0 0 Well, look at that! It’s been a long time coming. Now you will finally be able to dive into my mind and either drown or swim. YOU will see parts of me that I’ve lost and found. The love, the lust, to my heart on the ground. The insecurities but also the confidence. The need for reassurance but also no fucks given since. You may laugh or cry. You may fuck the first person that comes to mind. When you read my words, my venom shines. So sweet yet so seductive. You will love it and succumb to it. Metaphorically hypnotized. Sit back and open your mind in my world where souls unwind. Imagination has no limits here. You can fulfill your fantasies and face your deepest fear. Poetically speaking. I am poetically correct. You may want to relax. My words will have massive side effects. Everything in one. A Walking Contradiction. You will be back when you’re done.

A collection of insightful poems and lyrics that reflect the inner self in conjunction with today's society. Sometimes the only way to understand this world is by creating your own definition.

The first biography of the man Vanity Fair described as “the philosopher poet of character acting.” After a series of minor parts in forgettable westerns, Harry Dean Stanton gradually began to get film roles that showcased his laid-back acting style, appearing in Cool Hand Luke, Kelly’s Heroes, The Godfather: Part II, and Alien. He became a headliner in the eighties?starring in Wim Wenders’s moving Paris, Texas and Alex Cox’s Repo Man?but it was his extraordinary skill as a character actor that established him as a revered cult figure and kept him in demand throughout his career. Here, Joseph B. Atkins unwinds Stanton’s enigmatic persona, shedding light on his early life in West Irvine, Kentucky, and exploring his difficult relationship with his Baptist parents, his service in the Navy, and the events that inspired him to drop out of college and pursue acting. Atkins also chronicles Stanton’s early years in California, describing how he honed his craft at the renowned Pasadena Playhouse before breaking into television and movies. In addition to examining his acclaimed body of work, Atkins explores Harry Dean Stanton as a Hollywood legend, following his years rooming with Jack Nicholson, partying with David Crosby and Mama Cass, jogging with Bob Dylan, and playing poker with John Huston. Stanton is often remembered for his crowd-pleasing roles in movies like Pretty in Pink or Escape from New York, but this impassioned biography illuminates the entirety of his incredible sixty-year career, drawing on interviews with the actor’s friends, family, and colleagues.

Throughout his career, Johnny Cash has been depicted—and has depicted himself—as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodies irresolvable contradictions of American identity that reflect foundational issues in the American experience, such as the tensions between freedom and patriotism, individual rights and nationalism, the sacred and the profane. She illustrates how this model of ambivalence is a vital paradigm for American popular music, and for American identity in general. Making use of sources such as Cash's autobiographies, lyrics, music, liner notes, and interviews, Edwards pays equal attention to depictions of Cash by others, such as Vivian Cash's publication of his letters to her, documentaries and music journalism about him, Walk the Line, and fan club materials found in the archives at the Country Music Foundation in Nashville, to create a full portrait of Cash and his significance as a cultural icon.

This publication is a major evaluation of the 1970s American cinema, including cult film directors such as Bogdanovich Altman and Peckinpah.

Radical Ambivalence is the first book-length study of Flannery O’Connor’s attitude toward race in her fiction and correspondence. It is also the first study to include controversial material from unpublished letters that reveals the complex and troubling nature of O’Connor’s thoughts on the subject. O’Connor lived and did most of her writing in her native Georgia during the tumultuous years of the civil rights movement. In one of her letters, O’Connor frankly expresses her double-mindedness regarding the social and political upheaval taking place in the United States with regard to race: “I hope that to be of two minds about some things is not to be neutral.” Radical Ambivalence explores this double-mindedness and how it manifests itself in O’Connor’s fiction.

The Law of Non-Contradiction-that no contradiction can be true-has been a seemingly unassailable dogma since the work of Aristotle, in Book Gamma of the Metaphysics. It is an assumption challenged from a variety of angles in this collection of original papers. Twenty-three of the world's leading experts investigate the 'law', considering arguments for and against it and discussing methodological issues that arise whenever we question the legitimacy of logical principles. The result is a balanced inquiry into a venerable principle of logic, one that raises questions at the very centre of logic itself. The aim of this volume is to present a comprehensive debate about the Law of Non-Contradiction, from discussions as to how the law is to be understood, to reasons for accepting or re-thinking the law, and to issues that raise challenges to the law, such as the Liar Paradox, and a 'dialetheic' resolution of that paradox. One of the editors contributes an introduction which surveys the issues and serves to frame the debate. This collection will be of interest to anyone working on philosophical logic, and to anyone who has ever wondered about the status of logical laws and about how one might proceed to mount arguments for or against them.