From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).

While watching a movie, how many viewers notice some of the finer details of the film, such as the time of day during a scene—or even the date itself? For instance, does anyone remember what day detention is served by the high schoolers in The Breakfast Club or can guess when aliens first make their presence known in Independence Day? And perhaps only history buffs or fanatics of Leonardo DiCaprio can cite the exact date the Titanic sunk. In A Year of Movies: 365 Films to Watch on the Date They Happened Ivan Walters provides a selection for every day on the calendar in which at least some of the events in the film take place. For some films, the entire drama occurs on a very specific day. For other films, such as The Right Stuff, the date in question is represented in a key scene or two or even for just a few pivotal seconds. Certain films, to be sure, are obvious candidates for inclusion in this book. What other movie would make sense to watch on February 2nd than Groundhog Day? Is there a more appropriate film to consider for June 6th than The Longest Day? Representing a variety of genres—from comedies and dramas to westerns and film noir—these films offer fans a unique viewing opportunity. While helping viewers decide what to watch on a given day, this book will also introduce readers to films they may not have otherwise considered. Aimed at film buffs and casuals viewers alike, A Year of Movies is also an ideal resource for librarians who want to offer creative programming for their patrons.

Lawrence of Arabia, The Miracle Worker, To Kill a Mockingbird, The Manchurian Candidate, Gypsy, Sweet Bird of Youth, The Longest Day, The Music Man, What Ever Happened to Baby Jane, and more. Most conventional film histories dismiss the early 1960s as a pallid era, a downtime between the heights of the classic studio system and the rise of New Hollywood directors like Scorsese and Altman in the 1970s. It seemed to be a moment when the movie industry was floundering as the popularity of television caused a downturn in cinema attendance. Cinema ’62 challenges these assumptions by making the bold claim that 1962 was a peak year for film, with a high standard of quality that has not been equaled since. Stephen Farber and Michael McClellan show how 1962 saw great late-period work by classic Hollywood directors like John Ford, Howard Hawks, and John Huston, as well as stars like Bette Davis, James Stewart, Katharine Hepburn, and Barbara Stanwyck. Yet it was also a seminal year for talented young directors like Sidney Lumet, Sam Peckinpah, and Stanley Kubrick, not to mention rising stars like Warren Beatty, Jane Fonda, Robert Redford, Peter O’Toole, and Omar Sharif. Above all, 1962—the year of To Kill a Mockingbird and The Manchurian Candidate—gave cinema attendees the kinds of adult, artistic, and uncompromising visions they would never see on television, including classics from Fellini, Bergman, and Kurosawa. Culminating in an analysis of the year’s Best Picture winner and top-grossing film, Lawrence of Arabia, and the factors that made that magnificent epic possible, Cinema ’62 makes a strong case that the movies peaked in the Kennedy era.

Trilbee is an amateur online film critic. He may love the medium, but that doesn't mean he's easy to impress. His first book 'At the Movies with Trilbee: A Year in Film' has Trilbee review more than 70 movies from 2012. Including: Avengers Assemble, Skyfall, The Dark Knight Rises, The Amazing Spider-Man, Chronicle, Twilight: Breaking Dawn Part 2, The Hobbit, The Hunger Games, Ice Age 4, Brave, Ted, Men in Black 3, The Imposter, Dredd, Prometheus, Life of Pi, Looper and many many more! All these reviews offer in-depth, insightful and honest analysis and gives the reader a comprehensive guide for what movies to watch (and avoid) from one of the biggest years in movie history! Featuring artwork by Jack Evans - http: //moonmen.wix.com/flippedhyenacartoo

Get your family talking about adoption with the ultimate collection of films to help the whole family to explore their feelings in a fun and safe way. With a film for each week of the year, Addison Cooper has compiled the best movies, new and old, for family-friendly viewing. Among those featured are Finding Dory, Frozen, Paddington, Teenage Mutant Ninja Turtles, Kung Fu Panda, Star Wars, Divergent, The Blind Side and I am Sam. Carefully selected, the movies included will help families to comfortably talk about important adoption-related topics. They are accompanied by descriptions of the themes and ideas to get the conversations started. Helping all members of the family to explore both the pain and joy of adoption, they cover a range of issues which can arise such as culture, identity, control, and reunification. With something for everyone - from kids, to teens, to grown-ups - this is a must-have for all adoptive families.

The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.

"I swear by the stars that you and the others slain tonight will be the first of many. Of that you have my word." With Aven Dalmarta now hiding in the shadows of Meya, Alex is desperate to save Jordan and keep the Rebel Prince from taking more lives. Training day and night to master the enhanced immortal blood in her veins, Alex undertakes a dangerous Meyarin warrior trial that separates her from those she loves and leaves her stranded in a place where nothing is as it should be. As friends become enemies and enemies become friends, Alex must decide who to trust as powerful new allies—and adversaries—push her towards a future of either light... or darkness. One way or another, the world will change...