This volume is the first tangible result of an international project initiated by the International Institute for Asian Studies (IIAS) with the aim of compiling a bibliographic database documenting publications on South and Southeast Asian art and archaeology. The bibliographic information, over 1,300 records extracted from the database, forms the principal part of this publication. It is preceded by a list of periodicals consulted and followed by three types of indexes which help users to find their way in the ABIA South and Southeast Asian Art and Archaeology Index (ABIA Index). The detailed bibliographic descriptions, controlled keywords and many elucidating annotations make this reference work into an indispensable guide to recent scholarly work on the prehistory and arts of South/Southeast Asia.

Volume Three contains 1643 records on South Asia selected from the ABIA South and Southeast Asian Art and Archaeology Index database at www.abia.net. Volume Three has been compiled by specialists of the ABIA Project stationed at Leiden, Colombo, New Delhi, Dhaka, Kathmandu and Peshawar. It features a selection of publications in print published between 2002 and 2007 on prehistory and protohistory, historical archaeology, art history (from ancient to contemporary), material culture, epigraphy and palaeography, numismatics and sigillography. Covered are South Asia and culturally related regions of Afghanistan, South Uzbekistan, South Tajikistan and Tibet. The bibliographic descriptions (with the original diacritics), controlled keywords and elucidating annotations make this reference work into a reliable guide to recent scholarly work in the fields of the ABIA Index.

Ravindra Nath Sharma, b. 1941, Indian library and information scientist; contributed articles.

Supplies annotated and indexed entries on publications in Asian and European languages relating to prehistory, historical archaeology, art history (including modern art), material culture, epigraphy, paleography, numismatics and sigillography.

This volume is a comprehensive compilation of primary textual sources pertaining to the history of Hunnic peoples in the vast area encompassing Central and South Asia. Sources in nearly a dozen languages have been carefully selected by scholars with a specialisation in the particular language and relevant research experience. Each excerpt in the chrestomathy is presented in the original language, accompanied by an authoritative translation into a modern European language to make it accessible to specialists of other fields. Many texts are, moreover, accompanied by a commentary highlighting crucial points of interest, problematic issues and connections to the information revealed in other sources. The Sourcebook is the outcome of an interdisciplinary workshop held at Eötvös Loránd University (Budapest, Hungary) in August 2017, organised by the project Beyond Boundaries and funded by the European Research Council. The initial compilation of source texts was selectively presented, analysed and discussed at this workshop, culminating in the present volume, whose publication has also been supported by the ERC. The authors and the editor present the book to the community of scholars and enthusiasts in hopes that, by making pertinent primary sources accessible, it will serve as a solid foundation on which to base future research. The included commentaries are thus not intended to be exhaustive, but to instigate further enquiry. For in-depth discussion of many issues raised here, a Companion series is planned to follow the Sourcebook. The first companion volume, a study of the Alkhan by Hans Bakker, is released simultaneously by Barkhuis, Groningen.

Volume Three offers 1643 annotated records on publications regarding the art and archaeology of South Asia, Central Asia and Tibet selected from the ABIA Index database at www.abia.net which were published between 2002 and 2007.

In a wide-ranging exploration of the creation and use of Buddhist art in Andhra Pradesh, India, from the second and third centuries of the Common Era to the present, Catherine Becker shows how material remains and visual experiences shape and reveal essential human concerns. Shifting Stones, Shaping the Past begins with an analysis of the ornamentation of Andhra's ancient Buddhist sites, such as the lavish limestone reliefs depicting scenes of devotion and lively narratives on the main stupa at Amaravati. As many such monuments have fallen into disrepair, it is temping to view them as ruins; however, through an examination of recent state-sponsored tourism campaigns and new devotional activities at the sites, Becker shows that the monuments are in active use and even ascribed innate power and agency. Becker finds intriguing parallels between the significance of imagery in ancient times and the new social, political, and religious roles of these objects and spaces. While the precise functions expected of these monuments have shifted, the belief that they have the ability to effect spiritual and mental transformation has remained consistent. Becker argues that the efficacy of Buddhist art relies on the careful attention of its makers to the formal properties of art and to the harnessing of the imaginative potential of the human senses. In this respect, Buddhist art mirrors the teaching techniques attributed to the Buddha, who often engaged his pupils' desires and emotions as tools for spiritual progress.