Through the lens of polio, Dóra Vargha looks anew at international health, communism and Cold War politics. This title is also available as Open Access.

From the mid-1950s onwards, the rise of television as a mass medium took place in many East and West European countries. As the most influential mass medium of the Cold War, television triggered new practices of consumption and media production, and of communication and exchange on both sides of the Iron Curtain. This volume leans on the long-neglected fact that, even during the Cold War era, television could easily become a cross-border matter. As such, it brings together transnational perspectives on convergence zones, observations, collaborations, circulations and interdependencies between Eastern and Western television. In particular, the authors provide empirical ground to include socialist television within a European and global media history. Historians and media, cultural and literary scholars take interdisciplinary perspectives to focus on structures, actors, flow, contents or the reception of cross-border television. Their contributions cover Albania, the CSSR, the GDR, Russia and the Soviet Union, Serbia, Slovenia and Yugoslavia, thus complementing Western-dominated perspectives on Cold War mass media with a specific focus on the spaces and actors of East European communication. Last but not least, the volume takes a long-term perspective crossing the fall of the Iron Curtain, as many trends of the post-socialist period are linked to, or pick up, socialist traditions.

This innovative pan-European history of post-war socialism challenges the East-West paradigm that still dominates accounts of post-war Europe. Jan De Graaf offers a comparative study of the ways in which the French, Italian and Polish socialist parties and the Czechoslovakian Social Democratic Party dealt with the problems of socio-economic and political reconstruction. Drawing on archival documents in seven languages, De Graaf reveals the profound divide which existed in all four countries between socialist elites and their grassroots as workers reacted hostilely to calls for industrial discipline and for further sacrifices towards the reconstruction effort. He also provides a fresh interpretation of the political weaknesses of socialist parties in post-war continental Europe by stressing the importance of political history and social structure. By placing the attitudes of the continental socialist parties in their proper socio-historical context he highlights the many similarities across and divergences within the two putative blocs.

In the long-awaited follow-up to her Pulitzer Prize-winning Gulag, acclaimed journalist Anne Applebaum delivers a groundbreaking history of how Communism took over Eastern Europe after World War II and transformed in frightening fashion the individuals who came under its sway. At the end of World War II, the Soviet Union to its surprise and delight found itself in control of a huge swath of territory in Eastern Europe. Stalin and his secret police set out to convert a dozen radically different countries to Communism, a completely new political and moral system. In Iron Curtain, Pulitzer Prize-winning journalist Anne Applebaum describes how the Communist regimes of Eastern Europe were created and what daily life was like once they were complete. She draws on newly opened East European archives, interviews, and personal accounts translated for the first time to portray in devastating detail the dilemmas faced by millions of individuals trying to adjust to a way of life that challenged their every belief and took away everything they had accumulated. Today the Soviet Bloc is a lost civilization, one whose cruelty, paranoia, bizarre morality, and strange aesthetics Applebaum captures in the electrifying pages of Iron Curtain.

A deadpan celebration of the unique commercial aesthetic that flourished under the crumbling totalitarian Communist regimes of twentieth-century Europe Window-Shopping through the Iron Curtain presents a selection of more than 100 images of shop windows shot by David Hlynsky during four trips taken between 1986 and 1990 to Poland, Czechoslovakia, Hungary, Yugoslavia, Bulgaria, East Germany, and Moscow. Using a Hasselblad camera, Hlynsky captured the slow, routine moments of daily life on the streets and in the shop windows of crumbling Communist countries. The resulting images could be still-lifes representing the intersection of a Communist ideology and a consumerist, Capitalist tool—the shop window—with the consumer stuck in the middle. Devoid of overt branding or calculated seduction, the shop windows were typically adorned with traditional yet incongruous symbols of cheer: homey lace curtains, paper flowers, painted butterflies, and pictures of happy children. Some windows were humble in their simple offerings of loaves and tinned fishes; others were zanily artistic, as in the modular display of military shirts in a Moscow storefront; and some illustrated intense professional pride, such as a sign in a Prague beauty salon depicting a pedicurist smiling fiendishly over an imperfect sole. The photographs are accompanied by essays by art historian Martha Langford and cultural studies specialist Jody Berland, as well as Hlynsky’s own account of his time as a flâneur in the shopping plazas of the collapsing Soviet empire—“a vast ad-hoc museum of a failing utopia” that in 1989 began to close forever.

In Nature and the Iron Curtain, the authors contrast communist and capitalist countries with respect to their environmental politics in the context of the Cold War. Its chapters draw from archives across Europe and the U.S. to present new perspectives on the origins and evolution of modern environmentalism on both sides of the Iron Curtain. The book explores similarities and differences among several nations with different economies and political systems, and highlights connections between environmental movements in Eastern and Western Europe.

This book is the first scholarly exploration of how Christian Democracy kept Cold War Europe’s eastern and western halves connected after the creation of the Iron Curtain in the late 1940s. Christian Democrats led the transnational effort to rebuild the continent’s western half after World War II, but this is only one small part of the story of how the Christian Democratic political family transformed Europe and defied the nascent Cold War’s bipolar division of the world. The first section uses case studies from the origins of European integration to reimagine Christian Democracy’s long-term significance for a united Europe. The second shifts the focus to East-Central Europeans, some exiled to Western Europe, some to the USA, others remaining in the Soviet Bloc as dissidents. The transnational activism they pursued helped to ensure that, Iron Curtain or no, the boundary between Europe’s west and east remained permeable, that the Cold War would not last and that Soviet attempts to divide the continent permanently would fail. The book’s final section features the testimony of three key protagonists. This book appeals to a wide range of audiences: undergraduate and graduate students, established scholars, policymakers (in Europe and the Americas) and potentially also general readerships interested in the Cold War or in the future of Europe.