"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.

There have always been homeless people, but only in the twentieth century have refugees become an important part of international politics, seriously affecting relations between states. Since the 1880s, the number of displaced persons has climbed astronomically, with people scattered over vaster distances and for longer periods of time than ever before. Tracing the emergence of this new variety of collective alienation, The Unwanted covers everything from the late nineteenth century to the present, encompassing the Armenian refugees, the Jews, the Spanish Civil War émigrés, the Cold War refugees in flight from Soviet states, and much more. Marrus shows not only the astounding dimensions of the subject but also depicts the shocking apathy and antipathy of the international community toward the homeless. He also examines the impact of refugee movements on Great Power diplomacy and considers the evolution of agencies designed to assist refugees, noting outstanding successes and failures.

Booklet detailing efforts by the British govt. to repatriate, resettle and reeducated European refugees following the end of World War II.

This award-winning collection of essays about culture and identity was written from the perspective of post-apartheid South Africa. Voted best special issue of 2001 by the Council of Editors of Learned Journal.

"It evoked almost unprecedented discussions, like those at the time of Turgenev's Fathers and Sons. Some praised the novel far more than it deserved, others complained bitterly that it was a defamation of youth. I may, however, without exaggeration assert that no one in Russia took the trouble to fathom the ideas of the novel. The eulogies and condemnations are equally one-sided." Thus did Mikhail Artsybashev (1878–1927), whose novels and short stories are suffused with themes of sex, suicide, and murder, describe the reaction to publication in 1907 of Sanin, his second novel. The work provoked heated debates among the Russian reading public, and the journal in which it was published serially was soon closed down by the authorities.The hero of Artsybashev's novel exhibits a set of new values to be contrasted with the morality of the older Russian intelligentsia. Sanin is an attractive, clever, powerful, life-loving man who is, at the same time, an amoral and carnal animal, bored both by politics and by religion. During the novel he lusts after his own sister, but defends her when she is betrayed by an arrogant officer; he deflowers an innocent-but-willing virgin; and encourages a Jewish friend to end his self-doubts by committing suicide. Sanin's extreme individualism greatly appealed to young people in Russia during the twilight years of the Romanov regime. "Saninism" was marked by sensualism, self-gratification, and self-destruction—and gained in credibility in an atmosphere of moral and spiritual despondency.Artybashev drew upon a wide range of sources for his inspiration—Sanin owes debts to Dostoevsky's Notes from Underground, Nietzsche's notion of the "superman," and the work of the individualist anarchist philosopher Johann Kaspar Schmidt. Michael R. Katz's translation of this controversial novel is the first into English in almost seventy years."Russian pornography is not plain pornography such as the French and Germans produce, but pornography with ideas."—Kornei Chukovsky"Those who saw in the much discussed novel only suggestive scenes, shocking their morality or titillating their senses, were mistaken; it was, as usual in Russia, a book with a message, and Sanin slept with all his mistresses to prove a thesis rather than to obey a natural urge."—Marc Slonim