During the darkest days of WWII, three British boys too young to join up, find themselves on the wrong side of the English Channel. Nazi-occupied France is a dangerous place. Boyhood fantasies of taking the fight to the enemy are all well and good from the safety of England, but the reality is far different. To survive, the boys must learn to trust one another. Cold, scared and desperate they stumble upon a small country farm occupied by a girl and her father. They’ve little choice but to trust them. Soon, they become the target of a brutal Gestapo manhunt. The boys must harden their hearts to the brutality of a world at war, or be consumed.

Celebrity Across the Channel, 1750-1850 is the first book to study and compare the concept of celebrity in France and Britain from 1750 to 1850 as the two countries transformed into the states we recognize today. It offers a transnational perspective by placing in dialogue the growing fields of celebrity studies in the two countries, especially by engaging with Antoine Lilti’s seminal work, The Invention of Celebrity, translated into English in 2017. With contributions from a diverse range of scholarly cultures, the volume has a firmly interdisciplinary scope over the time period 1750 to 1850, which was an era marked by social, political, and cultural upheaval. Bringing together the fields of history, politics, literature, theater studies, and musicology, the volume employs a firmly interdisciplinary scope to explore an era marked by social, political, and cultural upheaval. The organization of the collection allows for new readings of the similarities and differences in the understanding of celebrity in Britain and France. Consequently, the volume builds upon the questions that are currently at the heart of celebrity studies.

The hilarious and true story of two senior-citizens and their whippet dog who hatch, plan and carry out a “lunatic scheme” to sail from Stone in Staffordshire to Carcassonne in the South of France.

Discusses the Allied invasion of Normandy, with extensive details about the planning stage, called Operation Overlord, as well as the fighting on Utah and Omaha Beaches.

This book approaches the English Channel as a border which connected, as much as it separated, France and England in the eighteenth century.

Using interpretations of the French Revolution as a model, Eyes Across the Channel asks what history meant to Victorian Britain, how events became enshrined with the authority of history and how such cultural assumptions might help us to read nineteenth-century British literature. Britain and France are now joined by a tunnel, yet the narrow stretch of sea that divides the two countries has for centuries represented both closeness and difference. Eyes Across the Channel argues that between the July Revolution of 1830 and the actual beginning of the construction of a Channel Tunnel in 1882, Britons more frequently interpreted France's role as their closest continental neighbour historically and politically than geographically.

Explores modernist aesthetics and cultural exchange in Britain, France and beyond Offers cutting-edge explorations of different aspects of artistic exchange between Britain and France, written by experts on both sides of the ChannelProvides original close readings of canonical and marginalised modernist textsOpens up new conceptual paradigms by probing multiple meanings related to 'crossing' and 'channelling' modernismOrganises chapters around three key themes of 'translating', 'fashioning', 'mediating' that intervene in the new modernist studiesDescribed by Katherine Mansfield in 1921 as 'a great cold sword between you and your dear love Adventure', in the early twentieth century the English Channel, or 'La Manche' in French, represented both a political and intellectual barrier between European avant-gardism and British restraint, and a bridge for cultural connection and aesthetic innovation. Organised around key terms 'Translating', 'Fashioning' and 'Mediating', this book presents ten original essays by scholars working on both sides of the Channel. Cross-Channel Modernisms historicises artistic exchangesa ina Britain, France and beyond and proposes a rich conceptual apparatus of 'crossings' and 'channels' through which we can read modernism and understand it as emerging from, and intervening in, an always-already shifting, multivalent,a internationala context.