Seduction and sins… Rachel Clairborne is a blonde beauty but, tired of being judged on her appearance, she's never let a man close. For the moment she's focused on finding her mother, who abandoned her family for the sultry paradise island of St. Antoine. But soon St. Antoine works its dark magic on Rachel, too, in the shape of irresistible Matt Brody. For the first time ever, she wants to give herself to a man. But Rachel can only look, not let herself be touched…because Matt clearly knows something about her missing mother…

Wilson's Wharf was the first major clash between U.S. Colored Troops and the Army of Northern Virginia. The 1st and 10th USCT infantry regiments, supported by two cannon and two U.S. Navy gunboats, faced 11 detachments of veteran Confederate cavalry who were under orders to "kill every man." Union commander General Edward Wild, a one-armed abolitionist, refused General Fitzhugh Lee's demand for surrender, telling Lee to "go to Hell." The battle resulted in a victory for the mainly black Union force. This book describes the action in detail and in the larger context of the history of black U.S. servicemen, including the British recruitment of runaway slaves during the Revolutionary War, the black Colonial Marines who joined the British in torching Washington in the War of 1812, and the South's attempts to enlist slaves in the final months of the Civil War.

"George Hagman looks anew at psychoanalytic ideas about art and beauty through the lens of current developmental psychology that recognizes the importance of attachment and affiliative motivational systems. In dialogue with theorists such as Freud, Ehrenzweig, Kris, Rank, Winnicott, Kohut, and many others, Hagman brings the psychoanalytic understanding of aesthetic experience into the 21st century. He amends and extends old concepts and offers a wealth of stimulating new ideas regarding the creative process, the ideal, beauty, ugliness, and -perhaps his most original contribution-the sublime. Especially welcome is his grounding of aesthetic experience in intersubjectivity and health rather than individualism and pathology. His emphasis on form rather than the content of an individual's aesthetic experience is a stimulating new direction for psychoanalytic theory of art. With this work Hagman stands in the company of his predecessors with this deeply-learned, sensitively conceived, and provocative general theory of human aesthetic experience." Ellen Dissanayake, author of "Art and Intimacy: How the Arts Began" and "Homo Aestheticus: Where Art Comes From and Why."

A first-rate collection of words to more than 1,000 songs, loosely categorised as folk songs...grouped by general themes and indexed by title. Lyrics and guitar chords.

Originally published in 1980. Song is perhaps the strongest form of traditional culture. Its vigour and energy represent the power of the community from which it springs. This book focuses on traditional singing in two small English villages. It studies in detail an activity which goes to the core of the communal life in any village and demonstrates how song becomes the lifeblood of the traditions of rural life. In many ways traditional singing is highly subversive because its practice is an affirmation of community and a denial of the fragmentation of modern society. The songs sung, those remembered, the singers now dead whose lives are recalled each time an old favourite is performed, all connect the present with the past. The primary aesthetic concern within these singing traditions is that a man should sing, whatever the objective quality of his performance; and a song should tell a good story. The individual singer assumes a special role in performance since he becomes spokesman for a group and gives voice not only to personal but also to social concerns, dynamics and emotions.