The London County Council was a the world's largest municipal government and a laboratory for social experimentation before the Great War. It sought to master the problems of metropolitan amelioration, political economy and public culture. Pennybacker's social history tests the vision of London Progressivism against its practitioners' accomplishments. She argues that the historical memory of the hopes inspired by LCC achievement and the disillusions spawned by failure, are potent forces in today's deeply ambivalent responses to metropolitan politics in London. The `new women', bohemian London, scandal in the building industry, midwifery, lodging houses, children's provision and the music hall were all provocative issues in LCC work. Their story richly evokes life in the turn-of-the-century metropolis and illustrates the complexities of `municipal socialism'.

Raised in London, the son of a school master, Thomas More became a great scholar, Oxford graduate and lawyer. He served King Henry VIII becoming one of his trusted advisors. Sir Thomas refused to acknowledge Henry VII as the head of the Church in England and was arrested for high treason. He was beheaded and became a Martyr for the Church. [adapted from back cover.

Andy must travel through every tube station in London in a single day to retrieve the Eurostar tickets he needs to get to his wedding in Paris.

The second half of the twentieth century has seen British artists, architects, and designers assuming a central role on the world stage. Starting in the years of reconstruction after the war, the young began to challenge accepted artistic values, looking at popular culture for their inspiration; the iconoclasm of the Pop movement has continued to be one of the most vital ingredients of the British art scene. In the year-by-year record that this book provides, the work of newcomers making their first impact is seen alongside that of outstanding artists in their maturity, with connections and contradictions across the entire visual scene-from architecture, interior design, furniture, and the decorative arts to painting, sculpture, and graphic art.

During his forty-five years as a Latter-day Saint apostle and nineteen years as the prophet, David O. McKay gave thousands of speeches, including hundreds of temple and chapel dedications, civic addresses, funeral sermons, and General Conference and other Church-related talks. Many of these speeches contain some of the same prose and poetry, but no two speeches are the same. All of these discourses were written by McKay himself, and virtually all of them were typed, organized, and kept in large, legal-sized leather binders by Clare Middlemiss, his long-time personal secretary. His choice of prose reveals his favorite authors and literature, a glimpse into his personal library. It also conveys his ideals and his fervent belief in their truth. Never before, and not since, has The Church of Jesus Christ of Latter-day Saints had a prophet so well versed in secular as well as scriptural prose. McKay’s intellectual and spiritual worlds meshed as he recited with ease the poetry of Edgar A. Guest, John Oxenham, and Joaquin Miller, as well as the patriotic pronouncements of George Washington, Patrick Henry, and Benjamin Franklin. In one speech he seemed to have studied Scottish lore, and in another he effortlessly extolled current US statistics on crime or divorce. He was at times romantic and wistful, and at other times firm and warning. In A Vision Splendid: The Discourses of David O. McKay, Anne-Marie Wright Lampropoulos culls from the vast records of McKay's discourses that Middlemiss kept and groups certain categories of speeches together: dedications, civic addresses, Church discourses, and funeral sermons. Each chapter broadly analyzes a category and then includes samples of illustrative full speeches. This analysis and compilation illustrates how McKay looked to poignant prose for a sense of his own personal identity and inspiration, as well as the larger identity and inspiration of Church members.

A Vision of Fire is the explosive first novel from iconic X-Files star Gillian Anderson and New York Times bestselling author Jeff Rovin: “Fans of Douglas Preston and Lincoln Child will find a lot to like” (Publishers Weekly). Renowned child psychologist Caitlin O’Hara is a single mom trying to juggle her job, her son, and a lackluster dating life. Her world is suddenly upturned when Maanik, the daughter of India’s ambassador to the United Nations starts speaking in tongues and having violent visions. Maanik’s parents are sure that her fits have something to do with the recent assassination attempt on her father—a shooting that has escalated nuclear tensions between India and Pakistan to dangerous levels—but when children start having similar outbursts around the world, Caitlin begins to think that there’s a stranger force at work. In Haiti, a student claws at her throat, drowning on dry land. In Iran, a boy suddenly and inexplicably bursts into flame. On the Pakistan border, a young man feels a burning in his chest and, against his will, opens fire on Indian troops. With Asia on the cusp of nuclear war, Caitlin must race across the globe and uncover the supernatural links between these seemingly unrelated cases in order to save her patient—and perhaps the world. The first in a series, A Vision of Fire is a pulse-pounding thriller that will leave you gasping for more.