Excerpt from A Wandering Scholar in the Levant Certain of my readers have complained that I leave them too much in the dark as to dates and distances. My plea must be that the itineraries and results of most of the journeys, on which this little book is based, have been published already in one scientific journal or another. Some of those wanderings are not very recent, all have led me over ground very similar; and to have recounted them step by step must have led to much iteration, and made me exemplify that admirable maxim l'art d'ennuyer c'est tout dire. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Archaeologists in Print is a history of popular publishing in archaeology in the nineteenth and twentieth centuries, a pivotal period of expansion and development in both archaeology and publishing. It examines how British archaeologists produced books and popular periodical articles for a non-scholarly audience, and explores the rise in archaeologists’ public visibility. Notably, it analyses women’s experiences in archaeology alongside better known male contemporaries as shown in their books and archives. In the background of this narrative is the history of Britain’s imperial expansion and contraction, and the evolution of modern tourism in the Eastern Mediterranean and Middle East. Archaeologists exploited these factors to gain public and financial support and interest, and build and maintain a reading public for their work, supported by the seasonal nature of excavation and tourism. Reinforcing these publishing activities through personal appearances in the lecture hall, exhibition space and site tour, and in new media – film, radio and television – archaeologists shaped public understanding of archaeology. It was spadework, scripted. The image of the archaeologist as adventurous explorer of foreign lands, part spy, part foreigner, eternally alluring, solidified during this period. That legacy continues, undimmed, today. Praise for Archaeologists in Print This beautifully written book will be valued by all kinds of readers: you don't need to be an archaeologist to enjoy the contents, which take you through different publishing histories of archaeological texts and the authors who wrote them. From the productive partnership of travel guide with archaeological interest, to the women who feature so often in the history of archaeological publishing, via closer analysis of the impact of John Murray, Macmillan and Co, and Penguin, this volume excavates layers of fascinating facts that reveal much of the wider culture of the late nineteenth and twentieth centuries. The prose is clear and the stories compulsive: Thornton brings to life a cast of people whose passion for their profession lives again in these pages. Warning: the final chapter, on Archaeological Fictions, will fill your to-be-read list with stacks of new titles to investigate! This is a highly readable, accessible exploration into the dynamic relationships between academic authors, publishers, and readers. It is, in addition, an exemplar of how academic research can attract a wide general readership, as well as a more specialised one: a stellar combination of rigorous scholarship with lucid, pacy prose. Highly recommended!' Samantha Rayner, Director of UCL Centre for Publishing; Deputy Head of Department and Director of Studies, Department of Information Studies, UCL

To all those who witnessed his extraordinary conquests, from Albania to India, Alexander the Great appeared invincible. How Alexander himself promoted this appearance—how he abetted the belief that he enjoyed divine favor and commanded even the forces of nature against his enemies—is the subject of Frank L. Holt's absorbing book. Solid evidence for the "supernaturalized" Alexander lies in a rare series of medallions that depict the triumphant young king at war against the elephants, archers, and chariots of Rajah Porus of India at the Battle of the Hydaspes River. Recovered from Afghanistan and Iraq in sensational and sometimes perilous circumstances, these ancient artifacts have long animated the modern historical debate about Alexander. Holt's book, the first devoted to the mystery of these ancient medallions, takes us into the history of their discovery and interpretation, into the knowable facts of their manufacture and meaning, and, ultimately, into the king's own psyche and his frightening theology of war. The result is a valuable analysis of Alexander history and myth, a vivid account of numismatics, and a spellbinding look into the age-old mechanics of megalomania.