¿Qué pasaría si algunos de nuestros más grandes teólogos no fueran considerados como tales, en absoluto? Kat Armas es una cubanoamericana de segunda generación que creció en las cercanías del famoso vecindario La Pequeña Habana de Miami. Su temprana formación teológica provino de su abuela, que huyó de Cuba durante el apogeo de los disturbios políticos y crio a sus tres hijos sola tras la muerte de su esposo. Combinando la narración personal con la reflexión bíblica, Armas nos muestra el modo en que las voces marginadas --las que a menudo son rechazadas, aisladas y oprimidas debido a su género, estatus socioeconómico o falta de educación--, tienen más que enseñarnos en cuanto a seguir a Dios que lo que nos damos cuenta. Abuelita fe cuenta la historia de teólogas anónimas e ignoradas en la sociedad y en la Biblia --madres, abuelas, hermanas e hijas-- cuya supervivencia, fuerza, resistencia y perseverancia nos enseñan el verdadero poder de la fe y el amor. La exploración de la autora en cuanto a la teología de abuelita ayudará a personas de todos los orígenes culturales y étnicos a reflexionar sobre las abuelitas en sus vidas y sus ministerios, y sobre las formas en que pueden vivir la fe de abuelita cada día. Kat Armas (magíster en Divinidades y en Teología del Seminario Teológico Fuller) es una escritora y oradora cubanoamericana, que presenta el podcast The Protagonistas, en el que destaca historias de mujeres de color comunes y corrientes, incluidas escritoras, pastoras, lideresas de iglesias y teólogas. Ha escrito para Christianity Today, Sojourners, Relevant, Christians for Biblical Equality, Fuller Youth Institute, la revista Fathom y Missio Alliance. Armas también trabaja en el proyecto Living a Better Story en el Fuller Youth Institute y habla periódicamente en conferencias sobre asuntos raciales y de justicia. Vive en Nashville, Tennessee.

With him, are her dreams more out of reach than ever? Evie Hernandez gave up her dream job to help with Mama Irene’s, the family business. Balancing her modernization plans while respecting generations of traditions isn’t easy, especially with her nosy, loving family offering unsolicited advice. That’s never more true than when she meets Alex—Mr. Tall, Dark and Far Too Handsome. He makes her wonder if she’s given up on her dreams too quickly, and soon she imagines a much different future for herself. Alejandro "Alex" Ortiz is in Santa Fe to do business with Mama Irene’s, but when he meets the beautiful Evie, he realizes he’ll need a different approach. Soon he’s playing bartender, serving up horchatas, and sampling tamales, reminding him of his childhood and beloved Abuelita. Charmed by Evie and her family, Alex drops his guard and lets himself enjoy Santa Fe’s Christmas traditions. But he has a deadline to keep and a business to get back to—plus, Evie will hate him when she learns why he’s really there. Can the magic of a Santa Fe Christmas help these two find their way?

The Spirit and the Screen engages contemporary films from the perspective of pneumatology to give theologies of culture fruitful new perspectives that begin with the Spirit rather than other common theological contact points (Christology, anthropology, theological ethics, creation, eschatology, etc.). This book explores pertinent pneumatological issues that arise in film, as well as literary devices that draw allusions to the Spirit. It offers three main contributions: first, it explores how Christian understandings of the person and work of the Spirit illuminate the nature of film and film-making; second, it shows that there are in fact “Spirit figures” in film (as distinct from but inseparable from Christ-figures), even if sometimes they’re not intended as such, “Spirit-led” characters, are moved to act “prophetically,” against their inclinations and in excess of their skill or knowledge and with eccentric, life-giving creativity; third, it identifies subtle and explicit symbolizations of the Spirit in pop culture, symbolizations that requires deep, careful thinking about the Christian doctrine of the Spirit and generate new horizons for cultural analysis. The contributors of this book explore these issues, asking how Christian convictions and experiences of the Spirit might shape the way one thinks about films and film-making.

Holographic Tattoo Part One immerses the reader in the mind and journey of a woman’s life as she navigates unknown health conditions, love, and healing.

¡Oye! Listen to your abuelita, por favor. This sweet and cheeky guide, in abuela's signature voice, with Spanish peppered throughout, is filled with abuelita wisdom, including sayings, tips, and tricks on cleaning, cooking, friendships, self-love, and more. How many times have we heard from our abuelas, “Ponte un suéter que tendrás frio” or “Al que madruga, Dios ayuda” or “¿Y para cuando los nietos?” Sometimes, we just need the advice of our wise abuelitas. This book—which contains a collection of traditional and classic tips, messages, sayings, and instructions—brings together advice from abuelas all over. Keep your home clean, learn abuela essentials on hygiene, revisit nostalgic recipes, and learn how to maintain relationships with others and yourself. Just like abuela, this book comes in a bright, colorful, cute little package, with gorgeous full-colored illustrations. With Spanish peppered throughout, this book is as close to abuela as can be. And just like abuela, this book can get a bit cheeky—so watch out for things that will make you grab your forehead and say: ¡Ay abuela! Whether our abuelas live two houses away, thousands of miles away, or are no longer with us, we can carry on their wisdom with this little book. No matter your heritage or cultural background, this mighty book is for anyone who wants, has, or has had an abuelita-figure in their life.

In this collection of bilingual stories about the Río Puerco Valley, where Nasario García grew up, he shares the traditions, myths, and stories of his homeland.