2023 Catholic Media Association First Place Award, Mysticism In A World Transfigured: The Mystical Journey, Philip Sheldrake demonstrates the importance of the mystical dimension of religious belief and practice. Using the words of the great theologian, Karl Rahner, Sheldrake makes the case that the Christian of the future will be either a mystic or nothing at all. In our contemporary world, this judgment applies equally to other religions as well. After chapters on the meaning of “mysticism” and the connection between mysticism and beliefs, Sheldrake describes important dimensions of mystical writings, illustrated by a range of examples. These are “Love and Desire,” “Knowing and Unknowing,” “Wonder and Beauty,” “Mysticism and Everyday Practice,” and “The Mystic as Radical Prophet.” Finally, the book briefly explores why mysticism fascinates so many people in our modern times.

In A World Transfigured: The Mystical Journey, Philip Sheldrake demonstrates the importance of the mystical dimension of religious belief and practice. Using the words of the great theologian, Karl Rahner, Sheldrake makes the case that the Christian of the future will be either a mystic or nothing at all. In our contemporary world, this judgment applies equally to other religions as well. After chapters on the meaning of “mysticism” and the connection between mysticism and beliefs, Sheldrake describes important dimensions of mystical writings, illustrated by a range of examples. These are “Love and Desire,” “Knowing and Unknowing,” “Wonder and Beauty,” “Mysticism and Everyday Practice,” and “The Mystic as Radical Prophet.” Finally, the book briefly explores why mysticism fascinates so many people in our modern times.

Today there is a growing eagerness to enter into a deeper knowledge of the Mass, the sacraments and the whole life of the Church. A particularly rewarding insight comes from a penetration of the actual words, gestures and symbols used in worship. "The Church wants us to stop and look and be enriched by the glories she presents for our contemplation," writes Sister Laurentia. "The liturgy is God's art. For his material he uses our familiar earth, air, fire and water. In this manner our world undergoes a revelation, an epiphany-it becomes a transfigured world." More importantly, God shapes and uses these materials in order to transfigure man. Through the sacramental power of the liturgy, God comes down to man, and lifts man up to Him; to a sharing in His divine life. In order to gain an insight into the wonders of God's transfigured world, Sister Laurentia examines the relationship of art to the liturgy, and the structure of the liturgy itself. The result is an inspiring, readable book that will give the reader a deeper understanding of the beauty and meaning of worship.

In Not Yet Transfigured, Eric Pankey extends his poetic oeuvre in ways simultaneously foreseeable and fresh. This is an essential volume for every lover of contemporary poetry.

Exploring the intricacy and complexity of Walter Pater’s prose, Transfigured World challenges traditional approaches to Pater and shows precise ways in which the form of his prose expresses its content. Carolyn Williams asserts that Pater’s aestheticism and his historicism should be understood as dialectically interrelated critical strategies, inextricable from each other in practice. Williams discusses the explicit and embedded narratives that play a crucial role in Pater’s aesthetic criticism and examines the figures that compose these narratives, including rhetorical tropes, structures of argument such as genealogy, and historical or fictional personae.

After the death of James Dean in 1955, the figure of the teen rebel permeated the globe, and its presence is still felt in the twenty-first century. Rebel iconography—which does not have to resemble James Dean himself, but merely incorporates his disaffected attitude—has become an advertising mainstay used to sell an array of merchandise and messages. Despite being overused in advertisements, it still has the power to surprise when used by authors and filmmakers in innovative and provocative ways. The rebel figure has mass appeal precisely because of its ambiguities; it can mean anything to anyone. The global appropriation of rebel iconography has invested it with fresh meanings. Author Claudia Springer succeeds here in analyzing both ends of the spectrum—the rebel icon as a tool in upholding capitalism's cycle of consumption, and as a challenge to that cycle and its accompanying beliefs. In this groundbreaking study of rebel iconography in international popular culture, Springer studies a variety of texts from the United States and abroad that use this imagery in contrasting and thought-provoking ways. Using a cultural studies approach, she analyzes films, fiction, poems, Web sites, and advertisements to determine the extent to which the icon's adaptations have been effective as a response to the actual social problems affecting contemporary adolescents around the world.

In The Spiritual Way: Classic Traditions and Contemporary Practice,Philip Sheldrake aims to make the wisdom of Christian spirituality better known to contemporary readers. After an introductory chapter on the foundations of Christian spirituality, Sheldrake describes its diverse riches through the centuries in terms of five distinctive types of Christian spiritual wisdom, illustrated by a rich selection of classical examples. The five types are “The Way of Discipline,” “The Contemplative-Mystical Way,” “The Way of Practical Action,” “The Way of Beauty,” and “The Prophetic Way.” This book also briefly explores the contemporary interest in spirituality within and beyond conventional religion and suggests how we might engage with these five types on our spiritual journeys in today’s world.