Readers share the scary adventures of Tommy and Stephanie as they unravel the mystery of Halfway House.

Stephaine and Tommy have a scary adventure in a haunted house.

A popular phenomenon since antiquity, the image of the haunted house is one that has translated elegantly into the modern medium of film. The haunted house transcends genre, appearing in mysteries, gothic romances, comedies and horror films. This book is the first comprehensive historical and critical study of themes surrounding haunted houses in film. Covering more than 100 films, it spans from the Mystery House thrillers of the silent era to the high-tech, big budget productions of the 21st Century. Included are the works of such acclaimed directors as D.W. Griffith, Robert Wise, Mario Bava, Alfred Hitchcock, Stanley Kubrick, Tim Burton and Guillermo Del Toro. The book also covers the real-life "haunted house" phenomenon and movies based on paranormal case files, including those featured in films like the Conjuring series.

This book explores Victorian and modernist haunted houses in female-authored ghost stories as representations of the architectural uncanny. It reconsiders the gendering of the supernatural in terms of unease, denial, disorientation, confinement and claustrophobia within domestic space. Drawing on spatial theory by Gaston Bachelard, Henri Lefebvre and Elizabeth Grosz, it analyses the reoccupation and appropriation of space by ghosts, women and servants as a means of addressing the opposition between the past and modernity. The chapters consider a range of haunted spaces, including ancestral mansions, ghostly gardens, suburban villas, Italian churches and houses subject to demolition and ruin. The ghost stories are read in the light of women’s non-fictional writing on architecture, travel, interior design, sacred space, technology, the ideal home and the servant problem. Women writers discussed include Elizabeth Gaskell, Margaret Oliphant, Vernon Lee, Edith Wharton, May Sinclair and Elizabeth Bowen. This book will appeal to students and researchers in the ghost story, Female Gothic and Victorian and modernist women’s writing, as well as general readers with an interest in the supernatural.

A Kentucky native and folk studies scholar presents a collection of haunting legends and stories of spirits from across the Bluegrass State. William Lynwood Montell has spent years documenting Kentucky’s rich legacy of ghostly visitations. Many of the stories were collected from elders by younger generations and are recounted here exactly as they were gathered. This volume introduces spirits such as the Tan Man of Pike County, who trudges invisibly through a house accompanied by the smell of roses, and the famed Gray Lady of Liberty Hall in Frankfort, a houseguest who never left. Montell tells the story of the ghost of Daniel Boone calling upon the statesman Henry Clay shortly before his death. He also recounts the tale of ghouls that haunt the rehearsal house of the band The Kentucky Headhunters. Readers will find accounts of haunted libraries, mansions, log cabins, bathrooms, furniture, hotels, and distilleries, as well as reports of eerie visitations from passed-on grandmothers, husbands, daughters, uncles, cousins, babies, slaves, Civil War soldiers, dogs, sheep, and even wildcats. Almost every county in Kentucky is represented. Though the book emphasizes the stories themselves, Montell offers an introduction discussing how local history, and local character, are communicated across the generations in these colorful stories.