New York, 1866 When her mistress receives an utterly unromantic letter from a potential suitor, servant Susanna Parkwell is asked to craft an appropriate response. Though hesitant to take part in the deception, Susanna agrees, never dreaming the scorned suitor will write back. Theodore Blakely abhors being pressured by his family to marry, but he's intrigued by the witty refusal he receives from "Charlotte". After exchanging more letters, Ted believes he's found a soul mate in his thoughtful and understanding correspondent, and asks permission to formally court her. Though racked with guilt over her lies, Susanna can't resist the opportunity to meet Ted in person. So she poses as Charlotte at a holiday ball, where she vows to tell him the truth. But when the clock strikes midnight, will Susanna have the courage to reveal her identity and risk losing the man she loves? 19,000 words

This comprehensive approach to functional musicianship at the keyboard includes varied repertoire, theory, technique, sight-reading, harmonization from lead sheets, ear training and ensembles. Great for college non-music majors, continuing education classes, music dealer in-store programs and group piano classes at the middle and high school levels. Book 1 contains 15 units each with a variety of repertoire, exercises, unit review worksheets and an assignment page.

Though they had been married for nearly three months, Amalie's aristocratic husband had yet to come to her bed. By day, Julien Declouet remained aloof. Then in the shadows of midnight, someone came to her. Who was the stranger who aroused her in ways she had never dreamed possible?

(Faber Piano Adventures ). Written for ages 5 and 6, My First Piano Adventure captures the child's playful spirit. Fun-filled songs, rhythm games and technique activities develop beginning keyboard skills. Three distinguishing features of the Lesson Book A make it unique and effective for the young 5-6 year old beginner. 1. A strong focus on technique embedded in the book through playful technique games, chants, and carefully-composed pieces that gently lead the child into pianistic motions. 2. An outstanding CD for the young student to listen, sing, tap, and play along with at the piano. The orchestrated songs on the CD feature children singing the lyrics, which has great appeal to the 5-6 year old beginner. The CD becomes a ready-made practice partner that guides the student and parent for all the pieces and activities in the books. 3. The fanciful art features five multi-cultural children who are also learning to play. These friends at the piano introduce basic rhythms, white key names, and a variety of white and black-key songs that span classical, folk, and blues. Young students will listen, sing, create, and play more musically with Nancy and Randall Faber s My First Piano Adventure, Lesson Book A. The Lesson Book introduces directional pre-reading, elementary music theory and technique with engaging songs, games, and creative discovery at the keyboard. Young students will enjoy the multi-cultural "friends at the piano" who introduce white-key names, basic rhythms, and a variety of songs which span classical, folk, and blues. Ear-training and eye-training are also part of the curriculum. The Fabers' instructional theory "ACE" - Analysis, Creativity, and Expression, guides the pedagogy of My First Piano Adventure. Analysis leads to understanding, creativity leads to self-discovery, and expression develops personal artistry. The CD for this book offers a unique listening experience with outstanding orchestrations and vocals. The recordings demonstrate a key principle of the course: when children listen, sing, tap, and move to their piano music, they play more musically. View Helpful Introductory Videos Here

A sensory narrative poem capturing the rhythms of the universe and secrets of the subconscious with stunning linguistic dexterity from the author of On the Road A spontaneous writing project in the form of an extended prose poem, this sonorous and spiritually playful book is one of Jack Kerouac’s most boldly experimental works. Collected from five notebooks dating from 1956 to 1959—a time in which Kerouac was immersed in Buddhist theory—Old Angel Midnight is comprised of sixty-seven short sections unified by an unwavering dedication to sounds, the subconscious, and verbal ingenuity. Friday Afternoon in the Universe, in all directions in & out you got your men women dogs children horses pones tics perts parts pans pools palls pails parturiences and petty Thieveries that turn into heavenly Buddha. Thus begins Kerouac’s Joycean language dance. From birdsong to dharmic verse, street jargon to French slang, the resonances of the universe come blaring in though the windows, unfurling their meaning as the mind lets go and listens.

The lyrics of a Cajun waltz may be dark as midnight with heartache and trouble, but still the music swings. The same goes for what happens after a shifty musician and a lonely shopgirl let destiny sweep them into an ill-suited marriage in swampy southwest Louisiana on the eve of the Depression. Love doesn’t much figure between Richie Bainard and Esther Block. They build a business together while dreaming opposite dreams of fulfillment. But like a gumbo simmering with peppers and spice, desires finally come to a boil. Three generations of the volatile clan grapple with the region’s economic struggles and racial tensions. The Bainard children, twins Bonnie and R.J. and their half-brother, Seth, pursue separate cravings for money, sex, and religion. The chase in each case runs off the rails thanks to an ex-marine with a soft heart and a brutish devotion, a dazzling young stepmother of mixed race and mixed motives, and a high school tart who proves tougher and truer than all of them. Ultimately it takes the mass devastation of Hurricane Audrey in 1957 to cleanse the reckless passions. The aftermath is painful but pure, like an old blues song that puts tears in your eyes while you dance.