major Cameroonian novels in English.