Western missionaries in China were challenged by something they could not have encountered in their native culture; most Westerners were Christian, and competitions in their own countries were principally denominational. Once they entered China they unwittingly became spiritual merchants who marketed Christianity as only one religion among the long-established purveyors of other religions, such as the masters of Buddhist and Daoist rites. A Voluntary Exile explores the convergence of cultures. This collection of new and insightful research considers themes of religious encounter and accommodation in China from 1552 to the present, and confronts how both Western Europeans and indigenous Chinese mitigated the cultural and religious antagonisms that resulted from cultural misunderstanding. The studies in this work identify areas where missionary accommodation in China has succeeded and failed, and offers new insights into what contributed to cultural conflict and confluence. Each essay responds in some way to the “accommodationist” approach of Western missionaries and Christianity, focusing on new areas of inquiry. For example, Michael Maher, SJ, considers the educational and religious formation of Matteo Ricci prior to his travels to China, and how Ricci’s intellectual approach was connected to his so-called “accommodationist method” during the late Ming. Eric Cunningham explores the hackneyed assertion that Francis Xavier’s mission to Asia was a “failure” due to his low conversion rates, suggesting that Xavier’s “failure” instigated the entire Chinese missionary enterprise of the 16th and 17th centuries. And, Liu Anrong confronts the hybridization of popular Chinese folk religion with Catholicism in Shanxi province. The voices in this work derive from divergent scholarly methodologies based on new research, and provide the reader a unique encounter with a variety of disciplinary views. This unique volume reaches across oceans, cultures, political systems, and religious traditions to provide important new research on the complexities of cultural encounters between China and the West.

This edited volume on acclaimed Greek-Australian poet Dimitris Tsaloumas is a 'polyphonic' response to his work, consisting of essays, reviews and interviews . The book is bilingual (English and Greek) and begins with an introduction by the editor, in English and Greek. The pieces that follow are by Greek diasporic critics and English-speaking critics from Australia, England and the U.S.A. The book includes two reflective pieces by the poet himself and two interviews, all providing a fascinating insight into the poet and his work.

In 2005, hurricane Katrina and its aftermath starkly revealed the continued racial polarization of America. Disproportionately impacted by the ravages of the storm, displaced black victims were often characterized by the media as "refugees." The characterization was wrong-headed, and yet deeply revealing. Sanctuary: African Americans and Empire traces the long history of this and related terms, like alien and foreign, a rhetorical shorthand that has shortchanged black America for over 250 years. In tracing the language and politics that have informed debates about African American citizenship, Sanctuary in effect illustrates the historical paradox of African American subjecthood: while frequently the target of legislation (slave law, the Black Codes, and Jim Crow), blacks seldom benefited from the actions of the state. Blackness helped to define social, cultural, and legal aspects of American citizenship in a manner that excluded black people themselves. They have been treated, rather, as foreigners in their home country. African American civil rights efforts worked to change this. Activists and intellectuals demanded equality, but they were often fighting for something even more fundamental: the recognition that blacks were in fact human beings. As citizenship forced acknowledgement of the humanity of African Americans, it thus became a gateway to both civil and human rights. Waligora-Davis shows how artists like Langston Hughes underscored the power of language to define political realities, how critics like W.E.B. Du Bois imagined democratic political strategies, and how they and other public figures have used their writing as a forum to challenge the bankruptcy of a social economy in which the value of human life is predicated on race and civil identity.

The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, ­all of which have an urgent bearing on the poetics of modernity.