“Evokes the sights and sounds of the ancient world with daring and imagination… An intellectual tour-de-force that challenges us to see the history of Christianity through the eyes of those who actually lived it.”—Los Angeles Times In this provocative, irresistibly entertaining book, Keith Hopkins takes readers back in time to explore the roots of Christianity in ancient Rome. Combining exacting scholarship with dazzling invention, Hopkins challenges our perceptions about religion, the historical Jesus, and the way history is written. He puts us in touch with what he calls "empathetic wonder"—imagining what Romans, pagans, Jews, and Christians thought, felt, experienced, and believed-by employing a series of engaging literary devices. These include a TV drama about the Dead Sea Scrolls; the first-person testimony of a pair of time-travelers to Pompeii; a meditation on Jesus' apocryphal twin brother; and an unusual letter on God, demons, and angels.

The Roman Empire was a society full of gods. So how is it that Christianity come to predominate in this marketplace of competing religions? Why, in just three hundred years, did Christianity go from being an illegal minority faith to being the official religion of the Roman Empire?

In this book John Michael Greer turns his attention to the intellectual underpinnings and superstructures of the Pagan and magical movements. Pagan religions have tended to be more concerned with practice that with theory and in a system that has no dogma - no legislated doctrine - that is as it should be. Yet as out movement grows and matures, it is inevitable that we will begin to think in a more abstract way about our models and systems. John Michael Greer has provided a primer on the kinds of ideas and themes that must be included in any discussion of the theology and philosophy of Neo-pagan religions.

How new is atheism? Although adherents and opponents alike today present it as an invention of the European Enlightenment, when the forces of science and secularism broadly challenged those of faith, disbelief in the gods, in fact, originated in a far more remote past. In Battling the Gods, Tim Whitmarsh journeys into the ancient Mediterranean, a world almost unimaginably different from our own, to recover the stories and voices of those who first refused the divinities. Homer’s epic poems of human striving, journeying, and passion were ancient Greece’s only “sacred texts,” but no ancient Greek thought twice about questioning or mocking his stories of the gods. Priests were functionaries rather than sources of moral or cosmological wisdom. The absence of centralized religious authority made for an extraordinary variety of perspectives on sacred matters, from the devotional to the atheos, or “godless.” Whitmarsh explores this kaleidoscopic range of ideas about the gods, focusing on the colorful individuals who challenged their existence. Among these were some of the greatest ancient poets and philosophers and writers, as well as the less well known: Diagoras of Melos, perhaps the first self-professed atheist; Democritus, the first materialist; Socrates, executed for rejecting the gods of the Athenian state; Epicurus and his followers, who thought gods could not intervene in human affairs; the brilliantly mischievous satirist Lucian of Samosata. Before the revolutions of late antiquity, which saw the scriptural religions of Christianity and Islam enforced by imperial might, there were few constraints on belief. Everything changed, however, in the millennium between the appearance of the Homeric poems and Christianity’s establishment as Rome’s state religion in the fourth century AD. As successive Greco-Roman empires grew in size and complexity, and power was increasingly concentrated in central capitals, states sought to impose collective religious adherence, first to cults devoted to individual rulers, and ultimately to monotheism. In this new world, there was no room for outright disbelief: the label “atheist” was used now to demonize anyone who merely disagreed with the orthodoxy—and so it would remain for centuries. As the twenty-first century shapes up into a time of mass information, but also, paradoxically, of collective amnesia concerning the tangled histories of religions, Whitmarsh provides a bracing antidote to our assumptions about the roots of freethinking. By shining a light on atheism’s first thousand years, Battling the Gods offers a timely reminder that nonbelief has a wealth of tradition of its own, and, indeed, its own heroes.

Are you tired of the same old boring god you've worshipped for years? Looking for something new and exciting? The Book of the Gods has the answer! Explore hundreds of deities of all shapes, sizes, genders, colours with myriad powers.This is the official book of the leading mythological website Godchecker and is packed full of extraordinary facts and mythological trivia. Who is the god of shoes? The god of football? The god of fluff?From the gods of Greece and Rome to the bizarre and often downright scary gods of Oceania and the Aztecs you will find there is a deity for every occasion. Alongside the A-Z listings are 20 introductory essays that give an entertaining and accessible overview of each pantheon.

Walking With The Gods is the result of Dr. Wilkerson's 3-year long ethnographic survey of 120 contemporary Western polytheists that offers a startling, intimate and detailed view of this emerging religious practice and raises important theological questions about our culture's assumptions regarding Deity, faith, religion, nature, and humanity's relationship with each. Through thorough analysis and articulate ethnography, Dr. Wilkerson demonstrates how these emerging religious practices constitute a unique religiosity that substantially differs from the concerns of a contemporary Western culture that is dominated by a monotheist perspective.

Millennia ago Starquin visited the Solar System. Because he is huge - some say bigger than the Solar System itself - he could not set foot on Earth personally. yet events here were beginning to interest him, and he wanted to observe more closely. So he sent down extensions of himself, creatures fashioned after Earth's dominant life-form. In one of Earth's languages they became known as Dedos, or Fingers of Starquin. Disguised, they mingled with Mankind. We know this now, here at the end of Earth's time. The information is all held in Earth's great computer, the Rainbow. The Rainbow will endure as long as Earth exists, watching, listening, recording and thinking. I am an extension of the Rainbow, just as the Dedos are extensions of Starquin. My name is Alan-Blue-Cloud. It is possible you cannot see me but are aware of me only as a voice speaking to you from a desolate hillside, telling you tales from the Song of Earth. I can see you, the motley remains of the human race, however. You sit there with our clubs and you chew your roots, entranced and half-disbelieving as I sing the Song - and in our faces are signs of the work of your great geneticist, Mordecai N. Whirst. Catlike eyes here, broad muzzles there, all the genes of Earth's life, expertly blended, each having its purpose. Strong people, adapted people, people who survived. The story I will tell is about people who were not so strong. It is perhaps the most famous in the whole Song of Earth, and it tells of three simple human beings involved in a quest who unwittingly became involved in much greater events concerning the almighty Starquin himself. It is a story of heroism and love, and it ends in triumph - and it will remind the humans among you of the greatness that was once yours.