Abandoned Scenes blends the ancient history of cats with a contemporary tale of how the Catanostra (the cat mafia) was brought down by Marmalade and friends, in a story borrowed from Hollywood and set in the North-East of England. Eighteen voices reveal a hitherto unknown feline counter-culture involving catnip, a would-be superhero, the governing council and moggy villians. (Imagine if Quentin Tarantino & Guy Ritchie were to write an action-comedy involving cats and you will get some idea of what this tale is about.)

Mr. Show fans rejoice! After all these years, Bob and David are finally back together with a collection of hilarious, never-before-seen scripts, sketches, and ideas that may have just been too good for Hollywood. Bob Odenkirk and David Cross, creators of HBO's classic sketch comedy show Mr. Show, present to you this collection of never-before-seen scripts and ideas that Hollywood couldn't find the gumption to green-light. Simply put... Hollywood Said No! Since Mr. Show closed up shop, Bob and David have kept busy with many projects--acting in fun, successful, movies and TV shows, directing things, and complaining about stuff that didn't turn out well to anyone who would listen, and even alone, in silence, inside their own heads. Hollywood Said No! reveals the full-length, never-before-seen scripts for Bob and David Make a Movie (fleshed out with brand-new storyboards by acclaimed artist Mike Mitchell) and Hooray For America!: a satirical power-house indictment of all that you hold dear. This tome also includes a bonus section of orphaned sketch ideas from the Mr. Show days and beyond, suitable for performance by church groups that aren't all koo-koo about religion. What you are looking at online, and are about to buy, is chock-full of comic twists, turns, and maybe a few hard truths. We said "maybe," but what we mean was "probably not." Now, for the first time, take a peek at the scripts that didn't get the go-ahead and ponder a world we can only dream about...and beyond!

For over ten years, fine art photographer Keith Dotson has explored and photographed abandoned places in black and white. His first photo book, "Unloved and Forgotten: Fine Art Photographs of Abandoned Places," features a selection of the most intriguing and beautiful locations he found in his travels. It includes richly reproduced photographs of abandoned houses, schools, churches, barns, storefronts, and even entire abandoned towns.The book highlights fascinating locations like Adams, Tennessee (home of the infamous Bell Witch legend), and Cairo, Illinois, which has rapidly depopulated and is in the process of becoming abandoned. He offers concise backstories of several locations -- a deserted mining town in Arkansas, a forsaken 1952 Plymouth found crashed against a tree on a steep hillside in the woods, and a derelict high school building with a historic graveyard on its property. Included is a brief history of George L. Mesker and Company, the mail order business that sold ornate, prefabricated ironwork storefronts to small towns across America starting in the 1880s. Mesker storefronts can still be seen on many abandoned (and preserved) buildings. The 48-page book is lavishly illustrated throughout with Dotson's black and white photographs.

Hometown to both General Motors and the United Auto Workers, and the setting for the documentary film Roger and Me, Flint, Michigan, is a striking example of a declining city in America's Rust Belt. A Town Abandoned examines Flint's response to its own social and economic decline and at the same time pursues a broad analysis of class and culture in America's late capitalist society. It tells the story of how Flint's local institutions and citizens interpret and rationalize their city's massive auto-industry job loss and consequent decline, and it relates these interpretations to statewide, national, and international forces that led to the deindustrialization. Using a critical-theory approach, Dandaneau reveals the futility of Flint's efforts to confront essentially global problems and moreover depicts the disturbing conceptual and cultural distortions that result from its sustained powerlessness. Dandaneau shows that all policy solutions to Flint's problems were in essence public relations solutions, and he gives a moving portrayal of the consequences for local communities of the internationalization of American business.