Collects 15 essays concerning the archaeological culture of the Swift Creek people, a culture centered in Georgia and surrounding states from AD 100 to 700. While little is known of the Swift Creek culture's language and social rules, their social interactions are documented using analysis of the stamps used to decorate their intricately patterned pots, as well as through their extraordinary wood carvings. Annotation copyrighted by Book News, Inc., Portland, OR

In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.

This reference provides the time-saving tools medical transcriptionists need to confirm or determine which drug is being referred to in dictation, cross reference a generic or brand name drug, and find specialized information about groups of drugs. As a companion to Saunders Pharmaceutical Word Book, it allows the user to cross-reference a brand name drug to its corresponding generic drug names, investigational code names, indications/approved uses, street slang (cross-referenced to approved drug names), HazMat (hazardous materials), and drug manufacturers/distributors.

This book discuss different types of engraved gems in the collection of the Rijksmuseum van Oudheden Leiden, their makers, users and re-users, combining archaeological, culture historical and geological perspectives.

Princess Elizabeth of Graycliff and Prince Edward of Whitehill have been bound to marry each other by the terms of a magical stone engraving. If they do not marry by their sixteenth birthday, only six days away, they will turn to stone. Moments before the wedding, they meet and discover they detest each other. With the clock ticking, they set out to find a stonecutter to release them from the dreadful enchantment. Along their journey, they encounter many treacherous traps and learn a lot about life and themselves.

This book studies small but highly captivating artworks from antiquity – engraved gemstones. These objects had multiple applications, and the images upon them captured snapshots of people's beliefs, ideologies, and everyday occupations. They provide a unique perspective on the propaganda of Roman political leaders, especially Octavian/Augustus.

Reluctant debutante Keziah Montgomery lives beneath the weighty expectations of her staunch Confederate family, forced to keep her epilepsy secret for fear of a scandal. As the tensions of the Civil War arrive on their doorstep in Savannah, Keziah sees little cause for balls and courting. Despite her discomfort, she cannot imagine an escape from her familial confines—until her old schoolmate Micah shows her a life-changing truth that sets her feet on a new path . . . as a conductor in the Underground Railroad. Dr. Micah Greyson never hesitates to answer the call of duty, no matter how dangerous, until the enchanting Keziah walks back into his life and turns his well-ordered plans upside down. Torn between the life he has always known in Savannah and the fight for abolition, Micah struggles to discern God’s plan amid such turbulent times. Battling an angry fiancé, a war-tattered brother, bounty hunters, and their own personal demons, Keziah and Micah must decide if true love is worth the price . . . and if they are strong enough to survive the unyielding pain of war.