Turn the Pulpit Loose features the lives and words of eighteen women evangelists including Sojourner Truth and Evangeline Booth, and lesser-known figures such as Jarena Lee (an African Methodist from the early 1800s) and Uldine Utley (a child evangelist in the early 1900s) who helped to shape American religious life from the nation’s infancy to the present. Highlighting substantial primary sources – sermons, articles, diaries, letters, speeches, and autobiographies – Priscilla Pope-Levison weaves together fascinating narratives of each woman’s life: her conversion and calling to preach, her primary evangelistic method, and her reflections about women in general. This anthology, complete with photographs of each evangelist, is an indispensable resource for a wide range of academic fields, including religion, history, women's studies, and literature.

A novelette in verse portrays an unhappy marriage between a dashing plantation owner and a penniless young charmer on the eve of the American Civil War.

Margaret Meuse Clay, who barely escaped a public whipping in the 1760s for preaching without a license; "Old Elizabeth," an ex-slave who courageously traveled to the South to preach against slavery in the early nineteenth century; Harriet Livermore, who spoke in front of Congress four times between 1827 and 1844--these are just a few of the extraordinary women profiled in this, the first comprehensive history of female preaching in early America. Drawing on a wide range of sources, Catherine Brekus examines the lives of more than a hundred female preachers--both white and African American--who crisscrossed the country between 1740 and 1845. Outspoken, visionary, and sometimes contentious, these women stepped into the pulpit long before twentieth-century battles over female ordination began. They were charismatic, popular preachers, who spoke to hundreds and even thousands of people at camp and revival meetings, and yet with but a few notable exceptions--such as Sojourner Truth--these women have essentially vanished from our history. Recovering their stories, Brekus shows, forces us to rethink many of our common assumptions about eighteenth- and nineteenth-century American culture.