The memory of an act committed when she was nineteen weaves a dark thread through Clen McClendon's life. It is a darkness Clen ignores until the discovery of her husband's infidelity propels her on a quest for redemption and forgiveness. Her journeying is providing few answers and peace remains elusive, even during the time she spends in an abbey. But when Clen makes a decision that is both desperate and random to go to Wrangell, Alaska, she meets Gerrum Kirsey and learns that choices are never truly random and they always have consequences.

A guide for families of all backgrounds to celebrate cultural heritage and embrace inclusivity in the home and beyond. Gone are the days when socially conscious parents felt comfortable teaching their children to merely tolerate others. Instead, they are looking for a way to authentically embrace the fullness of their diverse communities. A Place to Belong offers a path forward for families to honor their cultural heritage and champion diversity in the context of daily family life by: • Fostering open dialogue around discrimination, race, gender, disability, and class • Teaching “hard history” in an age-appropriate way • Curating a diverse selection of books and media choices in which children see themselves and people who are different • Celebrating cultural heritage through art, music, and poetry • Modeling activism and engaging in community service projects as a family Amber O’Neal Johnston, a homeschooling mother of four, shows parents of all backgrounds how to create a home environment where children feel secure in their own personhood and culture, enabling them to better understand and appreciate people who are racially and culturally different. A Place to Belong gives parents the tools to empower children to embrace their unique identities while feeling beautifully tethered to their global community.

In his first novel since Corelli’s Mandolin, Louis de Bernières creates a world, populates it with characters as real as our best friends, and launches it into the maelstrom of twentieth-century history. The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world. Epic in sweep, intoxicating in its sensual detail, Birds Without Wings is an enchantment.

Poems about being a survivor and the choices we make to protect ourselves, our homes, and our hearts. Who wouldn't want a metaphorical stunt double to take the perilous fall that comes with the pain of loss or profound disappointment? The poems in When the Heart Needs a Stunt Double by Diane DeCillis consider resourceful ways in which we become our own stunt double and explore through a poet's eyes the anatomy of the mind, body, and soul. Although many of these poems investigate loss and heartbreak, this book is not about being a victim. It's about how we not only survive our most challenging moments but how we thrive in spite of them. These are poems about all of the ways our hearts both help us and betray us during major life events: dealing with divorce, the death of a loved one, separation from those closest to you, or with the agonizing experience of memory loss. The speaker appreciatively observes "how hard the muscle has worked / lifting and lowering the weight of love and sorrow." DeCillis writes that loss can feel like your heart is limping "like a wounded animal / before you sink into the shelter of your own shadow." But with every loss in these poems comes rebirth—a beautiful, sensory-rich wildflower garden of new breaths and experiences. The character of the heart is depicted as a piece of human anatomy at the same time it's portrayed as its own world; an entire planet. DeCillis personifies the mitral, aortic, and pulmonary valves, describing our bodies as blooming with vegetation, a recursive image of living things thriving inside living things. When the Heart Needs a Stunt Double takes us on a journey of what it means to be fully human. It touches upon the gifts we find in humor, nature, art, food, and how we celebrate the beauty of our scars. These are love poems: to others, to the self, to the body. DeCillis makes it clear that wounds need attention and care, but that loss always strengthens us. This collection will be admired by poetry lovers of all kinds, and those who enjoy modern and corporeal love poems.

This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.

Winner of the Maine Literary Award Called “rich and multidimensional” by School Library Journal in a starred review, Out of Nowhere follows Tom Bouchard: captain and star of the Enniston High School soccer team; boyfriend to one of the prettiest, most popular girls; and third in his class, likely to have his pick of any college (if he ever bothers filling out his applications). But life in his idyllic small Maine town quickly gets turned upside down after the events of 9/11. Enniston has become a “secondary migration” location for Somali refugees seeking a better life after their country is destroyed by war. Tom hasn’t thought much about his Somali classmates until four of them join the soccer team, including Saeed. He comes out of nowhere on the field to make impossible shots, and suddenly the team is winning, dominating even. But when Saeed’s eligibility is questioned and Tom screws up in a big way, he’s left to grapple with a culture he doesn’t understand and take responsibility for his actions. The refugees came out of nowhere and vanish just as quickly. And Tom may find himself going nowhere, too, if he doesn’t start trying to get somewhere.