Several generals were mortally wounded, and the fighting bogged down into a regiment-by-regiment, man-to-man engagement. When the smoke cleared and the fighting ceased on the evening of July 2, 1863, the 26 acres of wheat owned by George Rose had been destroyed, with the dead and wounded strewn all about.".

Originally published in 2002 by G.P. Putnam's Sons.

This is the story of Melanie Ratleer, a judge who is approaching the peak of her career with the anguished awareness that she has long since abandoned herself to the comforting impersonality of her work. Paula Sharp is the author of "The Woman Who Was Not All There" and "The Imposter".

The countryside is filled with beauty and wonder in these imaginative, idiosyncratic writings, but also cruelty and hardship. They describe the texture of an owl's feather, the colours of autumn and the sound of rooks' wings sweeping across the sky. Yet here too is the grinding toil of reaping the harvest, and the discovery of a gamekeeper's bloody kill. Brimming with intense feeling, these pieces show an acute awareness of the land, and the people on it. Generations of inhabitants have helped shape the English countryside - but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land - as well as those who are travelling through it.English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man's relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).

“Christopher Moore is a very sick man, in the very best sense of that word.” —Carl Hiassen A magnificent “Comedy d’Art” from the author of Lamb, Fool, and Bite Me, Moore’s Sacré Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed “suicide” of Vincent van Gogh. It is the color of the Virgin Mary's cloak, a dazzling pigment desired by artists, an exquisite hue infused with danger, adventure, and perhaps even the supernatural. It is . . . Sacré Bleu In July 1890, Vincent van Gogh went into a cornfield and shot himself. Or did he? Why would an artist at the height of his creative powers attempt to take his own life . . . and then walk a mile to a doctor's house for help? Who was the crooked little "color man" Vincent had claimed was stalking him across France? And why had the painter recently become deathly afraid of a certain shade of blue? These are just a few of the questions confronting Vincent's friends—baker-turned-painter Lucien Lessard and bon vivant Henri Toulouse-Lautrec—who vow to discover the truth about van Gogh's untimely death. Their quest will lead them on a surreal odyssey and brothel-crawl deep into the art world of late nineteenth-century Paris. Oh là là, quelle surprise, and zut alors! A delectable confection of intrigue, passion, and art history—with cancan girls, baguettes, and fine French cognac thrown in for good measure—Sacré Bleu is another masterpiece of wit and wonder from the one, the only, Christopher Moore.

"The U.S. Marines entered World War I as a small force of seagoing light infantry that had rarely faced a well-armed enemy. On a single faced day, in their initial assault "through the wheat" on Belleau Wood against German machine guns and poison gas shells, the Marines suffered more casualties than they had experienced in all their previous 142 years. Yet at Belleau Wood, Soissons, Blanc Mont, St. Mihiel, and the Meuse-Argonne the Marines proved themselves to be hard-nosed diehards with an affinity for close combat. Nearly a century later Belleau Wood still resonates as a touchstone battle of the Corps." "Two retired Marines, well known for their achievements both in uniform and with the pen, have recorded this rich history in a way that only insiders can. Brig. Gen. Edwin H. Simmons and Col. Joseph H. Alexander recount events and colorful personalities in telling detail, capturing the spirit that earned the 4th Marine Brigade three awards of the French Croix de Guerre and launched the first pioneering detachments of "Flying Leathernecks." Here, hand-to-hand combat seen through the lenses of a gas mask is accompanied by thought-provoking assessments of the war's impact on the Marine Corps."--Jacket.

In Paramjit Singh's resplendent landscapes there is always an air of mystery which haunts and beckons, making the viewer's experience spiritual and full of magic at the same time. The artist's own journey through such magical pathways began in the 1950s New Book