The city of Acre, powerfully fortified and richly provisioned, was the last crusader stronghold. When it fell in 1291, two hundred years of Christian crusading in the Holy Land came to a bloody end. With his customary narrative brilliance and immediacy, Roger Crowley chronicles the tumultuous and violent attack on Acre, the heaviest bombardment before the age of gunpowder, which left this once great Mediterranean city a crumbling ruin.The ‘Accursed Tower’ was the focal point of this siege. As the last garrison of the Crusader defences, it came to symbolise the disintegration of the old world and the rise of a new era of Islamic jihad. Crowley’s narrative is based on forensic research, drawing heavily on little known first hand sources, both Christian and Arabic. This is a fast-paced and gripping account of a pivotal moment in world history.

From a New York Times-bestselling author, a stirring account of the siege of Acre in 1291, when the last Christian stronghold fell to the Muslim army The 1291 siege of Acre was the Alamo of the Christian Crusades -- the final bloody battle for the Holy Land. After a desperate six weeks, the beleaguered citadel surrendered to the Mamluks, bringing an end to Christendom's two-hundred year adventure in the Middle East. In The Accursed Tower, Roger Crowley delivers a lively narrative of the lead-up to the siege and a vivid, blow-by-blow account of the climactic battle. Drawing on extant Arabic sources as well as untranslated Latin documents, he argues that Acre is notable for technical advances in military planning and siege warfare, and extraordinary for its individual heroism and savage slaughter. A gripping depiction of the crusader era told through its dramatic last moments, The Accursed Tower offers an essential new view on a crucial turning point in world history.

A "lively and engaging" history of the Middle Ages (Dallas Morning News) from the acclaimed historian William Manchester, author of The Last Lion. From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth: the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains. "Manchester provides easy access to a fascinating age when our modern mentality was just being born." --Chicago Tribune

Most Anglo-American readers know Bataille as a novelist. The "Accursed Share "provides an excellent introduction to Bataille the philosopher. Here he uses his unique economic theory as the basis for an incisive inquiry into the very nature of civilization. Unlike conventional economic models based on notions of scarcity, Bataille's theory develops the concept of excess: a civilization, he argues, reveals its order most clearly in the treatment of its surplus energy. The result is a brilliant blend of ethics, aesthetics, and cultural anthropology that challenges both mainstream economics and ethnology. The three volumes of "The Accursed Share" address what Georges Bataille sees as the paradox of utility: namely, if being useful means serving a further end, then the ultimate end of utility can only be uselessness. The first volume, the only one published before Bataille's death, treated this paradox in economic terms, showing that "it is not necessity but its contrary, luxury, that presents living matter and mankind with their fundamental problems." In the second and third volumes, "The History of Eroticism" and "Sovereignty", Bataille explores the same paradox of utility from an anthropological and an ethical perspective, respectively. "The History of Eroticism" analyzes the fears and fascination, the prohibitions and transgressions attached to the realm of eroticism as so many expressions of the "uselessness" of erotic life. In the third volume, Bataille raises the ethical problems of sovereignty, of "the independence of man relative to useful ends."

The life of Henrietta Achilles is about to change. After years of living as an orphan, she receives a summons to the strange town of Malrenard. To her surprise, she's the only living relative of Ornun Zol—a notorious wizard, now deceased, who leaves Henrietta with his house and everything in it. With Ornun Zol gone, escaped creatures and misfired curses have been spilling out into Malrenard. If that's not enough, Henrietta will discover countless squabbling squatters inside her uncle's abode: soldiers, bandits, tiny monsters, and more. Then there's the matter of the strange black cat following Henrietta around . . .

A history of the 1119 Battle of the Field of Blood, which decisively halted the momentum gained during the First Crusade and decided the fate of the Crusader states During the First Crusade, Frankish armies swept across the Middle East, capturing major cities and setting up the Crusader States in the Levant. A sustained Western conquest of the region appeared utterly inevitable. Why, then, did the crusades ultimately fail? To answer this question, historian Nicholas Morton focuses on a period of bitter conflict between the Franks and their Turkish enemies, when both factions were locked in a struggle for supremacy over the city of Aleppo. For the Franks, Aleppo was key to securing dominance over the entire region. For the Turks, this was nothing less than a battle for survival -- without Aleppo they would have little hope of ever repelling the European invaders. This conflict came to a head at the Battle of the Field of Blood in 1199, and the face of the Middle East was forever changed.

In Sacred Plunder, David Perry argues that plundered relics, and narratives about them, played a central role in shaping the memorial legacy of the Fourth Crusade and the development of Venice’s civic identity in the thirteenth century. After the Fourth Crusade ended in 1204, the disputes over the memory and meaning of the conquest began. Many crusaders faced accusations of impiety, sacrilege, violence, and theft. In their own defense, they produced hagiographical narratives about the movement of relics—a medieval genre called translatio—that restated their own versions of events and shaped the memory of the crusade. The recipients of relics commissioned these unique texts in order to exempt both the objects and the people involved with their theft from broader scrutiny or criticism. Perry further demonstrates how these narratives became a focal point for cultural transformation and an argument for the creation of the new Venetian empire as the city moved from an era of mercantile expansion to one of imperial conquest in the thirteenth century.