Representing Aboriginality takes a close look at the dominant trends in the representation of aboriginal people in Australian, South African and Aotearoa/ New Zealand film. Jan Mohamed's thesis of The Economy of the Manichean Allegory is employed to interrogate these trends in terms of Other/Self binaries, where representations of the Other are understood to be sensitive to tensions within the individual psyches of the media-makers as well as to social tensions and stresses within the "political unconscious" of the society in which they appear. Thee films are analyzed in the discussion of the dominant trends: The Great Dance- a hunter's story, The Last Wave, and Once Were Warriors. Clelland-Stokes' forceful analysis of visual representations pf aboriginality will be of interest to scholars and students on the fields of visual anthropology, cultural anthropology, culture and media studies, film studies, and anyone interested in the visual culture of aboriginal and indigenous communities.

Seven anthropologists and a law scholar address issues surrounding the claim of some groups to nationhood based on their ethnicity, among them French Canadians, Australian Aborigines, Malays, and peoples of Kenya and Nigeria. They also examine legal, historical, and cultural aspects, and conclude that the similarity of terminology obscures the very different situations of the various peoples. From a symposium in Toronto, December 1990. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR

A fresh twenty-first century look at Australian literature in a broad, inclusive and multicultural sense.

Written by established and emerging Indigenous intellectuals from a variety of positions, perspectives and places, these essays generate new ways of seeing and understanding Indigenous Australian history, culture, identity and knowledge in both national and global contexts. From museums to Mabo, anthropology to art, feminism to film, land rights to literature, the essays collected here offer provocative insights and compelling arguments around the historical and contemporary issues confronting Indigenous Australians today.

Following the success of First Invaders (Ronsdale, 2004), Alan Twigg turns his attention to First Nations writers, unearthing more than 300 books by more than 170 mostly unheralded British Columbia aboriginal authors. Taking the reader from residential schools to art galleries, this lively and unprecedented panorama of British Columbia includes trailblazer Pauline Johnson, political organizer George Manuel and Haida carver Bill Reid. Equally important, Aboriginality sheds new light on fascinating, lesser-known figures such as Chief William Sepass, and Howard Adams, to name only two. Nearly half the author profiles are women, including Marilyn Dumont, Lizette Hall and Heather Harris. Each author is presented in historical and chronological context, along with background material on aboriginal history, as well as rare photos, illustrations and a comprehensive bibliography. "Alan Twiggs Aboriginality is unprecedented and indispensable."--Howard White, publisher, Encyclopedia of British Columbia

Yatdjuligin: Aboriginal and Torres Strait Islander Nursing and Midwifery Care introduces students to the fundamentals of the health care of Indigenous Australians from the perspectives of both the patient and the professional. Designed for both non-Indigenous and Indigenous nurses and midwives who will work with Aboriginal and Torres Strait Islander patients, this book addresses the relationship between Aboriginal and Torres Strait Islander cultures and mainstream health services, and prepares students for practice in a variety of contexts. Fully updated to reflect the latest research, this new edition includes new chapters on child health and mental health. Updated online resources provide lecturers with resources to support student learning. Written by leading Aboriginal and Torres Strait Islander nursing and midwifery academics and practising nurses, Yatdjuligin is an indispensable resource that encourages students to reflect on their values and attitudes towards Indigenous people and health.

A paradigm-shifting book in the vein of Sapiens that brings a crucial Indigenous perspective to historical and cultural issues of history, education, money, power, and sustainability—and offers a new template for living. As an indigenous person, Tyson Yunkaporta looks at global systems from a unique perspective, one tied to the natural and spiritual world. In considering how contemporary life diverges from the pattern of creation, he raises important questions. How does this affect us? How can we do things differently? In this thoughtful, culturally rich, mind-expanding book, he provides answers. Yunkaporta’s writing process begins with images. Honoring indigenous traditions, he makes carvings of what he wants to say, channeling his thoughts through symbols and diagrams rather than words. He yarns with people, looking for ways to connect images and stories with place and relationship to create a coherent world view, and he uses sand talk, the Aboriginal custom of drawing images on the ground to convey knowledge. In Sand Talk, he provides a new model for our everyday lives. Rich in ideas and inspiration, it explains how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about talking to everyone and listening carefully. It’s about finding different ways to look at things. Most of all it’s about a very special way of thinking, of learning to see from a native perspective, one that is spiritually and physically tied to the earth around us, and how it can save our world. Sand Talk include 22 black-and-white illustrations that add depth to the text.