A Voyage Round My Father is a funny, subtle, touching portrait of his father's enigmatic endurance.

A Voyage Round My Father is a funny, subtle, touching portrait of his father's enigmatic endurance.

Includes the playsA Voyage Around My Father, The Collaborators, The Dock Brief, Lunch Hour, and What Shall We Tell Caroline? An unsuccessful barrister and even more unsuccessful murderer are the subject of Mortimer’s first play, The Dock Brief. This was followed by What Shall We Tell Caroline? and then Lunch Hour, another short play, about love and lies in the lunch-hour. The Collaborators covers the wear and tear of married life subsequently united by the threat of a third party. A Voyage Round My Father, one of Mortimer’s greatest theatrical successes, is a celebration of the Shakespeare-quoting, eccentric, brave and impossible barrister the author had as a father.

From the creator of the Rumpole stories—a novel of middle-class do-gooding gone awry Fans of John Mortimer and his popular Rumpole mysteries will love Quite Honestly, a comedy filled with a delightful cast of characters and Mortimer’s unique and entertaining take on a life of crime. Life couldn’t be better for Lucinda Purefoy—college educated, with a steady boyfriend and a job offer in advertising. With all this good fortune, isn’t it appropriate for her to give something back to society? Armed with only good intentions, she joins Social Carers, Reformers and Praeceptors (SCRAP, for short), a misguided organization that recruits women to becomes guides, philosophers, and friends to ex-convicts coming out of prison. Once she meets her charge, Terry Keegan, the ensuing hilarity and mishaps produce a signature Mortimer tale, full of wit and surprise.

His ire raised by a series of procedural abuses through which children have been imprisoned by neighborhood snobs without trial for innocent activities, barrister Horace Rumpole defends a youth who has been targeted for playing on a posh street, but his efforts are complicated by Rumpole's jokester colleagues. 60,000 first printing.

In Britain every generation produces a national treasure, a lovable figure so English that he could not possibly be of any other nationality, and Sir John Mortimer is just such a figure.Mortimer has delighted millions all over the world with seven television series about the gloriously larger-than-life fictional barrister Horace Rumpole --- Rumpole of the Bailey --- as well as novels, autobiographies, stage plays, film scripts, short stories, television and radio plays, newspaper articles, and even an opera and a ballet. Laurence Olivier, John Gielgud, and Alec Guinness appeared in his plays, and among his greatest theatrical triumphs is his stage and television play A Voyage Round My Father. He won a British Book Awards trophy for Lifetime Achievement in 2005.Mortimer actually practiced as a barrister for thirty-six years, defending husbands, wives, pornographers, and murderers in court and starring as the real-life "Devil's Advocate" in several legendary obscenity and blasphemy cases in the 1970s, quickly becoming a liberal hero.Yet despite huge success, fame, and knighthood there lurks beneath that genial "champagne socialist" mask an unusually complex man who has been plagued by depression, doubt, insecurity, and an irresistible urge to commit adultery.Biographer Graham Lord, whose discovery that Mortimer had a secret son by the British actress Wendy Craig forced Sir John to admit it publicly in 2004, has interviewed scores of Mortmer's family, friends, mistresses, and enemies to write a frank and vital biography that reveals the startling reality behind the beloved public figure. "Breathless prose and many juicyrevelations-an absorbing read."--Kirkus Reviews

Speakers of British and American English display some striking differences in their use of grammar. In this detailed survey, John Algeo considers questions such as: •Who lives on a street, and who lives in a street? •Who takes a bath, and who has a bath? •Who says Neither do I, and who says Nor do I? •After 'thank you', who says Not at all and who says You're welcome? •Whose team are on the ball, and whose team isn't? Containing extensive quotations from real-life English on both sides of the Atlantic, collected over the past twenty years, this is a clear and highly organized guide to the differences - and the similarities - between the grammar of British and American speakers. Written for those with no prior knowledge of linguistics, it shows how these grammatical differences are linked mainly to particular words, and provides an accessible account of contemporary English in use.