The Nuclear and Space Talks revolutionized arms control. The Cold War endgame commenced with the umbrella negotiations’ that linked START and INF negotiations to a regulation on the weaponization of space. This volume reveals a US grand strategy to replace deterrence with a collective security order. An entente of the superpowers was needed to transform bipolarity. The US planned the replacement of mutually assured destruction by mutually assured security. A global astrodome was to protect a nuclear disarmed world. The Franco-German special relationship in European affairs had to be amended by a US-SU special relationship to replace classic bloc politics. The Reagan Administration planned a global zero agenda, a joint development of a global protective system and a creation of a Common House of Europe. In brief, the superpowers prepared ‘the velvet revolution’ that eliminated the Cold War structures. Neither containment nor convergence offers a valid explanation of the Cold War endgame. Co-creation is the key to decipher the end of the Cold War. NATO Europe challenged the transformation of bipolarity. The European NWS resisted to a multilateralization of strategic arms control. In Europe the classic Cold War thinking survived the fall of the Iron Curtain. European conservatism contributed to the geopolitical catastrophe of the first order: the downfall of the Soviet Union. The Reagan Administration developed a Grand Strategy to end the Cold War. The US-SU co-creation of an astrodome was meant to ease a global zero agenda. A global collective security structure under the United Nations was to replace deterrence. The superpower project collapsed due to the penetration of US decision-making by NATO Allies. The European NWS totally objected to a multilateralization of strategic arms control to preserve their relative position in the international system.

Mediated Messages presents a collection of original writing exploring the role played by the media in the development of postmodern architecture in the 1970s and 80s. The book's twelve chapters and case-studies examine a range of contemporary periodicals and exhibitions to explore their role in the postmodern. This focus on mediation as a key feature of architectural post-modernism, and the recognition that post-modernism grew out of developments in the media, opens up the possibility of an important new account of post-modernism distinct from existing narratives. Accompanied by a contextualizing introduction, the essays are arranged across four thematic sections (covering: images; international postmodernisms; high and low culture; and postmodern architects as theorists) and present a range of case-studies with a genuinely international scope. Altogether, this work makes a substantial contribution to the historical account of architectural postmodernism, and will be of great interest to researchers in postmodernism as well as those examining the role of the media in architectural history.