Uncovers African influences on the Western imagination during the eighteenth century, paying particular attention to the ways Ethiopia inspired and shaped the work of Samuel Johnson.

From the eighteenth century to the present, travellers, explorers, journalists, imaginative writers like Samuel Johnson, and legendary reggae musician Bob Marley have shared a fascination with Abyssinia. So did even earlier writers and mapmakers, who thought Abyssinia was the land of the mythical (and fabulously rich) Christian ruler, Prester John. The principal subject of this book is the allure of the exotic, as represented by Abyssinia, to the British imagination. In addition to Johnson and Marley, some others included are the eighteenth-century Scot James Bruce, nineteenth-century explorer Richard Burton, author Evelyn Waugh, Wilfred Thesiger (best known of twentieth-century British explorers), Sylvia Pankhurst (crusading journalist and daughter of the suffragist Emmeline Pankhurst), and the contemporary Irish traveller Dervla Murphy. The author also considers the beginnings of anthropology and the variations of quest narrative in modern travel writing.

This handbook offers a systematic exploration of current key topics in travel writing studies. It addresses the history, impact, and unique discursive variety of British travel writing by covering some of the most celebrated and canonical authors of the genre as well as lesser known ones in more than thirty close-reading chapters. Combining theoretically informed, astute literary criticism of single texts with the analysis of the circumstances of their production and reception, these chapters offer excellent possibilities for understanding the complexity and cultural relevance of British travel writing.