A stunning collection of photographs of abandoned Irish country mansions, offering a glimpse into what were some of Ireland's most distinguished homes.

Following the success of Abandoned Mansions of Ireland, Tarquin Blake documents the crumbling ruins of more forgotten stately homes, such as Elsinore House in County Sligo, where a childhood ghostly encounter inspired a lifelong fascination with the paranormal in W. B. Yeats. The Great Famine triggered a change of fortune for Ireland's landlords: starving, penniless tenants could no longer pay rent and the landowners' luxurious lifestyles went into decline. Later, the Land Acts transferred land into the ownership of tenant farmers and, with their rental income removed, many landlords locked up and left, never to return. Others frittered away the family fortune trying to maintain a luxurious lifestyle. During the War of Independence and Civil War, country houses became a target for the IRA and many were burned. For the remainder of the twentieth century, the increasing expense of maintenance made these opulent houses unviable and hundreds fell into hopeless dereliction. Beautiful, haunting images accompany the histories of the houses and their occupants, to tell a fascinating story of troubled times and private hardships.

Built to last, built to impress, built with style - it is all the more remarkable when grand buildings fall into disrepair and ruination. The reasons for abandonement can be manifold, including political upheaval, economic downturns, shifting borders, changing tastes, natural and man-made disasters. From imperial residences and aristocratic estates to hotels and urban mansions, Abandoned Places tells, in 170 striking images, the stories of more than 130 palatial ruins from across the world.

Go on a journey with Robert O’Byrne as he brings fascinating Irish ruins to life. Fantastical, often whimsical, and frequently quirky, these atmospheric ruins are beautifully photographed and paired with fascinating text by Robert O’Byrne. Born out of Robert’s hugely popular blog, The Irish Aesthete, there are Medieval castles, Georgian mansions, Victorian lodges, and a myriad of other buildings, many never previously published. Robert focuses on a mixture of exteriors and interiors in varying stages of decay, on architectural details, and entire scenarios. Accompanying texts tell of the Regency siblings who squandered their entire fortune on gambling and carousing, of an Anglo-Norman heiress who pitched her husband out the window on their wedding night, and of the landlord who liked to walk around naked and whose wife made him carry a cowbell to warn housemaids of his approach. Arranged by the country’s four provinces, the diverse ruins featured offer a unique insight into Ireland and an exploration of her many styles of historic architecture.

This latest book from Tarquin Blake delves into the world of Irish ghosts, vampires, witches, werewolves, and other spectral tales. Collating the ghost stories with powerful images of where these stories played out, Haunted Ireland reveals an engrossing catalogue of tales of the unexplained, the spooky unknown, haunted caves, phantom ships, poltergeists, and many other strange tales. From the curse of Castlelyons in County Cork to Abhartach the vampire dwarf of County Derry, from the Coonian Poltergeist in Fermanagh to the Werewolves of Ossory in Kilkeeny and Laois, these stories will amuse or raise the hairs on the back of your neck.

This book by Tarquin Blake documents eighty abandoned Church of Ireland churches, preserving a record of fragile religious ruins. Blake's haunting images of crumbling ruins and history of the churches tell another fascinating story of troubled times.

The gripping story of the tumultuous destruction of the Irish country house, spanning the revolutionary years of 1912 to 1923 During the Irish Revolution nearly three hundred country houses were burned to the ground. These “Big Houses” were powerful symbols of conquest, plantation, and colonial oppression, and were caught up in the struggle for independence and the conflict between the aristocracy and those demanding access to more land. Stripped of their most important artifacts, most of the houses were never rebuilt and ruins such as Summerhill stood like ghostly figures for generations to come. Terence Dooley offers a unique perspective on the Irish Revolution, exploring the struggles over land, the impact of the Great War, and why the country mansions of the landed class became such a symbolic target for republicans throughout the period. Dooley details the shockingly sudden acts of occupation and destruction—including soldiers using a Rembrandt as a dart board—and evokes the exhilaration felt by the revolutionaries at seizing these grand houses and visibly overturning the established order.