This book describes the participation of black people in the conduct of the war, and their subsequent exclusion from the fruits of peace.

This series of publications aims to fill the gaps in our history, highlighting in particular the significant roles played by black leaders form all walks of life.

Jacob and Esau is a profound new account of two millennia of Jewish European history that, for the first time, integrates the cosmopolitan narrative of the Jewish diaspora with that of traditional Jews and Jewish culture. Malachi Haim Hacohen uses the biblical story of the rival twins, Jacob and Esau, and its subsequent retelling by Christians and Jews throughout the ages as a lens through which to illuminate changing Jewish-Christian relations and the opening and closing of opportunities for Jewish life in Europe. Jacob and Esau tells a new history of a people accustomed for over two-and-a-half millennia to forming relationships, real and imagined, with successive empires but eagerly adapting, in modernity, to the nation-state, and experimenting with both assimilation and Jewish nationalism. In rewriting this history via Jacob and Esau, the book charts two divergent but intersecting Jewish histories that together represent the plurality of Jewish European cultures.

The second Boer War is the most important war in South African history; indeed, without it, South Africa would likely have not existed. But itÕs also one of the least understood conflicts of the era. Over a century of Leftist bleating and insidious, self-serving revisionism, first by Afrikaner nationalists and then by the apartheid regime, has left the layman with a completely skewed view of the war. Incredibly, most people will tell you that the British attacked the Boers to steal their gold, and that when the clueless, red-jacketed Tommies advanced under orders of bumptious, incompetent British generals they were mowed down in their thousands. Others think of the conflict in terms of ÔBritain against South AfricaÕ and many believe that the Boers actually won the war; the marginally more enlightened explain away the Boer defeat by claiming it took millions of British troops to beat them, or that it was only the ÔgenocideÕ of the concentration camps which forced the plucky Boers to throw in the towel. Ê ItÕs all bosh. This book will take everything you thought you ÔknewÕ about the war and turn it on its head. From KrugerÕs expansionist dream of an Afrikaans empire Ôfrom the Zambesi to the CapeÕ, to the murder and devastation wrought on Natal by his invading commandos, to the savage massacres of thousands of blacks committed by the ÔgallantÕ bitter-einders, the reader will have his eyes opened to the brutal realities of the conflict, and be forced to reassess previously held notions of the rights and wrongs of the war. Hard-hitting and uncomfortable reading for those who do not want their bubble of ignorance burst, Kruger, Kommandos & Kak exposes that side of the Boer War which the apartheid propaganda machine didnÕt want you to know about.

The neo-classical troopers' memorial of New Zealand, together with others around the former British Empire, illustrates the manner in which the South African War became a major imperial. This book explores how South Africa is negotiating its past in and through various modes of performance in contemporary theatre, public events and memorial spaces. Opinion on the war was as divided among white Afrikaners, Africans, 'Coloureds' and English-speaking white South Africans as these communities were from each other. The book analyses the Truth and Reconciliation Commission (TRC) as a live event and as an archive asking throughout how the TRC has affected the definition of identity and memory in contemporary South Africa, including disavowed memories. It surveys a century of controversy surrounding the origins of the war and in particular the argument that gold shaped British policy towards the Transvaal in the drift towards war. The remarkable South African career of Flora Shaw, the first woman to gain a professional position on The Times, is portrayed in the book. The book also examines the expensive operation mounted by The Times in order to cover the war. While acknowledging the need not to overstress the role of personality, the book echoes J. A. S. Grenville in describing the combination of Milner and Chamberlain as a 'fateful partnership'. Current renegotiations of popular repertoires, particularly songs and dances related to the struggle, revivals of classic European and South African protest plays, new history plays and specific racial and ethnic histories and identities, are analysed.

Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.

This collection of essays is based upon the assumption that the British Empire was held together not merely by ties of trade and defence, but by a shared sense of British identity that linked British communities around the globe. Focusing on the themes of migration, identity and the media, this book is an exploration of these and other interconnected themes that help define the British World of the late 19th and 20th centuries.