An inspiring history of all the women who have taken a seat in Congress! For the first 128 years of America’s history, only men served in the Senate and House of Representatives. All that changed in January 1917 when Jeannette Rankin was sworn in as the first woman elected to Congress. From the women’s suffrage movement to the 2018 election, Ilene Cooper highlights influential and diverse female leaders who opened doors for women in politics. Women featured include Nancy Pelosi (the first woman Speaker of the House), Margaret Chase Smith (the first woman elected to the Senate), Patsy Mink (the first woman of color to serve in the House), and newcomers like Representatives Alexandria Ocasio-Cortez and Ilhan Omar. This updated book includes archival photographs and lively illustrations from Elizabeth Baddeley, as well as a chart of all the women who have served in Congress, appendices that define key terms and governmental procedures, and an index. In a great new reading format, this updated, revised edition is perfect for young feminists!

A photographic celebration of the women of the 116th—the most diverse Congress in American history. The first woman Speaker of the House. The first female combat veteran. The first Native American women. The first Muslim women. The first openly gay member of the Senate. These are just some of the remarkable firsts represented by the women of the 116th Congress, the most diverse and inclusive in American history. Just over a century ago, Jeannette Rankin of Montana was the first and only woman in the House of Representatives. By the time of the 116th Congress, a total of 131 were seated in both chambers. The 2018 midterm elections brought a seismic change—and this book, a collaboration between New York Times photo editors Beth Flynn and Marisa Schwartz Taylor and photographers Elizabeth D. Herman and Celeste Sloman—documents the women of the 116th Congress, photographed in the style of historical portrait paintings commonly seen in the halls of power to highlight the stark difference between how we’ve historically viewed governance and how it has evolved. Also featured are an illustrated timeline and list of firsts for women in Congress; “Her Vote, Her Voice” sections throughout that highlight historical moments in female politics; and an extended introduction and foreword by Roxane Gay. The Women of the 116th Congress is a testament to what representation in the United States looks like in the twenty-first century—and an inspiration for what it may look like in the years to come.

A chronicle of women's contributions to politics in the United States traces the period between the women's suffrage movement and the 2012 election, and includes portraits of such luminaries as Hattie Caraway, Patsy Mink, and Shirley Chisholm.

The presence of women in Congress is at an all-time high -- approximately one of every five members is female -- and record numbers of women are running for public office for the 2018 midterms. At the same time, Congress is more polarized than ever, and little research exists on how women in Congress view their experiences and contributions to American politics today. Drawing on personal interviews with over three-quarters of the women serving in the 114th Congress (2015-17), the authors analyze how these women navigate today's stark partisan divisions, and whether they feel effective in their jobs. Through first-person perspectives, A Seat at the Table looks at what motivates these women's legislative priorities and behavior, details the ways in which women experience service within a male-dominated institution, and highlights why it matters that women sit in the nation's federal legislative chambers. It describes the strategies women employ to overcome any challenges they confront as well as the opportunities available to them. The book examines how gender interacts with political party, race and ethnicity, seniority, chamber, and district characteristics to shape women's representational influence and behavior, finding that party and race/ethnicity are the two most complicating factors to a singular narrative of women's congressional representation. While congresswomen's perspectives, experiences, and influence are neither uniform nor interchangeable, they strongly believe their presence matters in myriad ways, affecting congressional culture, priorities, processes, debates, and outcomes.

“An intimately told story, with detailed and thought-provoking portraits.” —The New York Times Book Review “The Firsts stands out as one of the most important and best reported books written during the extraordinary political chapter in which we are living.” —Nicolle Wallace, author and anchor, Deadline: White House on MSNBC NOW WITH UPDATED EPILOGUE In the November 2018 midterms, the greatest number of women in history were elected to Congress. It was a group diverse in background, age, experience, and ideology. From Alexandria Ocasio-Cortez and “the Squad” to a group with national security backgrounds calling themselves “the Badasses,” from the first two Native American women to the first two Muslim women, all were swept into office on a wave of grassroots support. Here, New York Times reporter Jennifer Steinhauer chronicles these women’s first year in Congress, following their shift from trailblazing campaigns to the daily work of governance. In committee rooms, offices, visits back home with their constituents, and conversations in the halls of the Capitol, she probes the question: Will Washington, with its hidebound traditions and overpriced housing and petty power struggles, change the changemakers? Or will this Congress, which looks a little more like today’s America, truly be the start of something new? Vivid and smart, The Firsts delivers fresh details, inside access, historical perspective, and expert analysis as these women—inspiring, controversial, talented, and rebellious—do something surprising: make Congress essential again.

The third edition of Gender and Elections offers a systematic, lively, and multifaceted account of the role of gender in the electoral process through the 2012 elections. This timely yet enduring volume strikes a balance between highlighting the most important developments for women as voters and candidates in the 2012 elections and providing a more long-term, in-depth analysis of the ways that gender has helped shape the contours and outcomes of electoral politics in the United States. Individual chapters demonstrate the importance of gender in understanding and interpreting presidential elections, presidential and vice-presidential candidacies, voter participation and turnout, voting choices, congressional elections, the political involvement of Latinas, the participation of African American women, the support of political parties and women's organizations, candidate communications with voters, and state elections. Without question, Gender and Elections is the most comprehensive, reliable, and trustworthy resource on the role of gender in US electoral politics.

NEW YORK TIMES BESTSELLER • The author of the cherished bestseller On Mystic Lake returns with a poignant, funny, luminous novel about a mother and daughter--the complex ties that bind them, the past that separates them, and the healing that comes with forgiveness. “[Kristin] Hannah is superb at delving into the characters' psyches and delineating nuances of feeling.”—Washington Post Book World Years ago, Nora Bridge walked out on her marriage and left her daughters behind. She has since become a famous radio talk-show host and newspaper columnist beloved for her moral advice. Her youngest daughter, Ruby, is a struggling comedienne who uses her famous mother as fuel for her bitter, cynical humor. When the tabloids unearth a scandalous secret from Nora's past, their estrangement suddenly becomes dramatic: Nora is injured in an accident and a glossy magazine offers Ruby a fortune to write a tell-all about her mother. Under false pretenses, Ruby returns home to take care of the woman she hasn't spoken to for almost a decade. Nora insists they retreat to Summer Island in the San Juans, to the lovely old house on the water where Ruby grew up, a place filled with childhood memories of love and joy and belonging. There Ruby is also reunited with her first love and his brother. Once, the three of them had been best friends, inseparable. Until the summer that Nora had left and everyone's hearts had been broken. . . . What began as an expose evolves, as Ruby writes, into an exploration of her family's past. Nora is not the woman Ruby has hated all these years. Witty, wise, and vulnerable, she is desperate to reconcile with her daughter. As the magazine deadline draws near and Ruby finishes what has begun to seem to her an act of brutal betrayal, she is forced to grow up and at last to look at her mother--and herself--through the eyes of a woman. And she must, finally, allow herself to love. Summer Island is a beautiful novel, funny, tender, sad, and ultimately triumphant.