See the simplicity of Lucknow in the form of a dozen insignia as described by Shaukat Tangewala (a horse-buggy driver). Imambara-to-see . . . Evening-in-Ganj-Hazratganj . . . Kababs-to-eat . . . Chikan-to-wear . . . Attar-for-fragrance . . . Ikka-buggy-to-roam . . . Kite-to-fly . . . Cocks-to-fight . . . Pigeons-to-fly . . . Hospitality-by-leaf-Betel-Leaf . . . Sweet-tongue . . . And the great Lakhnawi (Lucknow) pride . . . After-you-after-you. Aadab-Lucknow . . . Fond Memories is a unique fiction on homecoming in the backdrop of Lucknow, the city of Nawabs. It describes Lucknow in detail in terms of its seamless culture, folklore, facades, monuments, institutions, cuisines, Tehzeeb, and its greatest assetHindu-Muslim amity.

THE STORY BEHIND THE MAN WHO RECEIVED HIS HOLINESS THE DALAI LAMA IN 1959 1857, coerced by the East India Company, Ram, a young low- profile astrologer, flees Awadh because he dares to predict about a Gora Sahib and the East India Company. He struggles hard to reach Assam. Takes the humongous river route, largely in a row boat from Allahabad to Tezpur via Chittagong, sailing across, the mighty Ganges-Padma-Brahmaputra-Meghna, the Bay of Bengal and then to Tezpur, again via the Bay of Bengal, Meghana, Padma and the Brahmaputra changing a dozen row boats. Later, Kalachakra … the wheel of time settles the karmic scores in this ‘Root to Karma-Bhoomi’ story by giving his progeny Kamakhya Prasad Tripathi, then a minister in the Assam Cabinet, the lifetime opportunity to receive the Dalai Lama on behalf of the Government of India when he flees Tibet with his retinue on 18th April 1959. The narration unfolds the golden conversation between Dalai Lama and Kamakhya Prasad Tripathi hitherto not told.

"How far did colonialism transform north Indian art music? In the period between the Mughal empire and the British Raj, did the political landscape bleed into aesthetics, music, dance, and poetry? The Scattered Court presents a new history of how Hindustani court music responded to the political transitions of the nineteenth century. Examining musical culture through a diverse and multilingual archive, primarily using sources in Urdu, Bengali, and Hindi that have not been translated or critically examined before, challenges our assumptions about the period. The book presents a longer history of interactions between northern India and Bengal, with a core focus on the two courts of Wajid Ali Shah (1822-1887), the last ruler of the kingdom of Awadh. Wajid Ali Shah was one of the most colorful and controversial characters of the nineteenth century and has had a polarizing legacy. According to political histories and popular memory, he was a failure of a king, who was forced to surrender his kingdom to the East India Company, on the eve of the Indian Uprising of 1857. On the other hand, in musical histories, he is remembered either as a decadent aesthete or a path-breaking genius. The Scattered Court excavates the place of music in his court in Lucknow and his court-in-exile at Matiyaburj, Calcutta (1856-1887). The book charts the movement of musicians and dancers between these courts, as well as the transregional circulation of intellectual traditions and musical genres, and demonstrates the importance of the exile period for the rise of Calcutta as a celebrated center of Hindustani classical music. Since Lucknow is associated with late Mughal or Nawabi society, and Calcutta with colonial modernity, examining the relationship between the two cities sheds light on forms of continuity and transition over the nineteenth century, as artists and their patrons navigated political ruptures and social transformations. The Scattered Court challenges the existing historiography of Hindustani music and Indian culture under colonialism, by arguing that our focus on Anglophone sources and modernizing impulses has directed us away from the aesthetic subtleties, historical continuities, and emotional dimensions of nineteenth-century music"--

In 680 C.E., a small band of the Prophet Muhammads family and their followers, led by his grandson, Husain, rose up in a rebellion against the ruling caliph, Yazid. The family and its supporters, hopelessly outnumbered, were massacred at Karbala, in modern-day Iraq. The story of Karbala is the cornerstone of institutionalized devotion and mourning for millions of Shii Muslims. Apart from its appeal to the Shii community, invocations of Karbala have also come to govern mystical and reformist discourses in the larger Muslim world. Indeed, Karbala even serves as the archetypal resistance and devotional symbol for many non-Muslims. Until now, though, little scholarly attention has been given to the widespread and varied employment of the Karbala event. In Reliving Karbala, Syed Akbar Hyder examines the myriad ways that the Karbala symbol has provided inspiration in South Asia, home to the worlds largest Muslim population. Rather than a unified reading of Islam, Hyder reveals multiple, sometimes conflicting, understandings of the meaning of Islamic religious symbols like Karbala. He ventures beyond traditional, scriptural interpretations to discuss the ways in which millions of very human adherents express and practice their beliefs. By using a panoramic array of sources, including musical performances, interviews, nationalist drama, and other literary forms, Hyder traces the evolution of this story from its earliest historical origins to the beginning of the twenty-first century. Today, Karbala serves as a celebration of martyrdom, a source of personal and communal identity, and even a tool for political protest and struggle. Hyder explores how issues related to gender, genre, popular culture, class, and migrancy bear on the cultivation of religious symbols. He assesses the manner in which religious language and identities are negotiated across contexts and continents. At a time when words like martyrdom, jihad, and Shiism are being used and misused for political reasons, this book provides much-needed scholarly redress. Through his multifaceted examination of this seminal event in Islamic history, Hyder offers an original, complex, and nuanced view of religious symbols.

'If you live in the hills of India, it is only a matter of time before you meet a ghost...' Vintage storyteller Ruskin Bond has created some unforgettable characters in his novels and stories, but perhaps the most memorable and unusual among them are the ghosts and spirits he has encountered. These ghosts are not always horrific; they are mysterious and often benevolent, or lonely creatures looking for company among humans. Collected in these pages are new stories written specifically for this volume--including Captain Young's Ghost--and classics such as A Face in the Dark and The Haunted Bicycle. Here you will find the spirit of a captain from the British army who returns to the town he founded and rues the lack of Irish whisky; a little boy, long dead, who continues to guide passers-by on treacherous mountain routes; a heartbroken young girl of long ago who seduces young men with her song, and another who longs for a family and some friends. Set in the hills and foothills of North India--the perfect haunt for ghosts and spirits--this collection by the master storyteller will leave you spellbound.

Prof. Mirza Saeed-Uz Zafar Chaghtai is a renowned scholar, scientist and author of many books in various languages. He looks back at adventures that have spanned thousands of miles and included some of the worlds most remarkable people. With candor and humor, he outlines his social, political, and religious beliefs and shares insights on scientific and literary life in India, Europe, the United States of America, and elsewhere. His rise to the top of the scholarly community began in a small town in British India and brought him to Paris, London, Sweden and various places throughout the world, where he shared ideas with distinguished scientists, Nobel laureates, men of letters and many exemplary people. From rural and feudal British India to pragmatic and modern Europe, he honed his understanding of the world and, at times, went through personal, social, political, religious, scientific, and literary upheavals before returning home enthused to work for his people as a scholar and scientist. Scholars, history buffs, and anyone eager to learn about people and places, especially India and Europe through the turn of the century, will be inspired and educated by Memoirs of Three Continents.

Explores the urban, cosmopolitan sensibilities of Urdu poetry written in the late eighteenth and early nineteenth centuries in Lucknow. Ruth Vanita analyzes Rekhti, a type of Urdu poetry distinguished by a female speaker and a focus on women's lives, and shows how it becamea catalyst for the transformation of the ghazal.